Pierre Hantai - Johann Sebastian Bach: Variations Goldberg, BWV 988 (2003)

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Pierre Hantai - Johann Sebastian Bach: Variations Goldberg, BWV 988 (2003)

Pierre Hantaï - Johann Sebastian Bach: Goldberg Variations, BWV 988 (2003)
XLD | FLAC | Image (Cue&Log) ~ 510 Mb | Mp3 (CBR320) ~ 192 Mb | Scans included
Genre: Classical | Label: Mirare | # MIR 9945 | Time: 01:18:28

Bach’s Goldberg Variations have played a central role in harpsichordist Pierre Hantai’s musical life since his early youth. At 28 he recorded the work for the Opus 111 label (now available on Naïve), a highly acclaimed release that stands among the work’s choice versions. Over the past 11 years Hantai evidently has rethought and refined his interpretation, as revealed in this 2003 remake. There’s greater rhythmic freedom and variety of articulation, plus a more subjective approach to ornaments and agogics, especially in the repeats (he observes all but those in Variation 15, 25, and the Aria Da Capo; the 1992 recording honors all repeats save for Variation 25). Variations previously characterized through Hantai’s seamless legato technique (Nos. 3, 6, 8, 11, 17, and 18, for example) are further enlivened by detaché finger strokes and more inflected phrasings. The latter infuse Variations 7, 10, and 16 with greater resilience and rhythmic verve than their earlier counterparts.

Hantai’s virtuosic ease in the two-keyboard variations reappears in lighter, more fluid manifestations. No. 20’s triplet runs, for instance, really let go and fly this time, and No. 11’s cross-handed lines interact with greater clarity. Similarly, Variations 26 and 28 are more crisply projected and playful. Hantai still spins No. 13’s right-hand cantilena in lovely, aria-like arcs, but the left hand now emerges as an equal partner rather than mere accompanist.

Yet some of Hantai’s interpretive revisions seem studied, even mannered, such as lingering on a variation’s first note, or starting a variation’s first measure slowly and gradually working up to tempo by the end (the French Overture’s first chord sounds disconnected from the flourish that follows). Variation 23’s twitchy adjustments throw the shape of the line slightly askew, in contrast to the earlier recording’s steadier gait. The same holds true for Variations 9 and 30, where Hantai’s stop-and-start phrase shaping lacks the first traversal’s continuity and flow.

Then there’s the question of instrument. Despite Hantai’s greater economy of registration this time around (fewer octave couplings), the Jonte Knif German model used for the present recording does not match the dulcet timbre and warm resonance of the Dutch Bruce Kennedy cembalo used in the Opus 111 recording. Compare Variation 14’s trills: here their strident, buzzsaw quality makes it difficult to ascertain the pitches, which was not the case earlier. These are minor considerations, however, in the face of the harpsichordist’s considerable virtues here. If Hantai’s Goldberg Variations remake does not necessarily supercede his previous recording, it nonetheless reflects his capacity for artistic growth and refusal to rest on his discographical laurels.

Review by Jed Distler, ClassicsToday.com

In 1993 Pierre Hantaï recorded Bach’s Goldberg Variations for Opus 111, now reissued on the Naïve label - review. The performance was outstanding and garnered a great deal of praise and awards. After a break of a little more than ten years, Hantaï gives us his second recording of Bach’s monumental set of variations.

Classical music enthusiasts often question the need for dozens of versions of one piece of music, and the skepticism concerning multiple versions from the same performing artist is equally strong. Therefore, the immediate issue with the new Hantaï disc is whether he has anything new to say about the Goldberg Variations. From this reviewer’s perspective, the answer is a resounding ‘yes’.

Hantaï’s 1993 performance is a treasure for its joy and vitality delivered in a highly fluid manner. In the new interpretation, Hantaï is less exuberant with a bittersweet element now conveyed in the Aria and many of the variations. The readings are darker and richer in emotional content, as he explores phrases and motifs with a sense of improvisation. Pacing tends to be slower than in the earlier recording, and contours are much sharper. Further, he uses more rhythmic hesitations and tempo changes than before.

