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Interpol - Antics (2004)

Posted By: Designol
Interpol - Antics (2004)

Interpol - Antics (2004)
EAC | FLAC | Tracks (Cue&Log) ~ 290 Mb | Mp3 (CBR320) ~ 96 Mb | Scans included
Label: Labels | # 7243 8663652 2, 8663652 | Time: 00:41:38
Alternative/Indie Rock, Post-Punk Revival

On their 2002 debut, Turn On The Bright Lights, Interpol proved that their uncanny resemblance to the heavy-hearted post-punk guitar groups of the early Eighties was both a blessing and a curse. On its follow-up, the New York quartet moves forward. Continuous touring has clearly improved each member’s chops: Antics is a far more refined and finessed record than its predecessor. More remarkable is the well-dressed foursome’s improved songwriting. Whereas Bright Lights made its mark with bleak moods and Paul Banks’ vocal anguish, Antics achieves a tunefulness that warms and broadens Interpol’s music, and helps them establish an identity distinct from their dolorous influences. On “Evil,” the guitars pulsate, pause as if for breath and then surge as the melody soars and Banks offers hard-won optimism: “It took a life span with no cellmate/The long way back/Sandy, why can’t we look the other way?” What was once forced for Interpol now comes naturally: Antics chooses light over darkness without denying gray areas between.

Review by Barry Walters, RollingStone.com

Had Interpol been honest with themselves before making their second album, they would've accepted the fact that improving on the debut would be out of the question. Their prime objective, then, would be to make a different record – not a better one. Suck it up, prepare for the inevitable "sophomore slump" darts, and get on with it. Having fielded comparison after comparison since the release of Turn on the Bright Lights, you'd think the band would've also thought to be more cautious the second time around. They weren't. Believe it or not, Antics opens with a song that resembles a defunct band more closely – in structure, sound, and sentiment – than anything on the debut. From the processional church organ to the sighing guitar, from the echo on the spare piano notes to the sound of the drums, from the stained-glass window to the wailing wall, "Next Exit" is a poor facsimile of Gentlemen-era Afghan Whigs (there we go again). Though the remainder of the album sounds like Interpol, and not your favorite unsung band, it's far from a favorable start – and as Antics plays out, the album begins to form the shape of a Singles Going Unsteady, with five possible A-sides and as many apparent B-sides arranged to stream like something you'd listen to from beginning to end. The sequence runs thusly: B-side, A-side, A-side, B-side, A-side, B-side, B-side, A-side, A-side, B-side. Some of the five A-sides cast Interpol in brighter light – a relatively upbeat one, not merely an up-tempo one. Though up-tempo songs weren't absent from Turn on the Bright Lights, they were delivered in pensive, steady waves of gloom. The up-tempo songs here aren't nearly as downcast – even "C'mere," in which Paul Banks sings, "The trouble is that you're in love with someone else," turns out to be more charming than self-pitying. Another development is the presence of some taut dance rhythms – touring has made them a better, more flexible band, especially within the interplay between bassist Carlos Dengler and drummer Sam Fogarino. To the band's credit, the weaker songs aren't necessarily eating space for no reason – their B-material here is more affecting than the average indie band's A-material. The problem is that, during those lesser moments, the band shows signs of attempting to cannibalize Turn on the Bright Lights' magnetic sulking, and their hearts don't seem to be as in it. The truth, as alluded to above, is that they will never make a record as special as the debut. However, following it with one that is merely very good is no crime.

Review by Andy Kellman, Allmusic.com

On paper, Interpol's second album should offer more grist to the mill of those who think they're too indebted to Joy Division. The sound is taut, military drums patter and guitars and basslines match the dictionary definitions of "doom-laden". However, the New Yorkers' follow-up to 2002's slow-burn hit Turn on the Bright Lights manages to dabble with tension and still emerge with something life-affirming.

