Carolyn Sampson, Robert King, The King’s Consort - Abbandonata: Handel Italian Cantatas (2018)
Carolyn Sampson, Robert King, The King’s Consort - Abbandonata: Handel Italian Cantatas (2018)
EAC | FLAC | Image (Cue & Log) ~ 424 Mb | Total time: 76:08 | Scans included
Classical | Label: Vivat | VIVAT 117 | Recorded: 2018
EAC | FLAC | Image (Cue & Log) ~ 424 Mb | Total time: 76:08 | Scans included
Classical | Label: Vivat | VIVAT 117 | Recorded: 2018
Acclaimed soprano Carolyn Sampson, partnered by Robert King and The King's Consort,with whom she has been associated throughout her professional career, turns her talents to Handel's two most dramatic cantatas, linked by the theme of abandoned women.
During his stay in Italy from 1706-10 the young Handel's eyes and ears were opened wide.Hearing Italian music played by Italian musicians in Italian palazzos, churches and theatres must have been jaw-dropping. Nowhere are those influences more vividly demonstrated than in his early Italian cantatas.
In Armida abbandonata the heroine tries, and fails, to abandon the love that has abandoned her.Storms, passion, monsters, yearning, heartache, anguish and finally resignation are all portrayed in this strongest of cantatas. Even more powerful emotions are conjured up in Agrippina condotta a morire. The mother of the crazed emperor Nero is ruthless, ambitious, scheming, domineering, violent and beautiful. Realising that she has been betrayed by her own son, her emotions swing through disbelief, injustice, fury, resentment, grief, betrayal, resilience, pride, self-pity, humiliation, thwarted vengeance and finally come to resignation. Handel pushes all the boundaries, showing techniques that were to be incorporated into his works for decades to come in music of astonishing originality.
Performer:
Carolyn Sampson, soprano
The King’s Consort
Robert King, conductor
Tracklist:
George Frideric Handel (1685-1759)
Dietro l'orme fugaci, HWV 105 "Armida abbandonata":
01. I. Dietro l'orme fugaci
02. II. Ah! Crudele, e pur ten vai
03. III. Per te mi struggo, infido
04. IV. O voi, dell'incostante
05. V. Venti, fermate, si
06. VI. Ma che parlo, che dico?
07. VII. Siciliana. In tanti affanni miei
Tra le fiamme, HWV 170:
08. I. Tra le fiamme
09. II. Dedalo già le fortunate penne
10. III. Pien di nuovo e bel diletto
11. IV. Si, si purtroppo è vero
12. V. Voli per l'aria
13. VI. L'uomo che nacque per salire
14. VII. Tra le fiamme
Figlio d'alte speranze, HWV 113:
15. I. Figlio d'alte speranze
16. II. Troppo costa
17. III. Era conforto il suo penar
18. IV. Sia guida, sia stella
19. V. In così dire
20. VI. Brillava protetto
Dunque sara pur vero, HWV 110 "Agrippina condotta a morire":
21. I. Dunque sarà pur vero
22. II. Orrida, oscura, l'etra si renda
23. III. Ma pria che d'empia morte
24. IV. Renda cenere il tiranno
25. V. Sì, sì del gran tiranno
26. VI. Come, o Dio!
27. VII. Si, si s'uccida
28. VIII. Cada lacero e svenato
29. IX. Se infelice al mondo vissi
30. X. Trema l'ingrato figlio
31. XI. Su lacerate il seno
32. XII. Ecco, a morte già corro
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 20. October 2020, 21:35
Carolyn Sampson / Abbandonata. Handel's Italian Cantatas
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==== Log checksum E81DBCD99AF154207C270569A8C45CC8881D2D0DB8340D6CE8F26BBDA459E4B7 ====
Carolyn Sampson, Robert King, The King’s Consort - Abbandonata: Handel Italian Cantatas (2018)
Thanks to the original releaser