The above considerations do not necessarily add up to a declaration that the new recording surpasses the earlier one. The two interpretations are simply different in conception and equally compelling. I would hate to be without the unbridled joy and lift of the 1993 performance, and the new one is essential for its greater breadth of emotional content and stronger rhythmic stretching achieved through incisive accenting and inflections. The constants in both performances are a complete service to Bach’s soundworld and a consistency of excellence rarely encountered in alternative recordings.

Here are a few highlights that I feel best indicate the distinctions between the two Hantaï recordings:

Aria – Significant differences surface immediately in the opening Aria. The earlier version lasts slightly over 4 minutes, while the new one takes almost five minutes. Hantaï ‘93’ is comforting and optimistic; Hantaï ‘2003’ is bittersweet to the core and rich in emotional layering.

Variations 3 through 8 – Hantaï is positively radiant and bubbling with enthusiasm in the earlier recording, but the new one finds him tempering the bubbling effect with emotional themes of less joyous magnitude. Both approaches are irresistible.

Variation 9 – Hantaï goes from spiritually uplifting in ‘93’ to a slower tempo with hesitations conveying a personality of nagging doubts, an interpretation that is darker and emotionally richer than the earlier one.

Variations 13 and 15 – The new version has the clear advantage. An improvisatory presentation makes the dialogue more spontaneous and realistic in Variation 13, and Hantaï now offers layers of dark emotional content in Variation 15 that contrast more effectively with the one radiant passage found in the second section.

Variation 16 – I have to make special mention of the new Hantaï performance. This is the Overture with its heroic double-dotted rhythms followed by an invigorating fugue. Hantaï drenches the music with sharply pungent phrasing, and his fugue is a whirlwind of powerful and detailed activity. The performance might well be the best on record, and it is certainly the sharpest and most compelling interpretation I’ve ever heard.

Variation 28 – Both Hantaï accounts are excellent examples of his fantastic virtuosity, precision, and expressiveness. The finger work and articulation are simply amazing.

In summary, the new Hantaï recording of the Goldberg Variations is amongst the best on record. The increased maturity of his interpretation over the 1993 recording is apparent in the richer and more diverse emotional palette, improvisatory presentation and variety of tempos and rhythms. This is a ‘must buy’ for anyone not allergic to the harpsichord.

In addition to the two Hantaï performances being of different conception, the harpsichords used add to the distinctions. In the 1993 performance, Hantaï’s choice of instrument is a very warm-sounding Dutch Bruce Kennedy model. In the new performance, Hantaï plays a Jonte Knif German model that is sharper and more detailed than the Dutch model. One does hear some mechanical action from the Knif harpsichord, but the effect is not distracting.

Assuming that monetary considerations are not limiting, I strongly suggest that readers acquire both Hantaï recordings and revel in one of the greatest keyboard works ever created.

Review by Don Satz, MusicWeb-International.com

Pierre Hantai - Johann Sebastian Bach: Variations Goldberg, BWV 988 (2003)



Pierre Hantai - Johann Sebastian Bach: Variations Goldberg, BWV 988 (2003)



Pierre Hantaï, harpsichord
Recorded at Doopgezindekerk de Haarlem (Pays-Bas), 2003

Tracklist:

01. Aria (4:40)
02. Variation 1 a un clavier (2:18)
03. Variation 2 a un clavier (1:50)
04. Variation 3 a un clavier, Canone all'Unisono (2:03)
05. Variation 4 a un clavier (1:08)
06. Variation 5 a un ou deux claviers (1:42)
07. Variation 6 a un clavier, Canone alla Seconda (1:55)
08. Variation 7 a un ou deux claviers (1:51)
09. Variation 8 a deux claviers (2:23)
10. Variation 9 a un clavier, Canone alla Terza (2:37)
11. Variation 10 a un clavier, Fughetta (1:39)
12. Variation 11 a deux claviers (2:28)
13. Variation 12 a un clavier, Canone alla Quarta (3:19)
14. Variation 13 a deux claviers (5:38)
15. Variation 14 a deux claviers (2:08)
16. Variation 15 a un clavier, Canone alla Quinta (3:00)
17. Variation 16 a un clavier, Ouverture (2:55)
18. Variation 17 a deux claviers (1:51)
19. Variation 18 a un clavier, Canone alla Sesta (1:30)
20. Variation 19 a un clavier (1:40)
21. Variation 20 a deux claviers (1:59)
22. Variation 21, Canone alla Settima (3:24)
23. Variation 22 a un clavier, Alla Breve (1:33)
24. Variation 23 a deux claviers (2:21)
25. Variation 24 a un clavier, Canone all'Ottava (3:16)
26. Variation 25 a deux claviers (4:10)
27. Variation 26 a deux claviers (1:54)
28. Variation 27 a deux claviers, Canone Alla Nona (1:50)
29. Variation 28 a deux claviers (2:25)
30. Variation 29 a un ou deux claviers (2:06)
31. Variation 30 a un clavier, Quodlibet (2:17)
32. Aria da capo e fine (2:38)


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Pierre Hantai / Bach - Variations Goldberg, Pierre Hantai 2003

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Edge jitter error (maybe fixed) : 0
Atom jitter error (maybe fixed) : 0
Drift error (maybe fixed) : 0
Dropped bytes error (maybe fixed) : 0
Duplicated bytes error (maybe fixed) : 0
Inconsistency in error sectors : 0

Track 30
CRC32 hash (test run) : E7ABA45C
CRC32 hash : E7ABA45C
CRC32 hash (skip zero) : 2B03D2FD
AccurateRip signature : CADA1597
->Accurately ripped! (confidence 6)
Statistics
Read error : 0
Skipped (treated as error) : 0
Edge jitter error (maybe fixed) : 0
Atom jitter error (maybe fixed) : 0
Drift error (maybe fixed) : 0
Dropped bytes error (maybe fixed) : 0
Duplicated bytes error (maybe fixed) : 0
Inconsistency in error sectors : 0

Track 31
CRC32 hash (test run) : 3044E5BF
CRC32 hash : 3044E5BF
CRC32 hash (skip zero) : E6BD714E
AccurateRip signature : 565FB522
->Accurately ripped! (confidence 6)
Statistics
Read error : 0
Skipped (treated as error) : 0
Edge jitter error (maybe fixed) : 0
Atom jitter error (maybe fixed) : 0
Drift error (maybe fixed) : 0
Dropped bytes error (maybe fixed) : 0
Duplicated bytes error (maybe fixed) : 0
Inconsistency in error sectors : 0

Track 32
CRC32 hash (test run) : DEEA7A46
CRC32 hash : DEEA7A46
CRC32 hash (skip zero) : B689C305
AccurateRip signature : 8AA15F53
->Accurately ripped! (confidence 6)
Statistics
Read error : 0
Skipped (treated as error) : 0
Edge jitter error (maybe fixed) : 0
Atom jitter error (maybe fixed) : 0
Drift error (maybe fixed) : 0
Dropped bytes error (maybe fixed) : 0
Duplicated bytes error (maybe fixed) : 0
Inconsistency in error sectors : 0

