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    María Espada, Forma Antiqva - Sopra Scarlatti: Cantate à voce sola di soprano di Domenico Scarlatti (2008)

    Posted By: ArlegZ
    María Espada, Forma Antiqva - Sopra Scarlatti: Cantate à voce sola di soprano di Domenico Scarlatti  (2008)

    María Espada, Forma Antiqva - Sopra Scarlatti: Cantate à voce sola di soprano di Domenico Scarlatti (2008)
    EAC | FLAC | Image (Cue & Log) ~ 274 Mb | Total time: 60:53 | Scans included
    Classical | Label: Arsis | # ARSIS 4246 | Recorded: 2008

    Si hablamos de Domenico Scarlatti lo primero que nos viene a la cabeza son sus más de quinientas sonatas para clave, plenas de virtuosismo, hondura y elegancia, que siempre han tentado a los clavecinistas más osados. Sin embargo, en la producción de Scarlatti hay otras composiciones igualmente interesantes y exquisitas, y buena muestra de ellas nos ofrece el joven al tiempo que brillante conjunto asturiano Forma Antiqva en su último disco –Sopra Scarlatti– que es una maravilla del principio al fin… y la prueba fehaciente de que los músicos españoles tienen mucho y bueno que decir.

    Yevgeny Sudbin - Domenico Scarlatti: 18 Keyboard Sonatas (2015)

    Posted By: Designol
    Yevgeny Sudbin - Domenico Scarlatti: 18 Keyboard Sonatas (2015)

    Yevgeny Sudbin - Domenico Scarlatti: 18 Keyboard Sonatas (2015)
    EAC | FLAC | Image (Cue&Log) ~ 246 Mb | Mp3 (CBR320) ~ 174 Mb | Artwork included
    Genre: Classical | Label: BIS | # BIS-SACD-2138 | Time: 01:14:30

    GRAMOPHONE Magazine: Disc of the Month - April 2016. With the 2005 release of his first recording for BIS Records, Yevgeny Sudbin catapulted into the pages of the international music press. The disc was a Scarlatti recital that prompted reviewers worldwide to compare the then 24-year old pianist in the most flattering terms to Scarlatti experts such as Horowitz and Pletnev. It went on to receive a long list of distinctions, including an Editor's Choice in Gramophone, where the accompanying review described it as 'among the finest, certainly most enjoyable of all Scarlatti recitals'. Since then, Sudbin and BIS have enjoyed a highly successful collaboration, resulting in numerous acclaimed recordings of both solo programmes and concertos. To celebrate the past 10 years, a new Scarlatti recording seemed the obvious choice for an anniversary present - to ourselves, and of course to all Sudbin fans and Scarlatti lovers. Said and done: Sudbin met up with Marion Schwebel, the recording producer with whom he has collaborated from the very beginning, for recording sessions in the silken acoustics of St George's in Bristol.

    Ivo Pogorelich - Johann Sebastian Bach: English Suites 2 & 3; Domenico Scarlatti: 4 Sonatas (1996)

    Posted By: Designol
    Ivo Pogorelich - Johann Sebastian Bach: English Suites 2 & 3; Domenico Scarlatti: 4 Sonatas (1996)

    Ivo Pogorelich - J.S. Bach: Englische Suiten 2 & 3; D. Scarlatti: 4 Sonaten (1996)
    EAC | FLAC | Image (Cue&Log) ~ 271 Mb | Mp3 (CBR320) ~ 179 Mb | Scans included
    Genre: Classical | Label: Deutsche Grammophon | # 445 573-2 | Time: 01:15:31

    While Ivo Pogorelich established his reputation performing mainly Romantic repertoire, his few forays into the Baroque reveal him to be an equally engaging- if not eccentric musician here as well. In quicker movements, such as the opening Preludes of the English Suites for instance Pogorelich's rhythmic control and contrapuntal clarity are simply amazing. Slower movements likewise are handled with remarkable intensity and delicacy. Pogorelich's performances of four Scarlatti sonatas concluding the program as well are wonderfully animated and knowing.

