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Galanterie, John Schneiderman - Johann Kropfgans: Lute Concerto, Sonatas & Divertimentos (2005)

Posted By: Designol

Date: 3 Apr 2024 20:05:30

Galanterie, John Schneiderman - Johann Kropfgans: Lute Concerto, Sonatas & Divertimentos (2005)

The lute reigned supreme as the instrument of choice throughout the Renaissance, but waned in popularity in the seventeenth century as keyboard instruments became more refined and widespread. Yet, it held its own in the Baroque era in certain regions, particularly in France, where large quantities of dance suites were written. Toward the end of the century, the lute enjoyed something of a revival as it became extremely popular in German-speaking countries, and in regions of central Europe.

Today, it has found a home as a continuo instrument, often preferred to the harpsichord for its rich and gentle tone, and its warmer sound. Artists such as Stephen Stubbs, Lucas Harris, Daniel Swenberg and Michael Fields have brought the Baroque Lute into a new daylight, championing, post-Renaissance compositions and making it the continuo instrument of choice in a large body of vocal and chamber music.

This disc of works by Johann Kropfgans brings the lute into prominence as a chamber music partner, and although the pieces are simple and most likely intended originally for amateurs, this fine ensemble brings the music to life with all the care and dedication that one might expect to go into a disc of Bach or Handel.

Comparatively little is known about Kropfgans except that he came from a prominent family of musicians and that he and other members of his family served in some high profile court positions. Heavily influenced by the work of Sylvius Leopold Weiss, Kropfgans was apparently well respected during his lifetime, and much of his work remained in publication through prestigious firms as late as the middle nineteenth century. But what they might lack in virtuoso sophistication, they more than make up for in grace and charm.

As formal structures, they are heavily indebted to the French dance suites. Influences aside, Kropfgans interpolates some local color with the inclusion of dances such as the Polaca and Polonaise, most closely associated with Poland.

The ensemble Galanterie acquit themselves very well in these elegant and simple performances. If you are seeking some new level profundity, don’t expect it here. This is music that is easy to hear and easy to execute and serves well for entertainment or background. You will not find many sweeping gestures or unusual twists of harmony. But the lovely combination of instrumental timbres and the sheer grace with which these musicians play will set you on a splendid little journey of discovery, and this is a worthy introduction to a composer who may not have had Weiss’ or Hagen’s technical prowess, but nonetheless had some nice ideas to share.

Program notes and production values are above reproach, indeed, it would not be too strong a statement to advise other producers to take a good long look at the booklet essay for this recording. Lengthy, scholarly and thorough, it is also an excellent history lesson. Captivating and interesting, it is what the material that accompanies a recording should be.

Profil is a label heretofore unknown to me, and seems to be a by-product of the Helmuth Rilling dominated Hännsler Classics. If this is the kind of product that they intend to offer in the future, then long may they live.

A lovely little outing, most highly recommended.

Review by Kevin Sutton, MusicWeb-International.com

Johann Kropfgans at Allmusic
Johann Kropfgans at Wiki

John Schneiderman at Allmusic
John Schneiderman Website
John Schneiderman at Wiki

Galanterie
John Schneiderman, lute;
Elizabeth Blumenstock, violin;
William Skeen, cello

Recorded April 11, 2004.

Tracklist:

Johann Kropfgans (1708-c.1770)

[01]-[05] Sonata in G major
[06]-[09] Divertimento in F major
[10]-[12] Concerto in C minor
[13]-[17] Divertimento in B flat major
[18]-[22] Sonata in D major

EAC log

Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 1. October 2017, 17:51

John Schneiderman,Elizabeth Blumenstock, William Skeen / Kropfgans - Lute Concerto, Sonatas & Divertimentos

Used drive : PLDS DVD-RW DU8A6SH Adapter: 1 ID: 0

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Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%

TOC of the extracted CD

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Range status and errors

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Filename C:\temp\Kropfgans - Lute Concerto, Sonatas & Divertimentos\Kropfgans - Lute Concerto, Sonatas & Divertimentos.wav

Peak level 81.8 %
Extraction speed 4.0 X
Range quality 100.0 %
Test CRC 1E637A1D
Copy CRC 1E637A1D
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Track 20 accurately ripped (confidence 4) [6411ECE9] (AR v1)
Track 21 accurately ripped (confidence 4) [9668B51D] (AR v1)
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All tracks accurately ripped

End of status report

==== Log checksum 0F4585D88EF0CCAE3E5EA35B5AA210D5B9BB3146AA90FE057A6FD29413A02953 ====

DR log

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-09-13 05:26:22

––––––––––––––––––––––––––––––––––––––––
Analyzed: John Schneiderman,Elizabeth Blumenstock, William Skeen / Kropfgans - Lute Concerto, Sonatas & Divertimentos
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -3.98 dB -22.38 dB 4:04 01-Sonata in G major - I. Entrйe
DR15 -2.65 dB -21.72 dB 2:38 02-Sonata in G major - II. Paisane
DR14 -5.43 dB -24.59 dB 4:08 03-Sonata in G major - III. Siciliana
DR15 -3.83 dB -21.13 dB 3:34 04-Sonata in G major - IV. Tempo di Minuetto & Trio
DR12 -5.24 dB -21.46 dB 1:08 05-Sonata in G major - V. Polonoise
DR15 -5.42 dB -24.80 dB 4:47 06-Divertimento in F major - I. Larghetto
DR14 -4.51 dB -21.98 dB 4:11 07-Divertimento in F major - II. Allegro
DR12 -8.19 dB -24.30 dB 1:51 08-Divertimento in F major - III. Andante
DR14 -4.76 dB -21.79 dB 2:56 09-Divertimento in F major - IV. Allegretto
DR14 -2.82 dB -21.68 dB 4:48 10-Concerto in C minor - I. Allegro non troppo
DR14 -6.84 dB -26.51 dB 4:50 11-Concerto in C minor - II. Adagio
DR14 -3.22 dB -21.72 dB 4:49 12-Concerto in C minor - III. Allegro
DR14 -5.34 dB -22.60 dB 3:25 13-Divertimento in B flat major - I. Allegro moderato
DR14 -6.13 dB -23.84 dB 3:49 14-Divertimento in B flat major - II. Andante
DR13 -6.68 dB -23.05 dB 2:43 15-Divertimento in B flat major - III. Allegretto
DR13 -1.74 dB -21.29 dB 1:38 16-Divertimento in B flat major - IV. Angloise
DR14 -6.25 dB -23.52 dB 2:05 17-Divertimento in B flat major - V. Polacca
DR15 -2.87 dB -20.32 dB 2:53 18-Sonata in D major - I. Entrйe: Allegro
DR13 -5.84 dB -24.82 dB 2:42 19-Sonata in D major - II. Andantino
DR13 -4.65 dB -19.89 dB 1:28 20-Sonata in D major - III. Paisane
DR14 -7.36 dB -24.51 dB 3:28 21-Sonata in D major - IV. Menuet & Trio
DR13 -3.16 dB -20.64 dB 1:25 22-Sonata in D major - V. Polonoise
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 22
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 596 kbps
Codec: FLAC
================================================================================

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