No errors occurred

End of status report

[CUETools log; Date: 17.08.2017 22:43:11; Version: 2.1.4]
[CTDB TOCID: sEawaAAyc0RY_vb_xUM98BsosiU-] found.
Track | CTDB Status
1 | (45/45) Accurately ripped
2 | (45/45) Accurately ripped
3 | (45/45) Accurately ripped
4 | (45/45) Accurately ripped
5 | (45/45) Accurately ripped
6 | (45/45) Accurately ripped
7 | (45/45) Accurately ripped
8 | (45/45) Accurately ripped
9 | (45/45) Accurately ripped
10 | (45/45) Accurately ripped
11 | (45/45) Accurately ripped
12 | (45/45) Accurately ripped
13 | (45/45) Accurately ripped
14 | (45/45) Accurately ripped
15 | (45/45) Accurately ripped
16 | (45/45) Accurately ripped
17 | (45/45) Accurately ripped
18 | (45/45) Accurately ripped
19 | (45/45) Accurately ripped
20 | (45/45) Accurately ripped
21 | (45/45) Accurately ripped
22 | (45/45) Accurately ripped
23 | (45/45) Accurately ripped
24 | (45/45) Accurately ripped
25 | (45/45) Accurately ripped
26 | (44/45) Accurately ripped
27 | (45/45) Accurately ripped
28 | (45/45) Accurately ripped
29 | (45/45) Accurately ripped
30 | (45/45) Accurately ripped
31 | (45/45) Accurately ripped
32 | (45/45) Accurately ripped
[AccurateRip ID: 0058a69d-07dc6c59-d2126320] found.
Track [ CRC | V2 ] Status
01 [4c5fcac6|d742f90f] (25+26/55) Accurately ripped
02 [811c6973|d94740fc] (24+27/55) Accurately ripped
03 [9df198b8|deba2341] (24+27/55) Accurately ripped
04 [2dfcb643|60c7e512] (24+27/55) Accurately ripped
05 [d554d946|371261bb] (24+27/55) Accurately ripped
06 [92854261|43eac554] (24+27/55) Accurately ripped
07 [8fc9f5be|2f1bfbe5] (24+27/55) Accurately ripped
08 [daae4c58|715455ca] (24+27/55) Accurately ripped
09 [38351b08|7d52cd30] (24+27/55) Accurately ripped
10 [86b2f0c3|445d9288] (24+27/55) Accurately ripped
11 [1f45da78|0ebc1cae] (24+26/54) Accurately ripped
12 [e79e8e96|496b0386] (24+27/55) Accurately ripped
13 [49c932e0|8c964372] (24+27/55) Accurately ripped
14 [b19720e0|89315555] (24+27/55) Accurately ripped
15 [08496fe3|67e634f4] (24+27/55) Accurately ripped
16 [afe40ca6|d6144ff1] (23+27/54) Accurately ripped
17 [8aff8d90|631b7beb] (24+27/55) Accurately ripped
18 [7650a068|d736d699] (24+26/54) Accurately ripped
19 [591f917f|f8f818e9] (24+27/55) Accurately ripped
20 [070f7826|f0c261ef] (24+27/55) Accurately ripped
21 [2b55a872|39c30c52] (24+27/55) Accurately ripped
22 [24bf91d6|64793d0a] (24+26/54) Accurately ripped
23 [785cbac4|b21e0102] (24+27/55) Accurately ripped
24 [27e8155e|0e0308bf] (24+27/55) Accurately ripped
25 [fffeefa5|b89db9e8] (24+27/55) Accurately ripped
26 [31123961|be7fa2cc] (24+26/54) Accurately ripped
27 [72c0eaa4|34bbc3e0] (24+27/55) Accurately ripped
28 [a6d23d5a|a16a8706] (24+27/55) Accurately ripped
29 [f0c05e20|8a470c48] (24+27/55) Accurately ripped
30 [cada1597|13121b4b] (24+27/55) Accurately ripped
31 [565fb522|86a51a57] (24+27/55) Accurately ripped
32 [8aa15f53|c1b6b181] (24+27/55) Accurately ripped
Offsetted by -169:
01 [eac16bfe] (00/55) No match (V2 was not tested)
02 [3c146973] (00/55) No match (V2 was not tested)
03 [7a6aca32] (00/55) No match (V2 was not tested)
04 [68a59046] (00/55) No match (V2 was not tested)
05 [b9c26a74] (00/55) No match (V2 was not tested)
06 [b33216ee] (00/55) No match (V2 was not tested)
07 [4486cf96] (00/55) No match (V2 was not tested)
08 [6f01155c] (00/55) No match (V2 was not tested)
09 [f5b44b2a] (00/55) No match (V2 was not tested)
10 [e31f4ad1] (00/55) No match (V2 was not tested)
11 [324576fb] (00/54) No match (V2 was not tested)
12 [97b1a910] (00/55) No match (V2 was not tested)
13 [cbf945f7] (00/55) No match (V2 was not tested)
14 [32c25db6] (00/55) No match (V2 was not tested)
15 [87c14466] (00/55) No match (V2 was not tested)
16 [46c0d83f] (00/54) No match (V2 was not tested)
17 [69c3b682] (00/55) No match (V2 was not tested)
18 [4aa9ad3c] (00/54) No match (V2 was not tested)
19 [19c94f8b] (00/55) No match (V2 was not tested)
20 [cdbbecca] (00/55) No match (V2 was not tested)
21 [ada7bde2] (00/55) No match (V2 was not tested)
22 [db802bc8] (00/54) No match (V2 was not tested)
23 [8a273a28] (00/55) No match (V2 was not tested)
24 [764e0ded] (00/55) No match (V2 was not tested)
25 [444384fe] (00/55) No match (V2 was not tested)
26 [f2905b6f] (00/54) No match (V2 was not tested)
27 [6579725b] (00/55) No match (V2 was not tested)
28 [7fd145d6] (00/55) No match (V2 was not tested)
29 [b2325e7b] (00/55) No match (V2 was not tested)
30 [ff494911] (00/55) No match (V2 was not tested)
31 [8aaa4cb2] (00/55) No match (V2 was not tested)
32 [16adb114] (00/55) No match (V2 was not tested)