    La Tempestad, Olalla Aleman, Xavier Sabata - Sopranos y Castrati en el Londres de Farinelli 'Caro dardo' (2008)

    Posted By: ArlegZ
    La Tempestad, Olalla Aleman, Xavier Sabata - Sopranos y Castrati en el Londres de Farinelli 'Caro dardo' (2008)

    La Tempestad, Olalla Alemán, Xavier Sabata - Sopranos y Castrati en el Londres de Farinelli 'Caro dardo' (2008)
    EAC | FLAC | Image (Cue & Log) ~ 316 Mb | Total time: 57:57 | Scans included
    Classical | Label: Musica Antigua Aranjuez | # MAA 006 | Recorded: 2007

    La Tempestad se ha presentado al público en Festivales como los de Aranjuez, Cádiz, Sevilla, Marbella, Murcia, Santillana del Mar, Valladolid, Almería, Daroca, Zaragoza, etc. Sus miembros, formados en importantes conservatorios europeos (Toulouse, Viena, Amsterdam, La Haya), han formado parte de Al Ayre Español, La Real Cámara, El Concierto Español, Amsterdam Baroque Orchestra, Orchestra of the XVIII Century, European Union Baroque Orchestra, La Stravaganza, Orquesta Barroca de Sevilla, etc., con quienes han actuado por España, Europa, Israel y China.

    The New Gustav Leonhardt Edition [35CDs] (2022)

    Posted By: ArlegZ
    The New Gustav Leonhardt Edition [35CDs] (2022)

    The New Gustav Leonhardt Edition [35CDs] (2022)
    XLD | FLAC | Image (Cue & Log) ~ 10,60 Gb | Total time: 34:14:27 | Scans included
    Classical | Label: Warner Classics | # 0190296467714 | Recorded: 1962-1995

    The abundant legacy of Gustav Leonhardt’s recordings for Telefunken’s Das Alte Werk series invites us to follow his trajectory as a performer from the early 1960’s onwards, a time when the new codes of early music had yet to be invented, when their success depended above all on the strength of conviction of the performer. Leonhardt’s was strengthened by dialogue: with a range of partners whose variety defies all preconceived ideas, with ancient instruments or modern copies of all types, with repertoires as diverse as Byrd, Purcell, Rameau, Johann Sebastian but also Carl Philipp Emanuel Bach. Not forgetting the 1970 Monteverdi LP, which has never been reissued since. The image of a pope of early music isolated in his tower and frozen in a school style does not last long after listening to this historical sum, extended here by the later series of recordings under the Virgin Veritas flag.

    Robert Scandrett, Western Washington University Concert Choir Bellingham - Domenico Scarlatti: Geistliche Chorwerke (2012)

    Posted By: ArlegZ
    Robert Scandrett, Western Washington University Concert Choir Bellingham - Domenico Scarlatti: Geistliche Chorwerke (2012)

    Robert Scandrett, Western Washington University Concert Choir Bellingham - Domenico Scarlatti: Geistliche Chorwerke (2012)
    EAC | FLAC | Image (Cue & Log) ~ 283 Mb | Total time: 65:42 | Scans included
    Classical | Label: Carus Classics | 83.320 | Recorded: 1991

    You can't help but get the idea that Domenico Scarlatti rather lived under the shadow of his father Alessandro. It is only with his move to the Iberian peninsula that his career seems to liven up. Very few of his surviving choral and vocal works live up to the imagination at play in the keyboard sonatas. His vocal works were highly regarded by his contemporaries and Charles Burney was admiring indeed. Remarkably, as recently as 1941, only his Stabat Mater had appeared in a modern edition. It was during the centenary in 1985 that new music was discovered and made available.

    Sergio Florentino - The Legacy [26CDs] (2025)

    Posted By: ArlegZ
    Sergio Florentino - The Legacy [26CDs] (2025)

    Sergio Florentino - The Legacy [26CDs] (2025)
    XLD | FLAC | Image (Cue & Log) ~ 5,78 Gb | Total time: 31:18:09 | Scans included
    Classical | Label: Brilliant Classics | # 97423 | Recorded: 1953-1997

    "He is the only other pianist", said the legendary Arturo Benedetti Michelangeli of Sergio Fiorentino. How is it that one of the greatest musical geniuses of the 20th century is still so unknown? Sergio Fiorentino (1927-1998) was a remarkable Italian pianist whose career combined exceptional artistry with a quiet, almost enigmatic presence in the music world. Born in Naples, Fiorentino exhibited prodigious talent from an early age, studying at the prestigious San Pietro a Majella Conservatory under the guidance of Alfredo Casella and Paolo Denza. His early successes included significant competition wins and promising concert debuts, establishing him as a rising star in the mid-20th-century classical music scene.