The trick has been to play off some of the most monochrome music imaginable against Paul Banks's colour-drenched vocal. Hardly a technically great vocalist, he is a master of nuance, allowing just the right tinges of fear and regret to creep into songs about unrequited love. Gradually, the album becomes a game of name-your-favourite, the serenely magnificent Next Exit and fizzing electrics of Not Even Jail possibly doing most to send their career further into orbit.

Review by Dave Simpson, The Guardian

Interpol - Antics (2004)



Tracklist:

01. Next Exit (3:20)
02. Evil (3:36)
03. Narc (4:08)
04. Take You on a Cruise (4:54)
05. Slow Hands (3:04)
06. Not Even Jail (5:47)
07. Public Pervert (4:40)
08. C'mere (3:11)
09. Length of Love (4:07)
10. A Time to Be So Small (4:51)


Exact Audio Copy V1.0 beta 3 from 29. August 2011

Отчёт EAC об извлечении, выполненном 13. апреля 2018, 22:53

Interpol / Antics

Дисковод: ASUS DRW-1814BLT Adapter: 5 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Обработка зазоров : Добавлено к предыдущему треку

Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 128 kBit/s
Качество : Высокий
Добавление ID3-тега : Нет
Утилита сжатия : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Дополнительные параметры : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=EAC1.0b2 FLAC -8" %source%


TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 3:20.17 | 0 | 15016
2 | 3:20.17 | 3:35.62 | 15017 | 31203
3 | 6:56.04 | 4:07.68 | 31204 | 49796
4 | 11:03.72 | 4:54.30 | 49797 | 71876
5 | 15:58.27 | 3:04.10 | 71877 | 85686
6 | 19:02.37 | 5:46.47 | 85687 | 111683
7 | 24:49.09 | 4:40.06 | 111684 | 132689
8 | 29:29.15 | 3:11.11 | 132690 | 147025
9 | 32:40.26 | 4:06.51 | 147026 | 165526
10 | 36:47.02 | 4:50.62 | 165527 | 187338
11 | 44:09.64 | 0:59.04 | 198739 | 203167


Трек 1

Имя файла R:\Раздача 77\Interpol - 2004 - Antics\01 Next Exit .wav

Длина предзазора 0:00:02.00

Пиковый уровень 98.8 %
Скорость извлечения 4.7 X
Качество трека 100.0 %
CRC теста 22B0E7B3
CRC копии 22B0E7B3
Точное извлечение (достоверность 7) [16C271F5] (AR v1)
Копирование… OK

Трек 2

Имя файла R:\Раздача 77\Interpol - 2004 - Antics\02 Evil .wav

Пиковый уровень 98.8 %
Скорость извлечения 5.1 X
Качество трека 100.0 %
CRC теста F90C1CBE
CRC копии F90C1CBE
Точное извлечение (достоверность 7) [41880341] (AR v1)
Копирование… OK

Трек 3

Имя файла R:\Раздача 77\Interpol - 2004 - Antics\03 Narc .wav

Пиковый уровень 98.8 %
Скорость извлечения 5.6 X
Качество трека 100.0 %
CRC теста 935B0043
CRC копии 935B0043
Точное извлечение (достоверность 7) [9E566226] (AR v1)
Копирование… OK

Трек 4

Имя файла R:\Раздача 77\Interpol - 2004 - Antics\04 Take You on a Cruise .wav

Пиковый уровень 98.8 %
Скорость извлечения 6.1 X
Качество трека 100.0 %
CRC теста 50AAA80D
CRC копии 50AAA80D
Точное извлечение (достоверность 7) [389B73EB] (AR v1)
Копирование… OK

Трек 5

Имя файла R:\Раздача 77\Interpol - 2004 - Antics\05 Slow Hands .wav

Пиковый уровень 98.8 %
Скорость извлечения 6.1 X
Качество трека 100.0 %
CRC теста CB020BF2
CRC копии CB020BF2
Точное извлечение (достоверность 7) [9F363F57] (AR v1)
Копирование… OK