Track Peak [ CRC32 ] [W/O NULL]
– 80,9 [8FE36C09] [D8B48834]
01 51,8 [4C10A0A2] [14655F55]
02 54,7 [F0C92BD1] [B7196C5A]
03 37,6 [EE28EFD2] [FAFAFA5F]
04 58,9 [1C2E0D1E] [619B1A34]
05 65,4 [B457DF76] [8B0FC965]
06 39,9 [BD4B4F7B] [0018D223]
07 42,8 [42C056EB] [79861B78]
08 54,6 [C47F448F] [0FC4A3D7]
09 39,6 [FCD7F33A] [1BE1581F]
10 40,8 [DE4F5A4A] [C34FE08D]
11 77,2 [3B0D0A97] [F16C72E7]
12 52,4 [4F6D3099] [BF037281]
13 54,6 [297EDC12] [2E4CDE4C]
14 40,1 [C16193F8] [819DC3BE]
15 49,8 [4ED6C383] [82AF40B9]
16 34,0 [D0DF9C5F] [DCB7D137]
17 80,9 [BA1EA2F5] [6A291F2B]
18 41,5 [17531E8E] [888E3289]
19 51,5 [5BD95075] [EE07F9A8]
20 43,8 [F3017D44] [145F86E2]
21 47,1 [D2FE8EED] [3C741CF5]
22 32,8 [C81A0F81] [953E26A4]
23 72,7 [4121AD4B] [2435A4D8]
24 58,6 [7536B679] [DFDDA47A]
25 57,6 [44F0AF09] [30B54CC9]
26 36,0 [9FD92232] [C21FFAFD]
27 62,1 [4AD1CFF9] [9B6DDFF7]
28 64,3 [7B664BA6] [5A202A21]
29 46,3 [AEF2FC43] [952ABB9F]
30 77,8 [E7ABA45C] [2B03D2FD]
31 62,4 [3044E5BF] [E6BD714E]
32 40,1 [DEEA7A46] [B689C305]

