Ludger Rémy, Telemannisches Collegium Michaelstein - Gottfried Stölzel: Cantatas for Pentecost 1737 (2004)
EAC | FLAC | Image (Cue & Log) ~ 326 Mb | Total time: 68:11 | Scans included
Classical | Label: CPO | # 999 876-2 | Recorded: 2002
EAC | FLAC | Image (Cue & Log) ~ 326 Mb | Total time: 68:11 | Scans included
Classical | Label: CPO | # 999 876-2 | Recorded: 2002
Gottfried Stölzel was a highly skilled, sometimes exceptionally inventive composer among whose gifts was the ability to devise extremely economical yet musically involving, textually illustrative, structurally refined, motivically fluent cantatas. It’s nowhere near great music, but much of it is quite good, clearly written for singers of some accomplishment, with leanly-scored yet often imaginatively colored orchestral accompaniments. Here are six cantatas from cycles written in 1735/36 and 1736/37, first performed together in pairs for Pentecost services in 1737. Added to the end of the program is another, earlier work that shows a marked stylistic contrast to the later pieces. Most of these cantatas begin with a short chorus, sometimes containing what sounds like a full-fledged fugue that dissolves as quickly as it begins, and then proceed through a couple of arias and recitatives, ending with a chorale.
All of the music here is sung by four soloists, and all four are very fine, capable singers–involved, stylish, sensitive, and impressive in their command of the recitative passages. Highlights include the Bach-like opening “chorus” of Daran ist erschienen; the beautiful soprano aria “Mein geist verlieret sich im Denken”, ideally sung by Dorothee Mields; the lovely voice/orchestra interplay in another soprano aria, “Ich werfe mich zu deinen Füßen”; the gently dancing triple-meter bass aria (à la Bach) “Wenn Gnüge und Leben”; and the unusually dramatic tenor aria from the same cantata, underscored by fiery, furious strings. But perhaps most notable is that earlier cantata from 1732, Er heißet Friedefürst. With its richer textures, more expressive use of dynamic changes, rests, accents, dotted rhythms, and tempo shifts, it almost sounds as if it came from another composer. While this program will be of primary interest to Baroque music fans and specialists, it’s a welcome addition to a catalog that still pays scant attention to worthy if less-brilliant contemporaries of Bach and Handel. My only real complaint here is that in the chorus movements, the voices sound unnaturally forward and close, otherwise, the sound is fine.–David Vernier
Performer:
Dorothee Mields, soprano
Martin Wölfel, alto
Jan Kobow, tenor
Christian Immler, bass
Telemannisches Collegium Michaelstein
Ludger Rémy, conductor
Tracklist:
Gottfried Heinrich Stölzel (1690-1749)
Cantata "Werdet voll Geistes, singet und redet untereinander von Psalmen"
01. Coro à 4: Werdet voll Geistes (Chorus)
02. Aria: Was saust so sanft und so gelinde! (Tenor)
03. Recitativo, Accompagnato e Arioso: Ach ja! Ich fühle schon (Alto, Tenor)
04. Aria: Soll ich voll Geistes werden? (Alto)
05. Recitative e Accompagnato: Wenn die Apostel nicht vom Wein (Tenor) - Chorale. Komm, heiliger Geist, Herr Gott (Chorus)
Cantata "Siehe da, eine Hütte Gottes"
06. Coro à 4: Siehe da, eine Hütte Gottes bei den Menschen (Chorus)
07. Recitativo: Stund jetzt das Paradies (Soprano, Alto)
08. Aria: Komm heiliger Geist! (Soprano)
09. Recitativo e Accompagnato: Mein Herz! Erwäg es nur, was Gott und Jesus, und wer du? (Tenor, Bass)
10. Aria: Flieht, ihr traurigen Gedanken (Bass)
11. Chorale: O heiliger Geist, o höchstes Gut (Chorus)
Cantata "Wollte Gott, dass alle das Volk des Herrn weissagete"
12. Aria: Wollte Gott, dass alle das Volk des Hern weissagete (Bass)
13. Aria: Unerschaffne Gottheitssonne! (Tenor)
14. Recitativo e Accompagnato: Wirkt das grosse sichtbare grosse Licht (Tenor, Bass)
15. Aria: Fällt der Geist auf alle (Bass)
16. Recitativo e Accompagnato: Dort gabst du, heilig guter Geist! (Bass)
17. Chorale: O heiliger Geist, o heiliger Gott (Chorus)
Cantata "Daran ist erschienen die Liebe Gottes gegen uns"
18. Coro à 4: Daran ist erschienen die Liebe Gottes gegen uns (Chorus)
19. Recitativo à 4 e Arioso: Also hat Gott geliebet
20. Aria: Mein geist verlieret sich im Denken (Soprano)
21. Recitativo e Accompagnato: Dass keinen nun der Trost aus dieser Lieb entfalle (Alto)
22. Aria: Wundervolle Liebesproben (Alto)
23. Chorale: Preis, Ehr und Lob dem hochsten Gott (Chorus)
Cantata "So denn ihr, die ihr arg seid:
24. Coro à 4: So denn ihr, die ihr arg seid (Chorus)
25. Recitativo: Ist nicht der Eltern Liebe gross? (Soprano)
26. Aria: Ich werfe mich zu deinen Füssen (Soprano)
27. Recitativo e Arioso: Wenn die Apostel dort mit Belen (Alto)
28. Aria: Komm, du Himmelstaube (Alto)
29. Chorale: Nun bitten wir den heiligen Geist (Chorus)
Cantata "Lehre mich tun nach deinem Wohlgefallen"
30. Coro à 4: Lehre mich tun nach deinem Wohlgefallen (Chorus)
31. Recitativo: Wenn Christi Gnadenreich (Alto, Tenor)
32. Aria: Ihr falschen Führer meines Lebens (Tenor)
33. Recitativo e Accompagnato: Komm, guter Geist! (Soprano, Bass)
34. Aria: Wenn Gnüge und Leben (Bass)
35. Chorale. Der Herr ist mein getreuer Hirt (Chorus)
Er heisset Friedefürst (Cantata for Quadsimodogeniti Sunday 1732)
36. Coro à 4. Er heisset Friedefürst (Chorus)
37. Accompagnato: Die ganze Welt ist voller Krieg und Streiten [Soprano, Alto, Tenor, Bass]
38. Duetto: Du bist in Jesu lauter Frieden [Soprano, Alto]
39. Chorale: Grüsse mich mit deinem Munde [Chorus]
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 23. January 2025, 19:38
Ludger Rémy / Stölzel . Cantatas for Pentecost . Rémy
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