John Browning - Barber: Souvenirs, Op. 28 - Saint-Saëns: The Carnival of the Animals - Debussy: Préludes, Book 2, L. 123 (2017)

John Browning ranks among the very few truly virtuoso pianists of the post-Vladimir Horowitz era. A large technique, the ability to draw a broad spectrum of colors and deep reserves of sound from his instrument, and total investment in his work marked him as one of the most important artists of his time. Among his American contemporaries, he alone sustained a career in which there was only a steady enrichment of artistry without detours caused by injury or emotional crisis. His parents were both musicians: his father a violinist, his mother a pianist. He grew up in Denver and began keyboard studies at five years of age. He recalled the aftermath of a civic concert in which composer/pianist Béla Bartók and violinist Joseph Szigeti visited his parents' home and he saw his mother sitting at her piano turning pages for Bartók. His first public appearance came as soloist with the Denver Symphony at the age of 10. Summer classes with Josef and Rosina Lhévinne led to more extended study with Mrs. Lhévinne at Juilliard School of Music in New York. When the family moved to Los Angeles, further studies with Lee Pattison solidified an increasingly solid technique and introduced him to most of the works that formed his repertory. Several major awards propelled Browning to a successful career. In 1954, he won the Steinway Centennial Award, in 1955 he placed first in the esteemed Leventritt Competition, and in 1956 he gained second prize in the Queen Elisabeth International Music Competition in Brussels. In 1956, Browning made his debut with the New York Philharmonic and afterward appeared in nearly every important music center in the world. His debut recording, taped when he was 25, revealed a fully fledged musician, already in complete possession of a polished technique and a probing musicality. Browning's artistry attracted the attention of composer Samuel Barber, and in 1962 a new piano concerto was introduced to the public in New York with Browning performing under the direction of Erich Leinsdorf. The Barber Piano Concerto was applauded by critics and audience alike and has, ever since, remained the centerpiece of Browning's repertory. Two recordings were made, the first with George Szell and the Cleveland Orchestra, the second with Leonard Slatkin directing the Saint Louis Symphony. The latter was awarded the first of two Grammys won by Browning (his second was for a collection of Barber solo piano pieces). A select repertory, all of it tailored to a pianist of Olympian power and authority, embraced Mozart, Beethoven, Chopin, Brahms, Tchaikovsky, Rachmaninov, Prokofiev, and Ravel. Among later 20th century composers, Barber figured prominently, as did Richard Cumming. In addition to appearances with most of the major orchestras in the United States and Europe, Browning toured Russia on four occasions and was a regular guest at America's most celebrated summer festivals. He performed into the new century, his last appearances being in Washington, DC, in the spring 2002. He died from heart failure at his home in early 2003.

TRACKLIST

01. Souvenirs, Op. 28 (For Piano Four-Hands): Waltz - John Browning;Leonard Slatkin
02. Souvenirs, Op. 28 (For Piano Four-Hands): Schottische - John Browning;Leonard Slatkin
03. Souvenirs, Op. 28 (For Piano Four-Hands): Pas de deux - John Browning;Leonard Slatkin
04. Souvenirs, Op. 28 (For Piano Four-Hands): Two-Step - John Browning;Leonard Slatkin
05. Souvenirs, Op. 28 (For Piano Four-Hands): Hesitation-Tango - John Browning;Leonard Slatkin
06. Souvenirs, Op. 28 (For Piano Four-Hands): Galop - John Browning;Leonard Slatkin
07. Le Carnaval des Animaux (The Carnival of the Animals), R. 125: Clarissa's Introduction (Voice) - Seiji Ozawa;John Browning
08. Le Carnaval des Animaux (The Carnival of the Animals), R. 125: I. Introduction and Royal March of the Lions (Voice) - Seiji Ozawa;John Browning
09. Le Carnaval des Animaux (The Carnival of the Animals), R. 125: II. Hens and Roosters (Voice) - Seiji Ozawa;John Browning
10. Le Carnaval des Animaux (The Carnival of the Animals), R. 125: III. Mongolian Wild Donkeys (Voice) - Seiji Ozawa;John Browning
11. Le Carnaval des Animaux (The Carnival of the Animals), R. 125: IV. Tortoises (Voice) - Seiji Ozawa;John Browning
12. Le Carnaval des Animaux (The Carnival of the Animals), R. 125: V. The Elephant (Voice) - Seiji Ozawa;John Browning
13. Le Carnaval des Animaux (The Carnival of the Animals), R. 125: VI. Kangaroos (Voice) - Seiji Ozawa;John Browning
14. Le Carnaval des Animaux (The Carnival of the Animals), R. 125: VII. Aquarium (Voice) - Seiji Ozawa;John Browning
15. Le Carnaval Des Animaux (The Carnival Of The Animals), R. 125: VIII. Personages With Long Ears (Voice) - Seiji Ozawa;John Browning
16. Le Carnaval des Animaux (The Carnival of the Animals), R. 125: IX. The Cuckoo in the Depths of the Forest (Voice) - Seiji Ozawa;John Browning
17. Le Carnaval des Animaux (The Carnival of the Animals), R. 125: X. Aviary (Voice) - Seiji Ozawa;John Browning
18. Le Carnaval des Animaux (The Carnival of the Animals), R. 125: XI. Pianists (Voice) - Seiji Ozawa;John Browning
19. Le Carnaval des Animaux (The Carnival of the Animals), R. 125: XII. Fossils (Voice) - Seiji Ozawa;John Browning
20. Le Carnaval Des Animaux (The Carnival Of The Animals), R. 125: XIII. The Swan (Voice) - Seiji Ozawa;John Browning
21. Le Carnaval des Animaux (The Carnival of the Animals), R. 125: XIV. Finale (Voice) - Seiji Ozawa;John Browning
22. Préludes, Book 2, L. 123: I. Brouillards - John Browning
23. Préludes, Book 2, L. 123: II. Feuilles mortes - John Browning
24. Préludes, Book 2, L. 123: III. La puerta del Vino - John Browning
25. Préludes, Book 2, L. 123: IV. «Les fées sont d'exquises danseuses» - John Browning
26. Préludes, Book 2, L. 123: V. Bruyères - John Browning
27. Préludes, Book 2, L. 123: VI. Général Lavine-eccentric - John Browning
28. Préludes, Book 2, L. 123: VII. La terrasse des audiences du clair de lune - John Browning
29. Préludes, Book 2, L. 123: VIII. Ondine - John Browning
30. Préludes, Book 2, L. 123: IX. Hommage à S. Pickwick Esq. P.P.M.P.C. - John Browning
31. Préludes, Book 2, L. 123: X. Canope - John Browning
32. Préludes, Book 2, L. 123: XI. Les tierces alternées - John Browning
33. Préludes, Book 2, L. 123: XII. Feux d'artifice - John Browning