Трек 6

Имя файла R:\Раздача 77\Interpol - 2004 - Antics\06 Not Even Jail .wav

Пиковый уровень 98.8 %
Скорость извлечения 6.9 X
Качество трека 100.0 %
CRC теста EDD22815
CRC копии EDD22815
Точность не определена (достоверность 200) [AF01DE65], AccurateRip вернул [49DF48D9] (AR v2)
Копирование… OK

Трек 7

Имя файла R:\Раздача 77\Interpol - 2004 - Antics\07 Public Pervert .wav

Пиковый уровень 98.8 %
Скорость извлечения 7.2 X
Качество трека 100.0 %
CRC теста 6323F8DC
CRC копии 6323F8DC
Точное извлечение (достоверность 7) [B65A5C16] (AR v1)
Копирование… OK

Трек 8

Имя файла R:\Раздача 77\Interpol - 2004 - Antics\08 C'mere .wav

Пиковый уровень 98.8 %
Скорость извлечения 7.0 X
Качество трека 100.0 %
CRC теста 175AEDA6
CRC копии 175AEDA6
Точное извлечение (достоверность 6) [562C98B3] (AR v1)
Копирование… OK

Трек 9

Имя файла R:\Раздача 77\Interpol - 2004 - Antics\09 Length of Love .wav

Пиковый уровень 98.8 %
Скорость извлечения 5.4 X
Качество трека 99.9 %
CRC теста 6881B40F
CRC копии 6881B40F
Точное извлечение (достоверность 7) [A0F6978F] (AR v1)
Копирование… OK

Трек 10

Имя файла R:\Раздача 77\Interpol - 2004 - Antics\10 A Time to Be So Small .wav

Пиковый уровень 98.8 %
Скорость извлечения 5.8 X
Качество трека 99.9 %
CRC теста BDBF66A5
CRC копии BDBF66A5
Точное извлечение (достоверность 7) [99D41DD9] (AR v1)
Копирование… OK


9 трек(и) скопированы точно
1 трек(и) не удалось проверить на точность

Некоторые треки не прошли проверку на точность

Ошибок не произошло

Конец отчёта

==== Контрольная сумма отчёта 944640D69F60258DC22FED396052CB4982CCC1677CC041C930A65E125C3DB229 ====

