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Duke Ellington and His Orchestra featuring Mahalia Jackson - Black, Brown and Beige (1958) [Reissue 1999] (Repost)

Posted By: gribovar

Date: 22 Aug 2018 15:06:32

Duke Ellington and His Orchestra featuring Mahalia Jackson - Black, Brown and Beige (1958) [Reissue 1999] (Repost)

Duke Ellington and His Orchestra featuring Mahalia Jackson - Black, Brown and Beige (1958) [Reissue 1999]
EAC Rip | FLAC (tracks+.cue+log) - 394 MB | Covers - 39 MB
Genre: Jazz, Swing, Gospel | RAR 3% Rec. | Label: Columbia/Legacy (CK 65566)

Duke Ellington originally wrote the 50-minute Black, Brown and Beige in 1943 for a Carnegie Hall concert, where critics dismissed it as overreaching for a jazz composer. Over the next 15 years, he periodically resurrected it for performances of excerpts or, as in the case of his 1958 Columbia album, transmuting it into what was essentially a new work. Columbia's Black, Brown and Beige was one of the most extraordinary products of Ellington's second stay with the label, growing out of his 1956 Newport triumph, and it was received somewhat more readily than the original 1943 "Black, Brown and Beige." The main problem for those who knew the piece and its history lay in the absence of Johnny Hodges, who was hardly ever with the Ellington band during 1958, and on whose talents "Come Sunday," the centerpiece of the original work and even more the core of the revamped Black, Brown and Beige, was built. Instead, Mahalia Jackson sings a version of "Come Sunday" that is, if anything, equally affecting, backed by the orchestra led by Ray Nance's violin. The result on the original album was a piece that started off in big band-style blues and led to one of Ellington's most moving, wrenching pieces of work, and music that, had it been better known, might also have done more to raise people's consciousness about Civil Rights than 100 folk songs of the period.

Tracklist:

Black, Brown and Beige:
01. Part I
02. Part II
03. Part III (aka Light)
04. Part IV (aka Come Sunday)
05. Part V (aka Come Sunday)
06. Part VI (23rd Psalm)

Bonus tracks:
07. Track 360 (aka Trains) (alternate take)
08. Blues In Orbit (aka Tender) (alternate take)

Black, Brown and Beige (alternate take):
09. Part I (alternate take)
10. Part II (alternate take)
11. Part III (aka Light) (alternate take)
12. Part IV (aka Come Sunday) (alternate take)
13. Part V (aka Come Sunday) (alternate take)
14. Part VI (23rd Psalm) (alternate take)
15. Studio Conversation (Mahalia swears)
16. Come Sunday (from Black, Brown And Beige) (accapella)
17. Pause Track

Total time: 01:00:13

EAC log

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

EAC extraction logfile from 25. May 2008, 15:40

Duke Ellington & Mahalia Jackson / Black, Brown and Beige

Used drive : LITE-ON CD-RW SOHR-5238S Adapter: 1 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 8:16.70 | 0 | 37269
2 | 8:16.70 | 6:13.50 | 37270 | 65294
3 | 14:30.45 | 6:25.40 | 65295 | 94209
4 | 20:56.10 | 7:58.02 | 94210 | 130061
5 | 28:54.12 | 3:46.25 | 130062 | 147036
6 | 32:40.37 | 3:08.18 | 147037 | 161154
7 | 35:48.55 | 2:05.25 | 161155 | 170554
8 | 37:54.05 | 2:41.47 | 170555 | 182676
9 | 40:35.52 | 6:48.53 | 182677 | 213329
10 | 47:24.30 | 6:37.60 | 213330 | 243164
11 | 54:02.15 | 3:07.67 | 243165 | 257256
12 | 57:10.07 | 2:23.28 | 257257 | 268009
13 | 59:33.35 | 5:51.05 | 268010 | 294339
14 | 65:24.40 | 1:58.67 | 294340 | 303256
15 | 67:23.32 | 0:06.48 | 303257 | 303754
16 | 67:30.05 | 5:47.07 | 303755 | 329786
17 | 73:17.12 | 0:06.43 | 329787 | 330279

Track 1

Filename I:\EAC\BB&B\01 - Part I .wav

Pre-gap length 0:00:02.00

Peak level 97.7 %
Track quality 100.0 %
Test CRC 16D96925
Copy CRC 16D96925
Copy OK

