Nancy Wilson - With My Lover Beside Me (1991)
Nancy Wilson - With My Lover Beside Me (1991)
Jazz (Vocal/Pop) | EAC Rip | FLAC (tracks)+CUE+LOG | mp3@320 | 203 MB. & 92 MB.
600dpi. Complete Scans (JPG) - 40 MB. | WinRar, 3% recovery
Audio CD (1991) | Label: Columbia/SONY | Catalog# CK-48665 | 38:49 min.
Jazz (Vocal/Pop) | EAC Rip | FLAC (tracks)+CUE+LOG | mp3@320 | 203 MB. & 92 MB.
600dpi. Complete Scans (JPG) - 40 MB. | WinRar, 3% recovery
Audio CD (1991) | Label: Columbia/SONY | Catalog# CK-48665 | 38:49 min.
Review by Ron Wynn ~allmusicTracklist:
A superbly arranged, produced, and mastered session from a wonderful vocalist. Wilson's singing, delivery, and tone are enticing and sensual throughout, even when the songs threaten to get overly sentimental or just sappy. Although the album was aimed at the adult contemporary audience, Wilson never coasted through any number, and this was about as polished and effective as this kind of session could get.
01. With My Lover Beside Me 2:28
02. Look at You / Something Tells Me I'm Falling in Love 4:43
03. When October Goes 3:57
04. Love is Where You Find It / At Last 4:17
05. I Can't Teach My Old Heart New Tricks 3:39
06. When the Meadow was Bloomin' 3:37
07. Heart of Mine, Cry On 4:11
08. Just Remember 3:15
09. The Last Dream Home 3:45
10. With My Lover Beside Me (reprise) 1:21
11. Epilogue (duet with Barry Manilow) 3:36
Nancy Wilson - With My Lover Beside Me (1991)
Personnel:
Nancy Wilson - vocals
Randy Kerber - piano and synths
Harvey Mason - drums
Abe Laboriel - bass
Brian Bromberg, Neil Stubenhaus - bass
Paul Jackson, Jr. - electric and acoustic guitars
Eddie Arkin - classical guitar and guitar solos
Gene Estes - vibes
Tommy Morgan - harmonica solo
Kirk Whalum - saxophone solos
Jerry Hey - trumpet solos
Paulinho Da Costa - percussion
~allAboutJazz
Born: February 20, 1937 | Instrument: Vocal
Nancy Wilson’s musical style is so diverse that it is hard to classify. Over the years her repertoire has included pop style ballads, jazz and blues, show tunes and well known standards. Critics have described her as “a jazz singer,” “a blues singer,” “a pop singer,” and “a cabaret singer.” Still others have referred to her as “a storyteller,” “a professor emeritus of body language,” “a consummate actress,” and “the complete entertainer.” Then who is this song stylist (that’s the descriptive title she prefers) whose voice embodies the nuances of gospel, blues, and jazz? Her colleague and long time friend Joe Williams used to call her “the thrush from Columbus.”
By the age of four, Nancy Wilson knew she wanted to be a singer. Born in Chillicothe, OH, Nancy grew up in Columbus where her father provided early exposure to many vocalists. These included male singers Billy Eckstine and Louis Jordan, and the rhythm and blues of Ruth Brown and LaVerne Baker. Nat King Cole was influential as well. She also heard big band vocalists Jimmy Rushing with Count Basie’s Orchestra, and Lionel Hampton’s Little Jimmy Scott. As a child she took an active part in church music as well as school choirs and dance bands.
Nancy’s professional singing career began at the age of 15. She had her own television show, Skyline Melody, on a local station. Soon after, she began performing in clubs in the Columbus area. After graduating high school, still undecided about a music career, she enrolled in the teacher training program at Central State College. But in 1956, Nancy’s desire outweighed the uncertainty of a vocal career, so she left college to join The Rusty Bryant Band. That same year she met Julian “Cannonball” Adderley when she accompanied Bryant’s band to New York City for a recording session. Adderley, impressed with her talent and determination, took an immediate interest in her career and the two kept in touch.
In 1959, Nancy moved to New York City, allotting herself six months to attain her goals. She wanted Cannonball’s manager, John Levy, to represent her, and she wanted Capitol Records as her label. Within four weeks of her arrival in New York she got her first big break, a call to fill in for Irene Reid at The Blue Morocco. Nancy did so well that the club booked her on a permanent basis; she was singing four nights a week and working as a receptionist during the day. She called John Levy and he went to catch her show.
“John called me the very next day. He set up a session to record a demo,” Nancy recalls. “Ray Bryant and I went in and recorded “Guess Who I Saw Today,” “Sometimes I’m Happy,” and two other songs. We sent them to Capitol and within five days the phone rang. Within six weeks I had all the things I wanted.”
Nancy’s debut single, “Guess Who I Saw Today,” was so successful that between April of 1960 and July of 1962 Capitol Records released five Nancy Wilson albums. Two of those remain in-demand reissues to this day: The Swingin’s Mutual with George Shearing (1961) and Nancy Wilson/Cannonball Adderley (1962), and earned her a permanent star in the jazz constellation. In 1963 “Tell Me The Truth” became her first truly major hit, leading up to her performance at the Coconut Grove in 1964” the turning pointing of her career garnering critical acclaim from coast to coast. Time Magazine wrote, “She is, all at once, both cool and sweet, both singer and story teller.”
