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Martin Pearlman, Boston Baroque - Gluck: Iphigénie en Tauride (2000)

Posted By: ArlegZ

Date: 4 Apr 2020 15:00:08

The most popular opera of Gluck might be Orfeo ed Euridice, but this one, Iphigénie en Tauride, is probably his most dramatically involving. It is about familial love and deep friendship and, as such, lacks the usual "love" music and interest. But the waters here run deep, and Martin Pearlman and his singers plumb those depths. Christine Goerke's Iphigénie is dignified, rich with expression and beautiful tone. Almost no less good is the Orestes of Rodney Gilfry, who uses his high baritone with intelligence and ease, singing tenderly when needed and explosively at other times. Vinson Cole brings grainy, expressive tenor to the role of Pylades firmly and effectively; and Stephen Salters, as the villainous Thaos, might sing coarsely, but it suits the character. Pearlman gets vivid, exciting playing from his period-instrument Boston Baroque and, on the second CD, offers a 28-minute, music-illustrated lecture after the close of the opera. The sound is luxurious and clear, and the singers' diction is superb. This set is a wonderful surprise.
–Robert Levine

Performer:
Iphigénie - Christine Goerke
Oreste - Rodney Gilfry
Pylade - Vinson Cole
Thoas - Stephen Salters
First priestess and a Greek woman - Sharon Baker
Second priestess and the goddess Diana - Jayne West
Boston Baroque
Conductor - Martin Pearlman

Track List:
CD1:
Act I
01. Introduction and Chorus. Grands Dieux! soyez-nous secourables
02. Recitative. Iphigénie, ô ciel!
03. Chorus. Ô songe affreux! / Recitative. Ô race de Pélops
04. Aria. Ô toi, qui prolongeas mes jours
05. Chorus. Quand verrons-nous tarir nos pleurs?
06. Recitative. Dieux! le malheur en tous lieux suit mes pas
07. Aria. De noirs pressentiments
08. Chorus. Les Dieux apaisent leur courroux / Recitative. Malheureuse! / Chorus. Les Dieux apai
09. Chorus. Il nous fallait du sang
10. Ballet
11. Recitative. Malheureux, quel dessein
12. Chorus. Il nous fallait du sang
Act II
13. Recitative. Quel silence effrayant!
14. Aria.Dieux! qui me poursuivez / Recitative. Quel langage accablant
15. Aria. Unis dès la plus tendre enfance
16. Recitative. Étrangers malheureux
17. Recitative. Dieux! protecteurs de ces affraux rivages
18. Aria. Le calme rentre dans mon coeur
19. Ballet-Pantomime
20. Chorus and Dance. Vengeons et la nature
21. Recitative. Je vois toute l'horreur
22. Chorus. Patrie infortunée
23. Aria. Ô malheureuse Iphigénie! / Recitative. Honorez avec moi
24. Chorus. Contemplez ces tristes apprêts
CD2:
Act III
01. Recitative. Je cède à vos désirs / Aria. D'une image, hélas!
02. Recitative. Voici ces captifs malheureux
03. Recitative. Ô joie inattendue!
04. Trio. Je pourrais du tyran tromper la barbarie
05. Recitative. Ô moment trop heureux!
06. Duet. Et tu prétends encore que tu m'aimes? / Recitative. Quoi! je ne vaincrai pas ta consta
07. Duet. Ah! mon ami
08. Recitative. Malgré toi, je saurai t'arracher / Recitative. Quoi? toujours à mes voeux
09. Recitative. Puisque le Ciel à vos jours s'intéresse
10. Aria. Divinité des grandes âmes
Act IV
11. Recitative. Non, cet affreux devoir / Aria. Je t'implore et je tremble
12. Chorus. Ô Diane, sois-nous propice! / Recitative. La force m'abandonne
13. Hymn. Chaste fille de Latone / Recitative. Quel moment! Dieux puissants / Aria. Ah! laissons
14. Recitative. Tremblez! tremblez! on sait tout le mystère
15. Aria. De tes forfaits la trame est découverte / Recitative. Qu'oses-tu proposer, barbare?
16. Chorus. Vengeons le sang de notre Roi!
17. Recitative. Arrêez! écoutez mes décrets éternels
18. Recitative. Ta soeur! qu'ai-je entendu? / Aria. Dans cet objet touchant
19. Final Chorus. Les Dieux, longtemps en courroux
20. Martin Pearlman, director of the Boston Baroque, discusses Iphigénie en Tauride

EAC LOG1

Exact Audio Copy V1.5 from 20. February 2020

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Thanks to the original releaser

CD 01
CD 02

Viennese School Rodney Gilfry Gluck Classical Opera Classical Music Martin Pearlman FLAC 2000s Lossless