Track 2

Filename I:\EAC\BB&B\02 - Part II .wav

Peak level 56.5 %
Track quality 100.0 %
Test CRC 47B2DBF5
Copy CRC 47B2DBF5
Copy OK

Track 3

Filename I:\EAC\BB&B\03 - Part III (Aka Light) .wav

Peak level 94.0 %
Track quality 99.9 %
Test CRC FC206778
Copy CRC FC206778
Copy OK

Track 4

Filename I:\EAC\BB&B\04 - Part IV (Aka Come Sunday) .wav

Peak level 79.2 %
Track quality 100.0 %
Test CRC 17CA153E
Copy CRC 17CA153E
Copy OK

Track 5

Filename I:\EAC\BB&B\05 - Part V (Aka Come Sunday) .wav

Peak level 48.4 %
Track quality 100.0 %
Test CRC FC7CD240
Copy CRC FC7CD240
Copy OK

Track 6

Filename I:\EAC\BB&B\06 - Part VI (23rd Psalm) .wav

Peak level 85.0 %
Track quality 100.0 %
Test CRC B7239328
Copy CRC B7239328
Copy OK

Track 7

Filename I:\EAC\BB&B\07 - Track 360 (Aka Trains) - Alternate Take .wav

Pre-gap length 0:00:07.30

Peak level 84.7 %
Track quality 100.0 %
Test CRC 4840C75C
Copy CRC 4840C75C
Copy OK

Track 8

Filename I:\EAC\BB&B\08 - Blues In Orbit (Aka Tender) - Alternate Take .wav

Pre-gap length 0:00:03.13

Peak level 65.6 %
Track quality 100.0 %
Test CRC 5A9AD18E
Copy CRC 5A9AD18E
Copy OK

Track 9

Filename I:\EAC\BB&B\09 - Part I - Alternate Take .wav

Pre-gap length 0:00:05.07

Peak level 97.7 %
Track quality 100.0 %
Test CRC FC130ADE
Copy CRC FC130ADE
Copy OK

Track 10

Filename I:\EAC\BB&B\10 - Part II - Alternate Take .wav

Peak level 61.3 %
Track quality 99.9 %
Test CRC 62F452F7
Copy CRC 62F452F7
Copy OK

Track 11

Filename I:\EAC\BB&B\11 - Part III (Aka Light) - Alternate Take .wav

Peak level 97.7 %
Track quality 100.0 %
Test CRC 819A0477
Copy CRC 819A0477
Copy OK

Track 12

Filename I:\EAC\BB&B\12 - Part IV (Aka Come Sunday) - Alternate Take .wav

Peak level 48.3 %
Track quality 100.0 %
Test CRC 83D60606
Copy CRC 83D60606
Copy OK

Track 13

Filename I:\EAC\BB&B\13 - Part V (Aka Come Sunday) - Alternate Take .wav

Peak level 43.4 %
Track quality 100.0 %
Test CRC CA9EA024
Copy CRC CA9EA024
Copy OK

Track 14

Filename I:\EAC\BB&B\14 - Part VI (23rd Psalm) - Alternate Take .wav

Peak level 97.7 %
Track quality 99.9 %
Test CRC 69186C2B
Copy CRC 69186C2B
Copy OK

Track 15

Filename I:\EAC\BB&B\15 - Studio Conversation (Mahalia Swears) .wav

Peak level 66.6 %
Track quality 98.3 %
Test CRC 690D07DC
Copy CRC 690D07DC
Copy OK

Track 16

Filename I:\EAC\BB&B\16 - Come Sunday (A Cappella) .wav

Peak level 80.0 %
Track quality 100.0 %
Test CRC 8D5D5448
Copy CRC 8D5D5448
Copy OK

Track 17

Filename I:\EAC\BB&B\17 - (Blank) .wav

Peak level 0.0 %
Track quality 100.0 %
Test CRC 7EBFEA74
Copy CRC 7EBFEA74
Copy OK