    Scott Ross - Domenico Scarlatti: Complete Keyboard Works [34CDs] (1988)

    Posted By: ArlegZ
    Scott Ross - Domenico Scarlatti: Complete Keyboard Works [34CDs] (1988)

    Scott Ross - Domenico Scarlatti: Complete Keyboard Works [34CDs] (1988)
    EAC | FLAC | Image (Cue & Log) ~ 13,3 Gb | Total time: 34 h 36 min | Scans included
    Classical | Label: Erato| # ECD 75400 | Recorded: 1984-1985

    One of the most extraordinary achievements on disc in the last quarter-century…Wherever you dip into them, the sense of stylishness, energy and, especially, Ross's affection for Scarlatti's boundless harmonic and rhythmic imagination is obvious. It's a constant, almost inexhaustible joy.

    Angela Hewitt - Domenico Scarlatti: Sonatas (2016)

    Posted By: Designol
    Angela Hewitt - Domenico Scarlatti: Sonatas (2016)

    Angela Hewitt - Domenico Scarlatti: Sonatas (2016)
    EAC | FLAC | Image (Cue&Log) ~ 249 Mb | Mp3 (CBR320) ~ 178 Mb | Artwork included
    Genre: Classical | Label: Hyperion | # CDA 67613 | Time: 01:16:09

    As one of the world's foremost interpreters of Baroque keyboard music on the modern piano, Angela Hewitt has established a fine reputation for impeccable playing and fresh musical insights. Listeners who cherish her award-winning recordings on Hyperion of the music of Johann Sebastian Bach have already experienced her exquisite playing, and they will be delighted to hear this selection of sonatas by Domenico Scarlatti, Bach's contemporary and an innovator whose compositions influenced the development of the Classical sonata. Some of these selections are well known, particularly the Sonata in C major, Kk159, the Sonata in D major, Kk96, and the Sonata in E major, Kk380, which are often anthologized, though Hewitt hasn't packed this disc with greatest hits (with 555 sonatas to choose from, there are many less familiar that deserve attention). Hewitt's performances are thoughtfully phrased, polished in tone, and rhythmically precise with a modicum of rubato, and she is alert to the subtleties that make this music so beguiling. Hewitt recorded these 16 sonatas in the Beethovensaal in Hannover, where she made her first Bach recordings for Hyperion 20 years previously, and the acoustics are nearly ideal for her style.

    Lorenzo Tozzi, Romabarocca Ensemble - Domenico Scarlatti: Amor d'un'ombra e gelosia d'un'aura (2017)

    Posted By: ArlegZ
    Lorenzo Tozzi, Romabarocca Ensemble - Domenico Scarlatti: Amor d'un'ombra e gelosia d'un'aura (2017)

    Lorenzo Tozzi, Romabarocca Ensemble - Domenico Scarlatti: Amor d'un'ombra e gelosia d'un'aura (2017)
    EAC | FLAC | Image (Cue & Log) ~ 230 Mb | Total time: 51:17 | Scans included
    Classical | Label: Bongiovanni | GB 2485-2 | Recorded: 2016

    Few legends have had the impact of the extraordinarily handsome Narcissus who fell in love with his own reflection in the water. In the arts, the legend of Narcissus made its mark from ancient Greece onward. In music, interest in the legend dates back to the baroque. The opera by Domenico Scarlatti Amor d’un’ombra e gelosia d’un’aura was composed in Rome on a libretto by Carlo Sigismondo Capece and was revised in 1720 by Domenico Scarlatti himself- but with a libretto by Paulo Antonio Rolli- for a London performance of Narciso at the King’s Theatre in Haymarket.

    Martha Argerich - The Warner Classics Edition [46CDs] Part 1 (2025)

    Posted By: ArlegZ
    Martha Argerich - The Warner Classics Edition [46CDs] Part 1 (2025)

    Martha Argerich - The Warner Classics Edition [46CDs] Part 1 (2025)
    XLD | FLAC | Image (Cue & Log) ~ 5,46 Gb | Total time: 51:47:46 | Scans included
    Classical | Label: Warner Classics | # 5021732408884 | Recorded: 1965-2020

    “Unquestionably one of the greatest pianists of all time” is how Gramophone magazine has described Martha Argerich. Her relationship with the label goes back to 1965 and her victory at the International Chopin Competition in Warsaw. Over several decades it has produced a rich catalogue of live and studio recordings, embracing a repertoire that spans three centuries, a diversity of genres, and collaborations with such figures as Charles Dutoit, Nikolaus Harnoncourt, Gidon Kremer, Mischa Maisky and Itzhak Perlman. The complete recordings for EMI Classics, Teldec, Erato and Warner Classics are featured in this box.

