Fabio Biondi, Europa Galante - Antonio Vivaldi: L'oracolo in Messenia (2012)
Fabio Biondi, Europa Galante - Antonio Vivaldi: L'oracolo in Messenia (2012)
EAC | FLAC | Image (Cue & Log) ~ 814 Mb | Total time: 79.49+76.52 | Scans included
Classical | Label: Virgin Classics | # 50999960 254726 | Recorded: 2012
EAC | FLAC | Image (Cue & Log) ~ 814 Mb | Total time: 79.49+76.52 | Scans included
Classical | Label: Virgin Classics | # 50999960 254726 | Recorded: 2012
This is the world-premiere recording of L’Oracolo in Messenia, an opera prepared by Vivaldi for Vienna and now reconstructed by Fabio Biondi. He leads this triumphant performance, which opened the 2011 Resonanzen festival in the Austrian capital with a high-powered cast including Ann Hallenberg, Vivica Genaux and rising soprano Julia Lezhneva.
For this world-premiere recording of L’Oracolo in Messenia, an opera Vivaldi revised for Vienna in 1740 after its premiere in 1738 in Venice, Vivaldi expert Fabio Biondi has reconstructed the work from literary and musical sources – notably a libretto recently discovered at the Library of Congress in Washington, DC. This musicological feat follows the example Biondi set with two other Vivaldi operas recorded for Virgin Classics, Bajazet and Ercole sul Termodonte.
Vivaldi hoped for performances of the work in Vienna during Carnival in1741, but in October 1740 the Austrian Emperor, Charles VI, died suddenly and Austria’s theatres were closed for a year of mourning; so Vivaldi’s plans came to nothing and he himself died in Vienna in 1741, alone and poor. L’ Oracolo in Messenia was finally staged in the city in 1742 at the city’s Kärntnertor Theatre, starring Anna Girò, Vivaldi’s favourite prima donna, as Queen Merope.
Appropriately enough, this recording was made in Vienna. It captures the opening performance of the 20th season of the prestigious Resonanzen festival of early music, which takes place at the city’s Konzerthaus. The impressive cast comprises soprano Julia Lezhneva, mezzo sopranos Ann Hallenberg (as Queen Merope), Vivica Genaux, Romina Basso and Franziska Gottwald, counter tenor Xavier Sabata and tenor Magnus Staveland. Fabio Biondi leads his own ensemble, Europa Galante, from the violin. The performance was greeted with a standing ovation and the media were lavish in their praise; indeed the Wiener Zeitung said that: “the festival could not have launched its 20th anniversary in more triumphant fashion”.
Performer:
Trasimede - Julia Lezhneva
Epitide - Vivica Genaux
Merope - Ann Hallenberg
Elmira - Romina Basso
Licisco - Franziska Gottwald
Polifonte - Magnus Staveland
Anassandro - Xavier Sabata
Europa Galante
Conductor - Fabio Biondi
Tracklist:
Antonio Vivaldi (1678-1741)
L'oracolo in Messenia, RV 726
CD1
01. Sinfonia: I. Allegro
02. II. Largo
03. III. Allegro
04. Atto I. Scena 1. Questa è Messene (Epitide)
05. Scena 2. Coro: Su, su, Messeni (Coro, Epitide, Trasimede)
06. Signor, che al ricco ammanto (Epitide, Trasimede)
07. Scena 3. Sinfonia
08. Stanco, o popoli, è il Cielo (Polifonte, Trasimede, Epitide)
09. Aria: Dono d'amica sorte (Epitide)
10. Scena 4. Ver noi, se non m'inganno (Polifonte, Trasimede)
11. Scena 5. Re Polifonte, al cui valor sovrano (Licisco, Polifonte)
12. Aria: Non ascolto, che furore (Polifonte)
13. Scena 6. Non si lasci sedur candida fede (Licisco)
14. Aria: Sinché il tiranno scendere (Licisco)
15. Scena 7. Ecco pur giunto il giorno (Merope)
16. Scena 8. Recitativo: Regina, era mia pena (Trasimede, Merope)
17. Scena 10. Dato dal Ciel ricuserai lo sposo (Polifonte, Elmira)
18. Aria: Se mi vedi nel mio pianto (Elmira)
