Heinrich Schiff - Johann Sebastian Bach: Cello Suites (2005) 2 CDs

Posted By: Designol
Heinrich Schiff - Johann Sebastian Bach: Cello Suites (2005) 2 CDs

Heinrich Schiff - Johann Sebastian Bach: Cello Suites (2005) 2 CDs
EAC | FLAC | Tracks (Cue&Log) ~ 600 Mb (incl 5%) | Mp3 (CBR320) ~ 350 Mb (incl 5%) | Scans included
Genre: Classical | Label: EMI Classics | # 7243 5 86534 2 7 | Time: 02:04:56

In the '80s there were those listeners who thought that Heinrich Schiff might redeem cello performance practice from fatal beauty and lethal elegance. Aside from the burly and brawny Rostropovich, more and more cellists were advocating a performance style whose ideals were perfect intonation and graceful phrasing. In some repertoire, say, Fauré, these are perfectly legitimate goals. In other repertoire, Beethoven and Brahms, say, it is a terrible mistake. In Bach's Cello Suites, as the fay and fragile Yo-Yo Ma recordings make clear, it was a terminal mistake. Not so in Schiff's magnificently muscular 1984 recordings of the suites: Schiff's rhythms, his tempos, his tone, his intonation, and especially his interpretations were anything but fay or fragile. In Schiff's performance, Bach's Cello Suites are not the neurasthenic music of a composer supine with dread and despair in the dark midnight of the soul, but the forceful music of a mature composer in full control of himself and his music. Schiff's strong bow and incisive attack made joyful not fluffy music of the major-key suites and his robust mind and deep heart made soulful not morbid music of the minor-key suites. For listeners in the '80s, the contrast with Ma's pretty but vapid performances could not have been more stark. For later listeners, Schiff's manly and vigorous performances will be a tonic against the hollowness of contemporary cellists. EMI's early digital sound was perhaps too close and possibly too loud but nevertheless amazingly vivid and immediate.

Review by James Leonard, Allmusic.com

Bach’s cello suites abound in superlative recordings, from Casals’ still potent pioneering set (Naxos) to riveting cycles from Boris Pergamenschikov (Hänssler) and Torleif Thedéen (BIS) released on the cusp of the millennium. In between are classic versions by Pierre Fournier (DG), Paul Tortelier (EMI), Mstislav Rostropovich (EMI), Andre Navarra (Calliope), Anner Bylsma (his Sony remake), Ralph Kirshbaum (Virgin), and multiple Janos Starker editions. I keep these in my library as an oenophile cultivates a choice collection of fine wines. When I want to break out the vintage port, figuratively speaking, I reach for Heinrich Schiff’s arrestingly individual, musically profound, and sonically sumptuous 1985 EMI traversals. You notice his sound first. It’s a rich tone through and through: not always pretty, granted, but incredibly focused, be it in the Sixth Suite’s stratospheric tessitura or in bass lines that alternately jab and sustain. While some cellists like to linger over the Preludes, Schiff instead gets down to business, sculpting the harmonic groupings in the manner of a keyboard player. Schiff’s rhythmic vitality and pinpointed accents bring all the dance movements to joyful life. The melodies always bend, curve, and surge over the bar line, avoiding predictable patterns of accentuation. With all that, the listener never loses the beat or, more accurately, the pulse of life. Ornaments are present, but don’t draw attention to themselves. Originally issued at full-price and quickly deleted, EMI resurrects this unjustly buried treasure for its Double Forte series. It’s like getting a bottle of Dom Perignon for the price of Sangria. Even if you already have one or two Bach Cello Suite cycles in your larder, this one is special. Really special.

Review by Jed Distler, ClassicsToday.com

Heinrich Schiff - Johann Sebastian Bach: Cello Suites (2005) 2 CDs



Heinrich Schiff - Johann Sebastian Bach: Cello Suites (2005) 2 CDs



Recorded: Evangelist Church, Seon, Switzerland, 1984

Tracklist:

CD1:

Suite Nr. 1 G-dur, BWV 1007:
01. I. Prelude (01:56)
02. II. Allemande (03:57)
03. III. Courante (02:42)
04. IV. Sarabande (02:22)
05. V. Menuet I, II (03:12)
06. VI. Gigue (01:44)

Suite Nr. 2 d-moll, BWV 1008:
07. I. Prelude (02:59)
08. II. Allemande (03:13)
09. III. Courante (02:11)
10. IV. Sarabande (04:21)
11. V. Menuet I, II (03:00)
12. VI. Gigue (02:39)

Suite Nr. 3 C-dur, BWV 1009:
13. I. Prelude (03:14)
14. II. Allemande (03:40)
15. III. Courante (03:02)
16. IV. Sarabande (03:51)
17. V. Bourrée I, II (03:42)
18. VI. Gigue (03:15)

CD2:

Suite Nr. 4 Es-dur, BWV 1010:
01. I. Prelude (03:09)
02. II. Allemande (03:35)
03. III. Courante (03:11)
04. IV. Sarabande (03:33)
05. V. Bourée I, II (04:47)
06. VI. Gigue (02:57)

Suite Nr. 5 c-moll, BWV 1011:
07. I. Prelude (05:06)
08. II. Allemande (04:40)
09. III. Courante (02:16)
10. IV. Sarabande (03:18)
11. V. Gavotte I, II (04:18)
12. VI. Gigue (02:22)

Suite Nr. 6 D-dur, BWV 1012:
13. I. Prelude (04:28)
14. II. Allemande (05:45)
15. III. Courante (03:23)
16. IV. Sarabande (04:25)
17. V. Gavotte I, II (04:19)
18. VI. Gigue (04:04)


Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 22. February 2011, 9:32

JS Bach / Cello Suites 1-3

Used drive : MATSHITADVD+-RW UJ-867S Adapter: 0 ID: 0

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Gap handling : Appended to previous track

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Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:56.47 | 0 | 8746
2 | 1:56.47 | 3:57.70 | 8747 | 26591
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17 | 48:11.72 | 3:42.65 | 216897 | 233611
18 | 51:54.62 | 3:15.60 | 233612 | 248296


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Track 2

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Track 3

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Track 4

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Track 5

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Track 6

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Track 7

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Track 8

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Track 9

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Track 11

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Track 13

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Track 15

Filename D:\music\JS Bach - Cello Suites 1-3 (1985) - [FLAC]\15. Suite 3 BWV 1009 in C-Dur - III Courante.wav

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Track 16

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Track 17

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Track 18

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All tracks accurately ripped

No errors occurred

End of status report

==== Log checksum D673111D1776EF2454E8212285AB01050521746F85EED213C34100DE0473D820 ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2016-01-07 13:59:33

––––––––––––––––––––––––––––––––––––––––
Analyzed: Heinrich Schiff / Johann Sebastian Bach: Suiten für Violoncello solo
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -0.75 dB -19.24 dB 1:57 01-Suite Nr. 1 G-dur, BWV 1007: I. Prelude
DR12 -5.10 dB -21.00 dB 3:58 02-Suite Nr. 1 G-dur, BWV 1007: II. Allemande
DR13 -5.08 dB -20.61 dB 2:42 03-Suite Nr. 1 G-dur, BWV 1007: III. Courante
DR12 -7.48 dB -22.89 dB 2:23 04-Suite Nr. 1 G-dur, BWV 1007: IV. Sarabande
DR13 -7.00 dB -24.01 dB 3:13 05-Suite Nr. 1 G-dur, BWV 1007: V. Menuet I, II
DR12 -5.44 dB -21.64 dB 1:45 06-Suite Nr. 1 G-dur, BWV 1007: VI. Gigue
DR12 -2.87 dB -18.70 dB 3:00 07-Suite Nr. 2 d-moll, BWV 1008: I. Prelude
DR13 -4.37 dB -20.27 dB 3:14 08-Suite Nr. 2 d-moll, BWV 1008: II. Allemande
DR13 -5.40 dB -21.75 dB 2:12 09-Suite Nr. 2 d-moll, BWV 1008: III. Courante
DR14 -2.00 dB -20.29 dB 4:21 10-Suite Nr. 2 d-moll, BWV 1008: IV. Sarabande
DR13 -5.81 dB -21.60 dB 3:01 11-Suite Nr. 2 d-moll, BWV 1008: V. Menuet I, II
DR12 -2.16 dB -20.36 dB 2:39 12-Suite Nr. 2 d-moll, BWV 1008: VI. Gigue
DR12 -4.77 dB -21.64 dB 3:15 13-Suite Nr. 3 C-dur, BWV 1009: I. Prelude
DR12 -2.47 dB -19.66 dB 3:40 14-Suite Nr. 3 C-dur, BWV 1009: II. Allemande
DR12 -4.50 dB -20.04 dB 3:02 15-Suite Nr. 3 C-dur, BWV 1009: III. Courante
DR13 -6.14 dB -24.09 dB 3:51 16-Suite Nr. 3 C-dur, BWV 1009: IV. Sarabande
DR12 -5.31 dB -22.05 dB 3:43 17-Suite Nr. 3 C-dur, BWV 1009: V. Bourrée I, II
DR12 -1.08 dB -18.17 dB 3:16 18-Suite Nr. 3 C-dur, BWV 1009: VI. Gigue
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 18
Official DR value: DR12

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 614 kbps
Codec: FLAC
================================================================================


Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 23. February 2011, 0:30

JS Bach / Cello Suites 4-6

Used drive : MATSHITADVD+-RW UJ-867S Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s


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Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:09.42 | 0 | 14216
2 | 3:09.42 | 3:35.73 | 14217 | 30414
3 | 6:45.40 | 3:11.50 | 30415 | 44789
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Track 1