[CUETools log; Date: 08.11.2018 17:46:03; Version: 2.1.4]
CD-Extra data track length 00:59:04.
[CTDB TOCID: benKxS62CFr9brabSDgnllFeD0Y-] found.
Track | CTDB Status
1 | (888/899) Accurately ripped, or (1/899) differs in 6 samples @00:52:54
2 | (892/899) Accurately ripped
3 | (892/899) Accurately ripped
4 | (890/899) Accurately ripped
5 | (891/899) Accurately ripped
6 | (332/899) Differs in 108 samples @03:21:55,03:22:08,03:25:01-03:25:02, or (440/899) differs in 108 samples @03:21:55,03:22:08,03:25:01-03:25:02, or (54/899) differs in 108 samples @03:21:55,03:22:08,03:25:01-03:25:02, or (15/899) differs in 108 samples @03:21:55,03:22:08,03:25:01-03:25:02, or (18/899) differs in 108 samples @03:21:55,03:22:08,03:25:01-03:25:02, or (1/899) differs in 108 samples @03:21:55,03:22:08,03:25:01-03:25:02, or (1/899) differs in 108 samples @03:21:55,03:22:08,03:25:01-03:25:02
7 | (884/899) Accurately ripped
8 | (889/899) Accurately ripped
9 | (888/899) Accurately ripped
10 | (885/899) Accurately ripped
[AccurateRip ID: 000f77ad-007dee4a-890a940b] found.
Track [ CRC | V2 ] Status
01 [16c271f5|0bfa69bf] (007+000/439) Accurately ripped
02 [41880341|b76f663f] (007+000/440) Accurately ripped
03 [9e566226|bc5067b6] (007+000/439) Accurately ripped
04 [389b73eb|dbc884ff] (007+000/439) Accurately ripped
05 [9f363f57|04676500] (007+000/439) Accurately ripped
06 [07b2ddbf|af01de65] (000+000/439) No match
07 [b65a5c16|f1043e8f] (007+000/439) Accurately ripped
08 [562c98b3|28a0da41] (006+000/438) Accurately ripped
09 [a0f6978f|25461303] (007+000/439) Accurately ripped
10 [99d41dd9|5f5c83f3] (007+000/440) Accurately ripped
Offsetted by -12:
01 [62951bf1] (016/439) Accurately ripped
02 [f1488c52] (016/440) Accurately ripped
03 [27bbb6f3] (016/439) Accurately ripped
04 [98ac18ba] (016/439) Accurately ripped
05 [4bcc4c3f] (016/439) Accurately ripped
06 [99390890] (000/439) No match (V2 was not tested)
07 [0c52a01a] (016/439) Accurately ripped
08 [f6d0566d] (016/438) Accurately ripped
09 [51445da8] (016/439) Accurately ripped
10 [374d9684] (016/440) Accurately ripped
Offsetted by 532:
01 [854b8d61] (000/439) No match (V2 was not tested)
02 [2e4b6c21] (000/440) No match (V2 was not tested)
03 [35a7994a] (000/439) No match (V2 was not tested)
04 [ca1952bd] (000/439) No match (V2 was not tested)
05 [7f235096] (000/439) No match (V2 was not tested)
06 [1ecae2ae] (000/439) No match (V2 was not tested)
07 [e8412fb7] (000/439) No match (V2 was not tested)
08 [8a028375] (000/438) No match (V2 was not tested)
09 [cd5e3a06] (000/439) No match (V2 was not tested)
10 [a38f5783] (000/440) No match (V2 was not tested)
Offsetted by 664:
01 [7d283cdd] (200/439) Accurately ripped
02 [54dd415b] (200/440) Accurately ripped
03 [21407d0c] (200/439) Accurately ripped
04 [7cc1a336] (200/439) Accurately ripped
05 [50e0f051] (200/439) Accurately ripped
06 [5d425114] (000/439) No match (V2 was not tested)
07 [99b8320a] (200/439) Accurately ripped
08 [c033042f] (200/438) Accurately ripped
09 [644968f2] (200/439) Accurately ripped
10 [da129ed0] (200/440) Accurately ripped

Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 98,8 [F2E273DF] [DF8989AC]
01 98,8 [22B0E7B3] [19160F5E] CRC32
02 98,8 [F90C1CBE] [8B2A483B] CRC32
03 98,8 [935B0043] [FF08D113] CRC32
04 98,8 [50AAA80D] [DCCFF057] CRC32
05 98,8 [CB020BF2] [F789ED71] CRC32
06 98,8 [EDD22815] [B54B44E0] CRC32
07 98,8 [6323F8DC] [8947CBE6] CRC32
08 98,8 [175AEDA6] [0EF5CC4C] CRC32
09 98,8 [6881B40F] [08CDA757] CRC32
10 98,8 [BDBF66A5] [C1C4BD7C] CRC32

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-12-11 16:00:53

––––––––––––––––––––––––––––––––––––––––
Analyzed: Interpol / Antics
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR6 -0.10 dB -8.53 dB 3:20 01-Next Exit
DR4 -0.10 dB -6.71 dB 3:36 02-Evil
DR4 -0.10 dB -6.55 dB 4:08 03-Narc
DR4 -0.10 dB -6.89 dB 4:54 04-Take You on a Cruise
DR5 -0.10 dB -6.23 dB 3:04 05-Slow Hands
DR5 -0.10 dB -6.64 dB 5:47 06-Not Even Jail
DR5 -0.10 dB -6.85 dB 4:40 07-Public Pervert
DR5 -0.10 dB -6.60 dB 3:11 08-C'mere
DR5 -0.10 dB -6.72 dB 4:07 09-Length of Love
DR5 -0.10 dB -6.91 dB 4:51 10-A Time to Be So Small
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR5

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 929 kbps
Codec: FLAC
================================================================================

Interpol - Antics (2004)

Interpol - Antics (2004)