Christoph Spering, Das Neue Orchester, Chorus Musicus Koln - Salieri: La Passione di nostro signore Gesu Cristo (2004)
Christoph Spering, Das Neue Orchester, Chorus Musicus Köln - Salieri: La Passione di nostro signore Gesu Cristo (2004)
EAC | FLAC | Image (Cue & Log) ~ 429 Mb | Total time: 47:27+43:04 | Scans included
Classical | Label: Capriccio | # 60 100 | Recorded: 2003
EAC | FLAC | Image (Cue & Log) ~ 429 Mb | Total time: 47:27+43:04 | Scans included
Classical | Label: Capriccio | # 60 100 | Recorded: 2003
First performed at the Burgtheater in Vienna in 1776 La passione di nostro Signore Gesu Cristo is a work of Salieri’s early maturity. It’s a passion oratorio but one that gorges on operatic convention to make its powerfully dramatic points. If it’s further to be anatomised, the traditional recitative-aria and solo and chorus block voicings also faithfully follow operatic form and so Azione sacra is as good a term as oratorio to describe Salieri’s work.
Opening with an enthusiastically if sometimes approximately played Overture we immediately face two small recitatives for Peter followed by his first aria, Giacché mi tremi in seno, one that immediately establishes the dramatic, theatrical direction of the musical argument, enriched along the way as it is by colourful accompanying instrumentation. Maddalena herself is permitted only one solo – not an aria as such but a Cavatina (No.8 – Vorrei dirti il mio dolore) that follows, almost immediately, the declamatory-consolatory almost hymnal entreaty of the chorus. As John, contralto Franziska Gottwald shows commendable fire and no little technical address in her early aria Come a vista – the divisions are on the button, the voice is flexible and well supported and she reminds me just a touch of David Daniels (a high compliment). I liked Florian Mock’s Peter and his Part I aria Tu nel duol felice sei where one finds, despite some forcing, quite a bit of colour in the voice. Salieri’s dramatic instincts are reinforced by his approach to duet writing – forceful, imaginative, once more theatrical-operatic – as in Vi sento, O Dio for Peter and Maddalena.
Salieri took a text by Pietro Metastasio written in 1730 which deals with the time after the crucifixion and burial but which precedes the resurrection. The libretto balances the piety of Part I with the yearning questioning of the nature of the Resurrection in Part II. And whilst one can’t argue for the work touching the greatest depths one can nevertheless find in it a firm control of schema and of pacing, of emotive states and of the utilisation of operatic form for optimum emotive potential. As a signal of the young Salieri’s already impressive command it’s a strong example and this performance, whilst hardly flawless, is committed and lucidly performed.–Jonathan Woolf
Performer:
Maddalena - Melba Ramos
Giovanni - Franziska Gottwald
Pietro - Florian Mock
Giuseppe d'Arimatea - Hanno Müller-Brachmann
Chorus Musicus Köln
Das Neue Orchester
Dirigent - Christoph Spering
Track List:
CD1:
01. Parte I. Ouverture
02. Recitativo (Pietro): Dove son?
03. Recitativo (Pietro): Ingratissimo Pietro
04. Aria (Pietro): Giacche mi tremi in seno
05. Recitativo (Pietro): Ma qual dolente stuolo
06. Coro: Quanto costa il tuo delitto?
07. Recitativo (Pietro): Maddalena, Giovanni, Giuseppe, amici
08. Aria (Maddalena): Vorrei dirti il mio dolore
09. Recitativo (Giovanni, Giuseppe d'Arimatea): O piu di noi felice Pietro
10. Recitativo (Giuseppe d'Arimatea): Torbido mar che freme
11. Recitativo (Pietro, Maddalena, Giovanni): Barbari! O crudeli!
12. Aria (Giovanni): Come a vista di pene si fiere
13. Recitativo (Pietro, Giovanni, Maddalena): E la Madre frattanto in mezzo all'empie squadre
14. Aria (Maddalena) e Coro: Potea quel pianto
15. Recitativo (Pietro, Giuseppe d'Arimatea, Giovanni): Come inventar potea
16. Aria (Pietro): Tu nel duol felice sei
17. Recitativo (Giovanni): Dupo un pegno si grande d'amore
18. Duetto (Pietro, Maddalena): Vi sento, o Dio
19. Coro: Di qual sangue, o mortale
CD1:
01. Parte II. Recitativo (Pietro, Giuseppe d'Arimatea, Maddalena, Giovanni): Ed insepolto ancora
02. Aria (Giovanni): Ritornera fra voi
03. Recitativo (Giuseppe d'Arimatea): Qual terribil vendetta
04. Aria (Giuseppe d'Arimatea): All'idea de' tuoi perigli
05. Recitativo (Pietro): Le minaccie non teme
06. Aria (Pietro): Se la pupilla inferma
07. Recitativo (Maddalena, Giovanni): Pur doverbbe in tal giorno
08. Aria (Giovanni): Dovunque il guardo io giro
09. Recitativo (Maddalena): Giovanni, anchi' io lo so
10. Aria (Maddalena): Ai passi erranti
11. Recitativo (Pietro): Non senza guida
12. Aria (Pietro): Se a librarsi in mezzo all' onde
13. Recitativo (Maddalena, Giovanni, Giuseppe d'Arimatea, Pietro): Ah, del felice marmo
14. Coro: Santa speme tu sei ministra
Exact Audio Copy V1.5 from 20. February 2020
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Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 4. February 2021, 14:09
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Christoph Spering, Das Neue Orchester, Chorus Musicus Koln - Salieri: La Passione di nostro signore Gesu Cristo (2004)