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Track 2

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Track 3

Filename D:\music\JS Bach - Cello Suites 4-6 (1985) - [FLAC]\03. Suite 4 BWV 1010 in Es-dur - III Courante.wav

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Track 4

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Track 5

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Track 6

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Track 7

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Track 8

Filename D:\music\JS Bach - Cello Suites 4-6 (1985) - [FLAC]\08. Suite 5 BWV 1011 in c-moll - II Allemande.wav

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Track 9

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Track 10

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Track 11

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Track 12

Filename D:\music\JS Bach - Cello Suites 4-6 (1985) - [FLAC]\12. Suite 5 BWV 1011 in c-moll - VI Gigue.wav

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Accurately ripped (confidence 3) [A07B9907]
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Track 13

Filename D:\music\JS Bach - Cello Suites 4-6 (1985) - [FLAC]\13. Suite 6 BWV 1012 in D-dur - I Prelude.wav

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Track 14

Filename D:\music\JS Bach - Cello Suites 4-6 (1985) - [FLAC]\14. Suite 6 BWV 1012 in D-dur - II Allemande.wav

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Track 15

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Accurately ripped (confidence 3) [1327800B]
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Track 16

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Accurately ripped (confidence 3) [C6D3B88E]
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Track 17

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Peak level 49.6 %
Extraction speed 1.3 X
Track quality 100.0 %
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Track 18

Filename D:\music\JS Bach - Cello Suites 4-6 (1985) - [FLAC]\18. Suite 6 BWV 1012 in D-dur - VI Gigue.wav

Peak level 55.2 %
Extraction speed 0.5 X
Track quality 100.0 %
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Accurately ripped (confidence 3) [7ECFC88C]
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End of status report

==== Log checksum 426AE5572C6A0D19BF63D8D0CF10623C2E174060B4863DF2E147F533E9269C2F ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2016-01-07 13:59:50

––––––––––––––––––––––––––––––––––––––––
Analyzed: Heinrich Schiff / Johann Sebastian Bach: Suiten für Violoncello solo
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DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -1.81 dB -18.03 dB 3:10 01-Suite Nr. 4 Es-dur, BWV 1010: I. Prelude
DR12 -3.77 dB -19.38 dB 3:36 02-Suite Nr. 4 Es-dur, BWV 1010: II. Allemande
DR13 -1.51 dB -19.78 dB 3:12 03-Suite Nr. 4 Es-dur, BWV 1010: III. Courante
DR13 -4.86 dB -22.64 dB 3:34 04-Suite Nr. 4 Es-dur, BWV 1010: IV. Sarabande
DR14 -4.89 dB -21.79 dB 4:47 05-Suite Nr. 4 Es-dur, BWV 1010: V. Bourée I, II
DR13 -2.85 dB -18.75 dB 2:57 06-Suite Nr. 4 Es-dur, BWV 1010: VI. Gigue
DR12 -2.52 dB -18.47 dB 5:07 07-Suite Nr. 5 c-moll, BWV 1011: I. Prelude
DR14 -1.03 dB -18.70 dB 4:40 08-Suite Nr. 5 c-moll, BWV 1011: II. Allemande
DR14 -1.61 dB -18.95 dB 2:17 09-Suite Nr. 5 c-moll, BWV 1011: III. Courante
DR12 -9.75 dB -26.55 dB 3:18 10-Suite Nr. 5 c-moll, BWV 1011: IV. Sarabande
DR13 -3.14 dB -20.41 dB 4:18 11-Suite Nr. 5 c-moll, BWV 1011: V. Gavotte I, II
DR11 -5.08 dB -20.51 dB 2:23 12-Suite Nr. 5 c-moll, BWV 1011: VI. Gigue
DR13 -3.07 dB -20.70 dB 4:29 13-Suite Nr. 6 D-dur, BWV 1012: I. Prelude
DR13 -8.29 dB -24.41 dB 5:45 14-Suite Nr. 6 D-dur, BWV 1012: II. Allemande
DR14 -4.80 dB -23.06 dB 3:24 15-Suite Nr. 6 D-dur, BWV 1012: III. Courante
DR13 -4.65 dB -23.25 dB 4:26 16-Suite Nr. 6 D-dur, BWV 1012: IV. Sarabande
DR12 -6.09 dB -21.40 dB 4:20 17-Suite Nr. 6 D-dur, BWV 1012: V. Gavotte I, II
DR13 -5.15 dB -21.59 dB 4:04 18-Suite Nr. 6 D-dur, BWV 1012: VI. Gigue
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 18
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 593 kbps
Codec: FLAC
================================================================================

Heinrich Schiff - Johann Sebastian Bach: Cello Suites (2005) 2 CDs

Heinrich Schiff - Johann Sebastian Bach: Cello Suites (2005) 2 CDs

All thanks to original releaser - alex67500

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