19. Scena 11. Del cor d'Elmira resti la cura ai numi (Polifonte, Merope)
20. Aria: Barbaro traditor (Merope)
21. Scena 12. Lasciatemi, o custodi (Polifonte, Anassandro)
22. Scene 13-14. Guardie, a me lo straniero (Polifonte, Epitide)
23. Aria: Sarebbe un bel diletto (Epitide)
24. Atto II. Scena 1. Arioso: Spiagge amiche, a voi ritorno (Epitide)
25. Lascia che al seno (Polifonte, Epitide, Merope, Licisco)
26. Aria: No, non meriti pietà (Merope)
27. Scena 2. Di Merope dall'ira (Polifonte, Epitide, Licisco)
28. Aria: Se al cader del mostro orrendo (Polifonte)
29. Scena 3. A me nozze. A me sposa (Epitide, Licisco)
30. Aria: So, ch'è vezzosa (Licisco)
31. Scena 5. Dunque Anassandro è in tuo potere (Merope, Trasimede)
32. Scena 6. Voi mi tradiste, inique stelle indegne (Anassandro, Merope, Trasimede)
33. Scena 7. Aria: Ripensando al dover, pur troppo, oh dei (Trasimede)
34. Aria: Son qual nave (Trasimede)
CD2
01. Scena 8. Lieto, lieto mio core (Elmira, Epitide)
02. Aria: La mia cara speranza (Elmira)
03. Scene 9-10. Merope, or senti (Polifonte, Licisco, Epitide, Trasimede, Merope, Anassandro)
04. Aria: Un labbro, un cor non v'è (Merope)
05. Scena 11. Messeni 'un moglie real (Epitide)
06. Aria: Chi condanna il regio sangue (Epitide)
07. Scene 12-13. O amore. O ardir. Sieguo i suoi passi (Licisco, Trasimede, Polifonte, Anassandro)
08. Aria: Nel mar cosi funesta (Polifonte)
09. Scena 14. Morrò, ma di mie colpe (Anassandro)
10. Aria: Sento già che invendicata (Anassandro)
11. Atto III. Scena 1. Non è più tempo, Elmira (Polifonte, Elmira)
12. Aria: Spera quest'alma amante (Elmira)
13. Scena 2. Ecco Anassandro (Polifonte, Anassandro)
14. Aria: Già l'idea del giusto scempio (Polifonte)
15. Scene 3-4. Qui muor l'empio (Licisco, Anassandro)
16. Aria: Nell'orror di notte oscura (Licisco)
17. Scena 5. A Merope il tiranno un foglio invia (Merope, Trasimede)
18. Aria: S'in campo armato (Trasimede)
19. Scena 6. Figlie di giusto sdegno (Merope, Epitide)
20. Scena 7. Più non si nieghi il figlio (Epitide, Elmira, Merope)
21. Aria: Sposa, non mi conosci (Epitide)
22. Scena 8. Quasi m'intenerì (Merope, Elmira)
23. Scene 9-10. Fermati arresta il piè, madre spietata (Polifonte, Merope, Elmira)
24. Scena 11. Recitativo accompagnato: Sei dolor, sei furor ciò (Merope)
25. Aria: Là sul torbido Acheronte (Merope)
26. Scena 12. Strascinata ella venga (Merope)
27. Scena 13. Merope non aspetta (Merope, Polifonte)
28. Scena ultima. Sì, Epitide son io (Tutti)
29. Coro: Dopo l'orribile fiero timor
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 12. July 2018, 0:26
Fabio Biondi / Vivaldi: L'Oracolo in Messenia (Disc 1)
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Make use of C2 pointers : No
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Used output format : User Defined Encoder
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Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
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If you are sure that your rip contains errors, you can use CUETools to repair it.
==== Log checksum 57481311928B43AF08513F6D10E700085509D61309EF73B24816BC43F033864D ====
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 12. July 2018, 8:24
Fabio Biondi / Vivaldi: L'Oracolo in Messenia (Disc 2)
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Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
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==== Log checksum 586932FBB8A7D8A1AE4034ED736E7AC4CE52A52EBC406116CDFB24EA7F3F06B1 ====
Fabio Biondi, Europa Galante - Antonio Vivaldi: L'oracolo in Messenia (2012)
Thanks to the original releaser