No errors occurred

End of status report

CUETools log

[CUETools log; Date: 21.08.2018 14:48:42; Version: 2.1.4]
[CTDB TOCID: RPJvfTPIVrp.Q8aKASDIY0AgCRw-] found.
Track | CTDB Status
1 | (47/47) Accurately ripped
2 | (47/47) Accurately ripped
3 | (47/47) Accurately ripped
4 | (47/47) Accurately ripped
5 | (47/47) Accurately ripped
6 | (47/47) Accurately ripped
7 | (47/47) Accurately ripped
8 | (47/47) Accurately ripped
9 | (47/47) Accurately ripped
10 | (47/47) Accurately ripped
11 | (47/47) Accurately ripped
12 | (47/47) Accurately ripped
13 | (47/47) Accurately ripped
14 | (47/47) Accurately ripped
15 | (47/47) Accurately ripped
16 | (47/47) Accurately ripped
17 | (47/47) Accurately ripped
[AccurateRip ID: 0035e2b2-028cb91b-0b113311] found.
Track [ CRC | V2 ] Status
01 [d26510ed|f0b6f04a] (21+36/67) Accurately ripped
02 [f767a1d9|2191fd26] (21+36/67) Accurately ripped
03 [258b44c1|4ad0a6d4] (21+36/67) Accurately ripped
04 [aea89b36|05f94a0a] (21+36/67) Accurately ripped
05 [dad54cd0|0a35f829] (21+36/67) Accurately ripped
06 [be6e253e|5e2013d4] (21+36/67) Accurately ripped
07 [d5be9f3a|e60e70d2] (21+35/66) Accurately ripped
08 [9b0dbb78|7ac1f90d] (20+35/65) Accurately ripped
09 [f1b2f231|537d480e] (21+35/66) Accurately ripped
10 [919c2f43|d91d4070] (21+35/66) Accurately ripped
11 [a41fc88b|946d2907] (21+35/66) Accurately ripped
12 [758dd0e0|e5646231] (20+35/65) Accurately ripped
13 [69b04bd6|ea4d1604] (19+35/64) Accurately ripped
14 [a73bfb7d|d3072620] (20+35/65) Accurately ripped
15 [ce848b36|ce92884e] (20+35/65) Accurately ripped
16 [4d94d0f6|6bec865c] (20+34/64) Accurately ripped
17 [8ad201dc|8ad2a360] (03+22/29) Accurately ripped
Offsetted by -22:
01 [6cff8103] (03/67) Accurately ripped
02 [ef8ba0f6] (03/67) Accurately ripped
03 [9e3570dc] (03/67) Accurately ripped
04 [f78d7bfc] (03/67) Accurately ripped
05 [0b513581] (03/67) Accurately ripped
06 [76386153] (03/67) Accurately ripped
07 [24749ae4] (03/66) Accurately ripped
08 [c24df8d8] (03/65) Accurately ripped
09 [9542a5f2] (03/66) Accurately ripped
10 [7c4124a4] (03/66) Accurately ripped
11 [1f6a7e79] (03/66) Accurately ripped
12 [c8b4c66e] (03/65) Accurately ripped
13 [ec314a77] (03/64) Accurately ripped
14 [49de4112] (03/65) Accurately ripped
15 [b4815510] (03/65) Accurately ripped
16 [e1703d6a] (03/64) Accurately ripped
17 [9354022c] (00/29) No match

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 97,7 [4E27FFAC] [4B0C6FA7]
01 97,7 [16D96925] [BE01C72D] CRC32
02 56,5 [47B2DBF5] [F9B710D0] CRC32
03 94,0 [FC206778] [1E519DE2] CRC32
04 79,2 [17CA153E] [07C4E6A9] CRC32
05 48,4 [FC7CD240] [0350B57D] CRC32
06 85,0 [B7239328] [A317EC9B] CRC32
07 84,7 [4840C75C] [7A6ED24A] CRC32
08 65,6 [5A9AD18E] [1047CBB4] CRC32
09 97,7 [FC130ADE] [278DCC16] CRC32
10 61,3 [62F452F7] [AB1EA9F8] CRC32
11 97,7 [819A0477] [6545B258] CRC32
12 48,3 [83D60606] [B0E41EC9] CRC32
13 43,4 [CA9EA024] [9576ABFF] CRC32
14 97,7 [69186C2B] [ABDBB947] CRC32
15 66,6 [690D07DC] [598F52AB] CRC32
16 80,0 [8D5D5448] [9B7E65D3] CRC32
17 0,0 [7EBFEA74] [25AE743B] CRC32

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