    Balazs Szokolay - Domenico Scarlatti: Piano Sonatas (1989)

    Posted By: Designol
    Balazs Szokolay - Domenico Scarlatti: Piano Sonatas (1989)

    Balázs Szokolay - Domenico Scarlatti: Piano Sonatas (1989)
    EAC | FLAC | Image (Cue&Log) ~ 198 Mb | Mp3 (CBR320) ~ 157 Mb | Scans included
    Genre: Classical | Label: Naxos | # 8.550252 | Time: 01:07:13

    The Hungarian pianist Balázs Sozkolay was born in Budapest 1961, the son of a mother who is a pianist and a father who is a composer and professor at the Ferenc Liszt Academy. He started learning the piano when he was five and in 1970 entered the preparatory class of the Budapest Music Academy, where he completed his studies with Pál Kadosa and Zoltán Kocsis in 1983 .He later spent two years at the Academy of Music in Munich, with a West German government scholarship. Balázs Szokolay made an early international appearance with Péter Nagy at the Salzburg Interforum in 1979, and in 1983 substituted for Nikita Magaloff in Belgrade in a performance of the Piano Concerto No.1 of Brahms. He is now a soloist with the Hungarian State Orchestra and has given concerts in a number of countries abroad, including Austria, Switzerland, France, Italy, Poland, the Soviet Union, Bulgaria and Czechoslovakia. In September, 1987, he made his recital début at the Royal Festival Hall in London.

    Federico Guglielmo, L'Arte dell'Arco - Domenico Scarlatti: La Dirindina, Sinfonie & Sonate (2012)

    Posted By: ArlegZ
    Federico Guglielmo, L'Arte dell'Arco - Domenico Scarlatti: La Dirindina,  Sinfonie & Sonate (2012)

    Federico Guglielmo, L'Arte dell'Arco - Domenico Scarlatti: La Dirindina, Sinfonie & Sonate (2012)
    EAC | FLAC | Image (Cue & Log) ~ 340 Mb | Total time: 63:59 | Scans included
    Classical | Label: CPO | 777 555-2 | Recorded: 2007

    Federico Guglielmo and his historical instruments ensemble Larte dellarco turn to sinfonias and sonatas by Domenico Scarlatti and to the same composers short intermezzo farce La Dirindina. The intermezzo was a type of entracte music inserted as comic relief between the acts of court dramas and operas during the sixteenth and seventeenth centuries. This particular farsetta involves the personal relations between a budding opera diva and her teacher; she is vain and reluctant to practice, and he is extremely jealous of her lover.

    Igor Kipnis ‎- The Spanish Harpsichord: D. Scarlatti, Blasco de Nebra, Soler, Falla (1993)

    Posted By: ArlegZ
    Igor Kipnis ‎- The Spanish Harpsichord: D. Scarlatti, Blasco de Nebra, Soler, Falla (1993)

    Igor Kipnis ‎- The Spanish Harpsichord: D. Scarlatti, Blasco de Nebra, Soler, Falla (1993)
    EAC | FLAC | Image (Cue & Log) ~ 292 Mb | Total time: 76:24 | Scans included
    Classical | Label: Sony Classical | SNYI 53264 | Recorded: 1967, 1975

    This is a wonderful collection of Spanish Baroque harpsichord music. Of course Scarlatti, who came from Italy, is the king. Igor Kipnis plays one of Scarlatti's single sonatas and the great triptych, K. 490- 92. He gives an object lesson in performing Scarlatti with imagination, virtuosity, taste, and ornamented repeats, the latter adding a great deal of interest to the music. José Nebra and Josep Soler aren't quite on Scarlatti's level, but the way Igor Kipnis plays their entertaining music is bound to hold your attention.

    Igor Kipnis - Harpsichord Greatest Hits (1989)

    Posted By: ArlegZ
    Igor Kipnis - Harpsichord Greatest Hits (1989)

    Igor Kipnis - Harpsichord Greatest Hits (1989)
    EAC | FLAC | Image (Cue & Log) ~ 431 Mb | Total time: 72:44 | Scans included
    Classical | Label: CBS Records ‎| MLK 45524 | Recorded: 1989

    As with several other of Kipnis' albums, these could serve as either an eye opener for those uninitiated to the potential of the late 20th century harpsichord in the hands of these virtuoso musicians. And an introduction of the incredibly rich, varied music of the 18th Century. Igor Kipnis was so much more than a master of the keyboard, he helped introduce three generations to what the Baroque was all about.