Hermann Max, Das Kleine Konzert - Johann Christian Bach: La Clemenza di Scipione (2002)
EAC | FLAC | Image (Cue & Log) ~ 586 Mb | Total time: 131:04 | Scans included
Classical | Label: CPO | # 999 791-2 | Recorded: 2000
EAC | FLAC | Image (Cue & Log) ~ 586 Mb | Total time: 131:04 | Scans included
Classical | Label: CPO | # 999 791-2 | Recorded: 2000
Composed in 1778, J.C. Bach's La Clemenza di Scipione is a nice, direct, fat-free work. The arias tend to be short (not one of them is a da capo), the recitatives are to the point and likewise brief, and the action moves swiftly. Roman Scipio (tenor) has taken Cartagena and Spanish soprano princess Arsinda (and her soprano pal, Idalba) prisoner. Male soprano, fellow non-Roman Lucieo, is betrothed to Arsinda, while the Roman general Marzio (tenor) is in love with Idalba and vice-versa. The whole plot revolves around the heroic Lucieo's attempts to rescue Arsinda, et al., his being taken prisoner, and his being threatened by death if he refuses to pledge allegiance to Rome. He never does give in, but Scipio does–hence the clemency–and Scipio gives everyone their freedom once he realizes how impressive a gal Arsinda is. Everyone swears loyalty to Rome. Hooray! There's plenty of room for grief arias, anger arias, revenge arias, why-is-my-life-so-dreadful arias, and if-only-I-could-end-your(-my)-suffering arias, in many tempos.
Orchestrally this is a wonderful performance. Das Kleine Konzert plays with ease, verve, and accuracy, and Hermann Max has a terrific feel for this après-Baroque, Classically Mozartean music, bringing its crisp rhythms to life. Little stage effects present on this live recording are welcome: When a clash of arms is referred to in the text, we hear swords. Except for applause at the opera's close, the audience could be mummified. The chorus too is excellent.
The music throughout is inventive and expert. The opera's longest aria, for Arsinda in Act 2, has obbligato parts for flute, oboe, and violin, oddly reminiscent of Mozart's "Martern aller arten" in The Abduction from the Seraglio (and like that aria, it's about suffering), and the largo-allegro Arsinda-Lucieo duet that ends Act 1 is utterly charming, but sadly, the latter pinpoints Waschinski's weird vocal shortcomings. Is this set recommended? Yes, despite less than virtuosic soloists, and it makes you hungry for more of J.C. Bach's operas.-Robert Levine
Performer:
Arsinda - Linda Perillo
Idalba - Christine Wolff
Luceio - Jörg Waschinski
Scipione - Markus Schäfer
Marzio - Hans Jörg Mammel
Rheinische Kantorei
Das Kleine Konzert
Conductor - Hermann Max
Track List:
CD1:
01. Atto I. Sinfonia
02. Scena 1. Recitativo: Cessate, omai cessate (Scipione)
03. Coro: S'oda il suon delle trombe guerriere
04. Scena 2. Recitativo: Questa, o Scipio (Marzio, Arsinda, Scipione, Idalba)
05. Aria: Confusa, abbandonata (Arsinda)
06. Scena 3. Recitativo: Magnanimo Scipio (Idalba, Scipione)
07. Aria: Allorchè il vincitore (Idalba)
08. Scena 4. Recitativo: Lade al Ciel giunse alfine (Scipione, Marzio)
09. Marcia
10. Recitativo: Il forte (Luceio, Marzio, Scipione)
11. Aria: Parto, ma serbo in mente (Luceio)
12. Scena 5. Recitativo: Amico, comprendesti (Scipione, Marzio)
13. Aria: Alma nata in riva al Tebro (Scipione)
14. Scena 6. Recitativo: Ancor non giunge Idalba (Marzio, Idalba)
15. Aria: Pugna il guerriero in campo (Marzio)
16. Scena 7. Aria: Dal dolor cotanto oppressa (Arsinda)
17. Recitativo: Stelle! Chi mi riscuote? (Arsinda)
18. Scena 8. Recitativo: Adorata mia sposa (Luceio, Arsinda)
19. Recitativo: Me infelice! (Luceio, Arsinda)
20. Duetto: Deh quel pianto omai tergete (Luceio, Arsinda)
CD2:
01. Atto II. Scena 1. Recitativo: No, piú dubbio non v'è (Marzio, Idalba)
02. Scena 2. Recitativo: M'è già noto per prova (Idalba)
03. Aria: Nell'oggetto che m'accende (Idalba)
04. Scena 3. Recitativo: Vieni, siegui i miei passi (Arsinda, Luceio)
05. Scena 4. Recitativo: Fermati, ingrato (Scipione, Luceio)
06. Coro: Provi l'lbero infido
07. Recitativo: E nessuno sa dirmi (Arsinda, Marzio)
08. Scena 5. Recitativo: Alceste? (Arsinda, Luceio, Scipione, Marzio)
09. Aria: Fra le catene avvinto (Scipione)
10. Scena 6. Recitativo: Barbare inique stelle! (Arsinda, Luceio, Marzio)
11. Recitativo: Alfin forza è ch'io parta (Luceio)
12. Aria: Frena le belle lagrime (Luceio)
13. Scena 7. Recitativo: Principessa, che tardi? (Marzio, Arsinda)
14. Aria: Non odi consiglio (Marzio)
15. Scena 8. Recitativo: Misera! Che far deggio? (Arsinda, Idalba)
16. Scena 9. Recitativo: E ancor paga non sei (Arsinda)
17. Aria: Infelice! In van m'affano (Arsinda)
18. Scena 10. Recitativo: Marzio, Arsinda dov'è? (Scipione, Marzio, Arsinda)
19. Scena 11. Recitativo: Che si brama da me? (Luceio, Scipione, Marzio, Arsinda)
20. Terzetto: Tu mi deridi, altero (Arsinda, Scipione, Luceio)
21. Atto III. Scena 1. Aria: Dei pietosi, in tal cimento (Luceio)
22. Recitativo: Ma del carcere oscuro (Luceio)
23. Scena 2. Recitativo: Luceio, idole mio (Arsinda, Luceio, Marzio)
24. Recitativo: Dunque il Ciel mi condonna (Arsinda, Luceio)
25. Aria: Nel partit, bell'idol mio (Luceio)
26. Scena 3. Recitativo: Sposo amato - Luceio! (Arsinda)
27. Aria: Ah si vada (Arsinda)
28. Scena 4. Recitativo: Di Nemisi quest'è (Scipione, Marzio, Idalba)
29. Scena Ultima. Marcia
30. Recitativo: Prence, intendesti (Scipione, Luceio)
31. Coro: Suoi strali terror de' mortali
32. Recitativo: Oh, delle colpe (Sommo Sacerdote, Idalba, Luceio, Scipione, Arsinda)
33. Quintetto e Coro: Se mesti, e dolente
34. Applause
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 15. December 2020, 19:06
Hermann Max, Das Kleine Konzert, Rheinische Kantorei / J.C. Bach - La Clemenza di Scipione CD1
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Exact Audio Copy V1.5 from 20. February 2020
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Hermann Max, Das Kleine Konzert, Rheinische Kantorei / Bach J.C. - La Clemenza di Scipione CD2
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