Martin Roscoe, Fedor Glushchenko - The Romantic Piano Concerto Vol. 6: Ernő Dohnányi: Piano Concertos (1993)
Martin Roscoe, Fedor Glushchenko, BBC Scottish Symphony Orchestra - The Romantic Piano Concerto Vol. 6: Ernő Dohnányi: Piano Concertos (1993)
EAC | FLAC | Image (Cue & Log) ~ 289 Mb | Total time: 74:56 | Scans included
Classical | Label: Hyperion | # CDA66684 | Recorded: 1993
EAC | FLAC | Image (Cue & Log) ~ 289 Mb | Total time: 74:56 | Scans included
Classical | Label: Hyperion | # CDA66684 | Recorded: 1993
In this series featuring ‘The Romantic Piano Concerto’, Dohnányi’s two works in this form are fitting examples of the genre because he was throughout his life a romantic both at heart and in his musical language. Although he died as late as 1960 he had little to do with the musical developments of the twentieth century. The two Concertos on this recording evoke a world which belongs to the nineteenth century. Dohnányi continued to compose in a style deeply rooted in the Austro-German classical tradition exemplified by Brahms. His merit as a composer is that he was able to prolong meaningfully the classico/romantic past, of which he was one of the last practitioners, well into this century, both in his chamber and orchestral music. This he did with elegance, wit, and stylish virtuosity. The two Piano Concertos are fine examples of his fluent mastery of form and instrumentation.
The Piano Concerto No 1 in E minor, from the years of 1897–8, follows the traditional three-movement structure: fast-slow-fast. However, the first movement Allegro is preceded by an introductory ‘Adagio maestoso’ whose main theme is picked up, albeit in a modified way, by the first Allegro subject proper. It is characterised by a diminished 5th drop resolving upwards a minor second (E-A#-B). The structural importance of the introductory Adagio maestoso gains marked significance as it is reiterated at the end of the movement. There is nothing in the musical language—that is, in the rhythm, melody, harmony and musical structure as well as in the traditional orchestration—which Brahms would have found unfamiliar.
The Piano Concerto No 2 in B minor belongs to the post-World War II years, 1946–7. Thus nearly fifty years separate the two Concertos on this CD. The composer’s compositional style, however, shows little change. It is amazing to think that Bartók’s Third Piano Concerto was written two years before this one.
Performer:
Martin Roscoe, piano
BBC Scottish Symphony Orchestra
Fedor Glushchenko, conductor
Track List:
Ernő Dohnányi (1877-1960)
Piano Concerto No 1 in E minor Op 5
01. Adagio maestoso – Allegro – Adagio
02. Andante
03. Vivace – Cadenza con orchestra – Vivace
Piano Concerto No 2 in B minor Op 42
04. Allegro
05. Adagio, poco rubato
06. Allegro vivace
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 22. May 2012, 11:40
Martin Roscoe / Dohnányi - Piano Concertos - Roscoe
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Martin Roscoe, Fedor Glushchenko - The Romantic Piano Concerto Vol. 6: Ernő Dohnányi: Piano Concertos (1993)
Thanks to the original releaser