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-08-17 22:58:00

––––––––––––––––––––––––––––––––––––––––
Analyzed: Pierre Hantai / Bach - Variations Goldberg, Pierre Hantai 2003
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -5.70 dB -22.25 dB 4:40 01-Aria
DR12 -5.24 dB -19.05 dB 2:18 02-Variation 1 a un clavier
DR11 -8.48 dB -21.63 dB 1:50 03-Variation 2 a un clavier
DR12 -4.60 dB -19.57 dB 2:03 04-Variation 3 a un clavier, Canone all'Unisono
DR12 -3.69 dB -19.61 dB 1:08 05-Variation 4 a un clavier
DR11 -7.96 dB -20.98 dB 1:42 06-Variation 5 a un ou deux claviers
DR12 -7.37 dB -21.67 dB 1:55 07-Variation 6 a un clavier, Canone alla Seconda
DR12 -5.25 dB -19.79 dB 1:51 08-Variation 7 a un ou deux claviers
DR12 -8.03 dB -21.27 dB 2:23 09-Variation 8 a deux claviers
DR12 -7.77 dB -22.62 dB 2:37 10-Variation 9 a un clavier, Canone alla Terza
DR12 -2.24 dB -17.50 dB 1:39 11-Variation 10 a un clavier, Fughetta
DR12 -5.61 dB -20.19 dB 2:28 12-Variation 11 a deux claviers
DR12 -5.25 dB -19.91 dB 3:19 13-Variation 12 a un clavier, Canone alla Quarta
DR11 -7.93 dB -21.61 dB 5:38 14-Variation 13 a deux claviers
DR12 -6.05 dB -20.67 dB 2:08 15-Variation 14 a deux claviers
DR12 -9.35 dB -24.08 dB 3:00 16-Variation 15 a un clavier, Canone alla Quinta
DR13 -1.84 dB -17.15 dB 2:55 17-Variation 16 a un clavier, Ouverture
DR11 -7.63 dB -20.12 dB 1:51 18-Variation 17 a deux claviers
DR12 -5.75 dB -20.39 dB 1:30 19-Variation 18 a un clavier, Canone alla Sesta
DR11 -7.16 dB -20.92 dB 1:40 20-Variation 19 a un clavier
DR12 -6.53 dB -20.92 dB 1:59 21-Variation 20 a deux claviers
DR12 -9.68 dB -22.72 dB 3:24 22-Variation 21, Canone alla Settima
DR12 -2.76 dB -18.98 dB 1:33 23-Variation 22 a un clavier, Alla Breve
DR13 -4.64 dB -20.38 dB 2:21 24-Variation 23 a deux claviers
DR12 -4.79 dB -20.37 dB 3:16 25-Variation 24 a un clavier, Canone all'Ottava
DR11 -8.86 dB -24.07 dB 4:10 26-Variation 25 a deux claviers
DR11 -4.13 dB -18.30 dB 1:54 27-Variation 26 a deux claviers
DR11 -3.83 dB -18.08 dB 1:50 28-Variation 27 a deux claviers, Canone Alla Nona
DR11 -6.68 dB -19.90 dB 2:25 29-Variation 28 a deux claviers
DR12 -2.17 dB -16.51 dB 2:06 30-Variation 29 a un ou deux claviers
DR13 -4.08 dB -20.56 dB 2:17 31-Variation 30 a un clavier, Quodlibet
DR11 -7.93 dB -22.61 dB 2:38 32-Aria da capo e fine
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 32
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 888 kbps
Codec: FLAC
================================================================================

Pierre Hantai - Johann Sebastian Bach: Variations Goldberg, BWV 988 (2003)

Pierre Hantai - Johann Sebastian Bach: Variations Goldberg, BWV 988 (2003)