Jeanne Lamon, Tafelmusik Baroque Orchestra - Domenico Scarlatti: Salve Regina; Antonio Vivaldi: Stabat Mater (2003)
Jeanne Lamon, Tafelmusik Baroque Orchestra - Domenico Scarlatti: Salve Regina; Antonio Vivaldi: Stabat Mater (2003)
EAC | FLAC | Image (Cue & Log) ~ 273 Mb | Total time: 57:37 | Scans included
Classical | Label: Analekta | # FL 2 3171 | Recorded: 2003
EAC | FLAC | Image (Cue & Log) ~ 273 Mb | Total time: 57:37 | Scans included
Classical | Label: Analekta | # FL 2 3171 | Recorded: 2003
Quebec contralto Marie-Nicole Lemieux scored a top rating on her earlier Analekta disc of Handel Italian cantatas, and in that review I expressed a desire for more recordings from this sensational young singer. If you enjoyed the Handel program (and if you don't have it, get it), you'll be just as happy with this new disc that combines two famous Baroque solo-vocal works with some engaging, relentlessly upbeat orchestral selections from the same period. Lemieux continues to impress with her warm, true-contralto tone, fluid legatos, canny phrasing, and total command of the technical aspects of these justifiably popular yet challenging works. Her somewhat darker, rounder vocal quality and relatively slower tempos contrast nicely with countertenor Andreas Scholl's bright, vibrant, and generally faster version of the Stabat Mater. While the faster tempos benefit Scholl in terms of breath frequency and phrase length, Lemieux artfully incorporates the breathing points in her more drawn-out lines–in the Stabat Mater's central Largo, for instance–to enhance the phrasing so that the breaks seem part of the music's natural flow. This is singing of the highest professional and artistic standard, and the spirit and enthusiasm that informs every note keeps us happily involved all the while Lemieux holds center stage.
Not that the orchestra selections are the slightest bit shabby! The opening Vivaldi sinfonia is a sheer delight, its catchy tunes and infectious rhythms reminding us why this composer continues to be such an audience pleaser, and Tafelmusik's splendid ensemble interplay and impeccable precision leave no doubt that we're hearing Baroque instrumental music at its best. The sound is absolutely ideal, with especially keen definition to the strings and natural, unadulterated treatment of the voice. A must!–David Vernier
Performer:
Marie-Nicole Lemieux, contralto
Tafelmusik Baroque Orchestra
Jeanne Lamon, musical director
Tracklist:
Antonio Vivaldi (1678-1741)
Symphonie pour cordes en sol majeur RV149
01. I. Allegro molto
02. II. Andante
03. III. Allegro
Domenico Scarlatti (1685-1757)
Salve Regina
04. Salve Regina
05. Ad te clamarus (Andante) / Exsules filii Evae (Grave)
06. Ad te suspiramus (Adagio)
07. Eja Ergo (Andante)
08. Nobis post hoc exsilium ostende
09. O clemens (Adagio)
10. Amen (Allegro)
Charles Avison (1709-1770)
Concerto no 7 en sol mineur d'après D. Scarlatti
11. I. Adagio
12. II. Allegro
13. III. Adagio
14. IV. Allegro affettuoso
Antonio Vivaldi
Stabat Mater in F Minor
15. Stabat Mater dolorosa (Largo)
16. Cujus animam (Adagio)
17. O quam tristis (Andante)
18. Quis est homo (Largo)
19. Quis non posset (Adagio)
20. Pro peccatis suae gentis (Andante)
21. Eja mater, fons amoris (Largo)
22. Fac ut ardeat (Lento)
23. Amen (Allegro)
Concerto pour cordes en la majeur RV158
24. I. Allegro molto
25. II. Andante molto
26. III. Allegro
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 11. November 2019, 14:12
Tafelmusik Baroque Orchestra / Vivaldi - Stabat Mater
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==== Log checksum 20FCECA4E302A128FB401581B4384CC5B36335606304B75A4D39F451D9902E0C ====
Jeanne Lamon, Tafelmusik Baroque Orchestra - Domenico Scarlatti: Salve Regina; Antonio Vivaldi: Stabat Mater (2003)
Thanks to the original releaser