Superb 2010 performance Taylor Swift’s Fearless Tour, launched in support of her second studio album Fearless, was the singer-songwriter’s first headlining concert tour. The first 52-date North American leg began in January 2009. Before the jaunt began on April 23, 2009, in Evansville Indiana, Swift had headlined music festivals in North America. Through 2009, she announced additional dates in England, Australia, and Japan, and the Fearless Tour concluded on July 10, 2010, in Cavendish, Canada. Kellie Pickler, Gloriana, and Justin Bieber were supporting acts. Upon completion, the Fearless Tour drew 1.2 million people in attendance and grossed $66.5 million from 118 shows across 15 months. Several shows were recorded and released for a concert series, Journey to Fearless, which aired on The Hub from October 22 to 24, 2010. Among the very finest shows of the entire tour, Taylor’s concert at The Staples Center in Los Angeles, on 15th April 2010, stands out as a true classic performance.

Live at Pompeii is a 1972 concert by the English rock group Pink Floyd performing at the ancient Roman amphitheatre in Pompeii, Italy.

Whitesnake - Bootlegs Mega Collection [100 Live CDs] (1978-1997)
EAC Rip | FLAC (*track), (*image+cue) | Run Time: 03:15:14:31 | 31.95 Gb
Genre: Hard rock, blues rock, glam metal | Label: Unofficial Release

Whitesnake are an English hard rock band formed in London in 1978. The group was originally put together as the backing band for singer David Coverdale, who had recently left Deep Purple. Though the band quickly developed into their own entity, Coverdale is the only constant member throughout their history.

Very rare and extremely limited 2019 EU 4CD Box Set collection of Pink Floyd containing the "Ummagumma" album high resolution remaster plus outtakes, rarities and live material… This Deluxe Edition contains a 12 page booklet with the complete tracklistings and detailed recording information. Limited and numbered edition of 300. Ummagumma is the fourth album by the English rock band Pink Floyd. It is a double album and was released on 7 November 1969 by Harvest Records. The first disc consists of live recordings from concerts at Mothers Club in Birmingham and the College of Commerce in Manchester that contained part of their normal set list of the time, while the second contains solo compositions by each member of the band recorded at Abbey Road Studios.

Mark Knopfler: BBC Sessions 1988 - 2018. Very Rare and Limited 2019 EU CD Digipack.

Barclaycard presents British Summer Time Hyde Park, kicks off festival announcements for 2018 with another world-class headliner and the promise of yet another legendary night in the park. Pink Floyd visionary Roger Waters becomes the latest in a long line of era defining artists to grace Hyde Park – one of music’s most spectacular showmen at the greatest outdoor venue in the world. This new tour promises to be no exception, following months of meticulous planning and craft, it will inspire crowds with its powerful delivery to take the audience on a musical journey. Roger Waters – Us + Them will showcase highlights from Waters’ groundbreaking body of work, with songs from Pink Floyd’s greatest albums (Wish You Were Here, The Wall, Animals, Dark Side of The Moon), along with tracks from his critically acclaimed new album “Is This the Life We Really Want?”.

Humble Pie's Official Bootleg Box Set Volume 1 is a raw testament to what this band did best; playing bluesy, gutsy, soulful and often hard rock, live on stage to an adoring audience. Drawn from a variety of mainly audience recordings that have previously only been available as "under the counter" pirate releases, this is an honest, and often unforgiving, tribute to a classic and much missed '70s supergroup. Originally emerging from the remnants of '60s beat heroes, The Small Faces, Humble Pie formed in 1969 when guitarist and vocalist Steve Marriott joined forces with Peter Frampton, drummer Jerry Shirley and bassist Greg Ridley, and signed to Andrew Loog Oldham's Immediate label.

Very rare and extremely limited 2018 EU 4CD Box Set (Longbox) collection of Pink Floyd containing the "Meddle" album high resolution remaster plus outtakes, rarities and live material… This Deluxe Edition contains a 12 page booklet with the complete tracklistings and detailed recording information. Limited and numbered edition of 300.

The Final Cut is the twelfth studio album by English progressive rock group Pink Floyd. It was released on 21 March 1983 by Harvest Records in the United Kingdom, and several weeks later by Columbia Records in the United States. The Final Cut is Pink Floyd's last studio album to include founding member, bassist and songwriter Roger Waters, and their only album on which he alone is credited for writing and composition. It is also the only Pink Floyd album that does not feature keyboardist Richard Wright. Waters originally planned The Final Cut as a soundtrack album for the 1982 film Pink Floyd – The Wall. With the onset of the Falklands War, he rewrote it as a concept album, exploring what he considered the betrayal of his father, who died serving in the Second World War.

The unauthorised live recordings… These live recordings and their release, has not been authorised by the performing artists or their record company. This sound recording was recorded with amateur equipment and will not be of the same quality as an authorised release.

The line-up on this newly released bootleg is said to consist of Florian Schneider, Michael Rother and Klaus Dinger, which tells us that this was probably recorded in that short period of time in 1971, estimated to 6 months, when Ralf Hütter had left the band. Supposedly, the recording was made at the Gondel Kino in Bremen, Germany on June 25, 1971. And it's an interesting recording.

Pink Floyd first performed in Australia on Friday 13th August 1971, at Melbourne Festival Hall, and on Sunday 15th August at Randwick Racecourse in Sydney. Pink Floyd, Melbourne 1971 concert flyerThey arrived in Australia on 11th August 1971, and at Melbourne Airport they were interviewed by Gary Mac for Go-Set (a 24 page music newspaper). Australian journalists, not realising that the Floyd disliked talking about the music, actually received a couple of decent interviews with all the members of the band. Mac's interview plus a review of the Melbourne concert appeared in the Saturday, 28th August 1971 edition of Go-Set (volume 6, number 35).

What might have been simply seen as an agreeable enough debut album has since become something of a notorious legend because Kraftwerk, or more accurately the core Hütter/Schneider duo at the heart of the band, simply refuses to acknowledge its existence any more. What's clearly missing from Kraftwerk is the predominance of clipped keyboard melodies that later versions of the band would make their own. Instead, Kraftwerk is an exploratory art rock album with psych roots first and foremost, with Conny Plank's brilliant co-production and engineering skills as important as the band performances. Still, Hütter and Schneider play organ and "electric percussion" – Hütter's work on the former can especially be appreciated with the extended opening drone moan of the all-over-the-place "Stratovarius" combined with Schneider's eerie violin work. But it's a different kind of combination and exploration, with the key pop sugar (and vocal work) of later years absent in favor of sudden jump cuts of musique concrète noise and circular jamming as prone to sprawl as it is to tight focus.