Manuel Tomadin - D. & N.A. Strunck & P. Morhardt: Complete Organ Music (2019)
Manuel Tomadin - D. & N.A. Strunck & P. Morhardt: Complete Organ Music (2019)
WEB FLAC (tracks) - 699 MB | Tracks: 32 | 156:34 min
Style: Classical | Label: Brilliant Classics
WEB FLAC (tracks) - 699 MB | Tracks: 32 | 156:34 min
Style: Classical | Label: Brilliant Classics
In this release we dive headfirst into 17th-century Northern Germany, a time of innovation and experimentation in music for the organ. As these imposing instruments were installed in cathedrals across Europe, the repertoire flourished. Three composers grace this set: Delphin Strungk, his son Nicolaus Adam Strungk and Peter Mohrhardt, and their musical output sheds light on the transition period between the Renaissance and Baroque eras.
Delphin Strungk opens the set with an organ arrangement of a motet by Orlando di Lasso, a pioneer of the polyphonic style. Strungk was a highly respected organist and took up several posts during his lifetime including one as the court organist in Celle. His performances won him international acclaim and academics from across the continent would come to hear him play. Magnificat noni toni was a favourite of Duke Rudolph Augustus, Prince of Brunswick-Wolfenbüttel, who often came to Braunschweig to watch him play. Strungk explores the potential of the instrument and uses special echo effects in several pieces. It’s a technique also employed by Jan Pieterszoon Sweelinck, and it’s possible Strungk was one of his pupils.
Peter Mohrhardt moved in the same musical circles as Strungk but fewer of his compositions have survived, all of which are included here. His pieces reflect the influence of Sweelinck and Scheidemann, including echo effects, for example. However his music is also forward-looking, and the arrangements feature a highly ornamented cantus firmus, while the chorale fantasias show off the virtuosity of the performer, typical of Baroque keyboard music.
Nicolaus Adam Strungk was active at the same time as Mohrhardt. As the son of Delphin Strungk, he grew up under the guidance of his father and was employed by various members of the nobility, later performing for the emperor Leopold I. As the most modern composer of the three, technological advancements in organ building, such as the introduction of tempered tunings, allowed the composer to experiment with new tonalities. Admired by J.S. Bach, Strungk was influenced by Arcangelo Corelli, whom he met in Rome in 1685. This was the same year that Strungk learned of the death of his mother, inspiring his Ricercar sopra la morte della mia carissima Madre, whose melancholy melody bears clear signs of the Italian master’s influence.
This new recording presents three underestimated composers of the 17th century, a period of abundant experimentation in music. This was an era for innovation of organs, particular in Northern Germany where instruments of considerable size were being installed in important churches and cathedrals. Another enterprising recording by Manuel Tomadin, one of the leading Italian organists of our day. He already made numerous recordings for Brilliant Classics, including works by Lübeck, Leyding, Kneller, Geist, Krebs, Alberti, the Husumer Orgelbuch and others.
Tomadin plays on two historic organs, the Arp Schnitger organ (ca. 1700) in Uithuizen and the Hans Scherer organ (ca. 1624) of St. Stephan in Tangermünde.
The booklet contains extensive liner notes on the composers as well as the disposition of the organs.
Manuel Tomadin, organ
Tracklist:
01. Tibi laus tibi gloria: I. Prima pars
02. Tibi laus tibi gloria: II. Secunda pars
03. Lass mich dein sein und bleiben in A Minor
04. Toccata ad manuale duplex
05. Ecce Maria genuit nobis: I. Prima pars
06. Ecce Maria genuit nobis: II. Secunda pars. Ecce agnus
07. Ich hab mein Sach Gott heimgestellt
08. Magnificat noni toni. Meine Seele erhebet den Herren in F Major: I. Primus versus. Pedaliter
09. Magnificat noni toni. Meine Seele erhebet den Herren in F Major: II. Secundus versus
10. Magnificat noni toni. Meine Seele erhebet den Herren in F Major: III. Tertius versus
11. Verbum caro factum est
12. Surrexit pastor bonus
13. Kyrie summum: I. Kyrie
14. Kyrie summum: II. Christe
15. Kyrie summum: III. Kyrie
16. Du Friedefürst, Herr Jesu Christ
17. Gelobet seist du, Jesu Christ
18. Was fürchtst du, Feind Herodes, sehr
19. Alle Welt, was lebet und webet
20. Allein zu dir, Herr Jesu Christ
21. Meine Seele erhebet den Herren: I. Primus versus. Manibus solis - Secundum versus. ad manuale duplex cum ped
22. Wacht auf, ihr Christen alle
23. Aus tiefer Not schrei ich zu dir
24. Herr Gott, dich loben wir
25. Capriccio della Chiave di G b. in G Minor
26. Capriccio (II) della Chiave di A in A Minor
27. Capriccio della Chiave di E in E Minor
28. Capriccio della Chiave di F in F Major
29. Capriccio della Chiave di A in A Minor
30. Capriccio primi tuoni in D Minor
31. Ricercar sopra la morte della mia carissima madre, Catharina Maria Stubenrauen, morsa â Brunsviga il 28 d'augusto a(nn)o 1685
32. Capriccio sopra il corale "Ich dank Dir schon durch deinen Sohn"
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