Stephen Clarke, The JACK Quartet - Horaţiu Rădulescu: Piano Sonatas & String Quartets I (2016)
EAC | FLAC | Image (Cue&Log) ~ 278 Mb | Mp3 (CBR320) ~ 163 Mb | Scans included
Genre: Classical, Spectralism | Label: mode records | # mode 290 | Time: 01:01:41
EAC | FLAC | Image (Cue&Log) ~ 278 Mb | Mp3 (CBR320) ~ 163 Mb | Scans included
Genre: Classical, Spectralism | Label: mode records | # mode 290 | Time: 01:01:41
The first volume in a series combining Radulescu’s complete Piano Sonatas and String Quartets, there are six of each, on Mode performed by the superb JACK Quartet and Stephen Clarke (piano). In the 1970s, Horatio Radulescu (1942-2008) began exploring and composing begun composing what he called “plasmatic music,” in which sound was conceived as an “endless ocean of vibrations,” as opposed to the traditional way in which music treats sound as a fabric of discrete scale steps. His music is linked to the “spectral music” school. Radulescu’s Fifth String Quartet is one of the key works in his output. It is in some ways the richest manifestation of the body of string techniques he had developed for his music. The Second Piano Sonata is inspired by the Tao of Chinese philosopher Lao Tzu (6-5 BC). The first movement, “Immanence,” opens with a powerful sonority built from spectral functions which gives a sense of immensity and strength. The Fifth Piano Sonata makes abundant use — more so than any of the other sonatas — of Romanian folk material, which is absorbed and integrated into Radulescu’s spectral language.
One of the pioneers of spectral music, Romanian composer Horatiu Radulescu experimented with the raw sonorities of instruments and their overtones, and sought novel ways to use them in familiar forms. His avant-garde approach to sound production and his seemingly contradictory adherence to the traditional sonata and the string quartet – Radulescu composed six of each – give the music ambiguity, a mixture of scientific processes and otherworldliness. To express the nearly mystical feeling his music evokes, Radulescu frequently quoted passages drawn from Lao Tzu's Tao Te Ching, as in the subtitle of his Piano Sonata No. 2, Op. 82, "being and non-being create each other," the Piano Sonata No. 5, Op. 106, "settle your dust, this is the primal identity," and the String Quartet No. 5, Op. 89, "before the universe was born." With this 2016 release on Mode, pianist Stephen Clarke and the JACK Quartet start a series of Radulescu's complete piano sonatas and string quartets, and this is an auspicious beginning with absorbing performances and exceptional sound. While the density of Radulescu's dissonances may be daunting, they are absolutely essential to building up his harmonic structures, to make the full spectrum audible. The physicality of Clarke's playing and the JACK's ethereal web of parts make the performances utterly convincing, so this project is clearly in the right hands. Recommended for adventurous listeners.Review by Blair Sanderson, Allmusic.com
Tracklist:
Piano Sonata No.2
01. I. Immanence (07:40)
02. II. Byzantine Bells (03:32)
03. III. Joy (02:36)
04. String Quartet No.5 (29:20)
Piano Sonata No.5
05. I. The path into the light seems dark (10:56)
06. II. Darkness within darkness/The gateway to all understanding (03:04)
07. III. Use you own light/and return to the source of light./This is called practicing eternity (04:30)
Exact Audio Copy V1.0 beta 4 from 7. December 2014
EAC extraction logfile from 5. June 2016, 18:58
Horatiu Radulescu / Piano Sonatas & String Quartets I
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==== Log checksum 3B90ECC5046245E70059395F4483886C51B0D5244237DAD6ADB2D1EEC8418AA0 ====
EAC extraction logfile from 5. June 2016, 18:58
Horatiu Radulescu / Piano Sonatas & String Quartets I
Used drive : TSSTcorpDVDWBD TS-LB23A Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -T "COMMENT=Ripped by GFox" -V -8 %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 7:40.00 | 0 | 34499
2 | 7:40.00 | 3:32.74 | 34500 | 50473
3 | 11:12.74 | 2:36.41 | 50474 | 62214
4 | 13:49.40 | 29:20.30 | 62215 | 194244
5 | 43:09.70 | 10:56.70 | 194245 | 243514
6 | 54:06.65 | 3:04.05 | 243515 | 257319
7 | 57:10.70 | 4:30.44 | 257320 | 277613
Range status and errors
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Copy CRC 62CFC883
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AccurateRip summary
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Track 2 not present in database
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Track 5 not present in database
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foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2016-06-27 17:00:09
––––––––––––––––––––––––––––––––––––––––
Analyzed: Horatiu Radulescu / Piano Sonatas & String Quartets I
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -1.97 dB -20.78 dB 7:40 01-Piano Sonata No.2 - I. Immanence
DR19 -4.62 dB -31.39 dB 3:33 02-Piano Sonata No.2 - II. Byzantine Bells
DR14 -3.32 dB -23.12 dB 2:37 03-Piano Sonata No.2 - III. Joy
DR15 -0.33 dB -22.93 dB 29:20 04-String Quartet No.5
DR16 -0.39 dB -20.01 dB 10:57 05-Piano Sonata No.5 - I. The path into the light seems dark
DR12 -8.56 dB -25.28 dB 3:04 06-Piano Sonata No.5 - II. Darkness within darkness/The gateway to all understan…
DR12 -5.74 dB -20.97 dB 4:31 07-Piano Sonata No.5 - III. Use you own light/and return to the source of light/…
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 7
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 580 kbps
Codec: FLAC
================================================================================
log date: 2016-06-27 17:00:09
––––––––––––––––––––––––––––––––––––––––
Analyzed: Horatiu Radulescu / Piano Sonatas & String Quartets I
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -1.97 dB -20.78 dB 7:40 01-Piano Sonata No.2 - I. Immanence
DR19 -4.62 dB -31.39 dB 3:33 02-Piano Sonata No.2 - II. Byzantine Bells
DR14 -3.32 dB -23.12 dB 2:37 03-Piano Sonata No.2 - III. Joy
DR15 -0.33 dB -22.93 dB 29:20 04-String Quartet No.5
DR16 -0.39 dB -20.01 dB 10:57 05-Piano Sonata No.5 - I. The path into the light seems dark
DR12 -8.56 dB -25.28 dB 3:04 06-Piano Sonata No.5 - II. Darkness within darkness/The gateway to all understan…
DR12 -5.74 dB -20.97 dB 4:31 07-Piano Sonata No.5 - III. Use you own light/and return to the source of light/…
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 7
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 580 kbps
Codec: FLAC
================================================================================