Nancy was seen performing on variety shows (The Andy Williams Show, The Carol Burnett Show, The Flip Wilson Show, and others) and for one season she had her own popular television program, The Nancy Wilson Show (NBC) that won an Emmy in 1975. Nancy also took on acting roles, appearing on popular television shows throughout the years, from I Spy, Room 222, Hawaii Five- O, and Police Story, to The Cosby Show, Soul Food, New York Undercover, Moesha, and The Parkers.
After years with Capitol, during many of which she was second in sales only to the Beatles, surpassing even Frank Sinatra, Peggy Lee, the Beach Boys, and early idol Nat King Cole, the business had changed providing Nancy with an opportunity to seek out projects that allowed her to express the maturity that she acquired throughout her then 55 years of life. One of the more interesting albums from her later period came about in 1991, when singer Barry Manilow was given a sheath full of lyrics written by the late Johnny Mercer which the great songwriter had never put to music. Manilow added melodies and chose Nancy to sing the resultant songs.
In 1995, when National Public Radio (NPR) was looking for an articulate voice with both name value and jazz credibility to host their Jazz Profiles series, Nancy was the obvious choice. Not only did she know the music, but she knew the artists personally. Her first profile for this program was the 75th birthday tribute to Charlie Parker.
In the late 1990s, Nancy teamed up with MCG Jazz, a social enterprise supporting the youth education programs of the Manchester Craftsmen’s Guild, a nonprofit, minority-directed, arts and learning organization located in Pittsburgh, PA. A Nancy Wilson Christmas, released for the 2001 holiday season was her only completed Christmas album. All proceeds form the sale of A Nancy Wilson Christmas went directly to support the programs of MCG Jazz.
Three years later Nancy gave MCG Jazz and the world of music another gift” R.S.V.P. (Rare Songs, Very Personal)” which was released on August 25, 2004. Receiving gifts in return, R.S.V.P. (Rare Songs, Very Personal) won the 2005 GRAMMY® Award for Best Jazz Vocal Album and the 2005 NAACP Image Award for Best Jazz Artist. (This was her second GRAMMY®, the first being in 1964 for “How Glad I Am,” and her second Image Award, the first being in 1986.) Other honors Nancy has received include a Star on the Hollywood Walk of Fame, streets and days dedicated in her name, honorary doctorate degrees, and in 2005, the UNCF Trumpet Award celebrating African-American achievement, a Lifetime Achievement Award from the NAACP in Chicago, and Oprah Winfrey’s Legends Award.
Last year, Nancy retired from touring, but she still continues to perform select engagements and, happily, to record. Nancy’s third album with MCG Jazz, Turned to Blue (MCGJ 1022), is another classic from this extraordinary song stylist.
Born: February 20, 1937 | Instrument: Vocal
Nancy Wilson’s musical style is so diverse that it is hard to classify. Over the years her repertoire has included pop style ballads, jazz and blues, show tunes and well known standards. Critics have described her as “a jazz singer,” “a blues singer,” “a pop singer,” and “a cabaret singer.” Still others have referred to her as “a storyteller,” “a professor emeritus of body language,” “a consummate actress,” and “the complete entertainer.” Then who is this song stylist (that’s the descriptive title she prefers) whose voice embodies the nuances of gospel, blues, and jazz? Her colleague and long time friend Joe Williams used to call her “the thrush from Columbus.”
By the age of four, Nancy Wilson knew she wanted to be a singer. Born in Chillicothe, OH, Nancy grew up in Columbus where her father provided early exposure to many vocalists. These included male singers Billy Eckstine and Louis Jordan, and the rhythm and blues of Ruth Brown and LaVerne Baker. Nat King Cole was influential as well. She also heard big band vocalists Jimmy Rushing with Count Basie’s Orchestra, and Lionel Hampton’s Little Jimmy Scott. As a child she took an active part in church music as well as school choirs and dance bands.
Nancy’s professional singing career began at the age of 15. She had her own television show, Skyline Melody, on a local station. Soon after, she began performing in clubs in the Columbus area. After graduating high school, still undecided about a music career, she enrolled in the teacher training program at Central State College. But in 1956, Nancy’s desire outweighed the uncertainty of a vocal career, so she left college to join The Rusty Bryant Band. That same year she met Julian “Cannonball” Adderley when she accompanied Bryant’s band to New York City for a recording session. Adderley, impressed with her talent and determination, took an immediate interest in her career and the two kept in touch.
In 1959, Nancy moved to New York City, allotting herself six months to attain her goals. She wanted Cannonball’s manager, John Levy, to represent her, and she wanted Capitol Records as her label. Within four weeks of her arrival in New York she got her first big break, a call to fill in for Irene Reid at The Blue Morocco. Nancy did so well that the club booked her on a permanent basis; she was singing four nights a week and working as a receptionist during the day. She called John Levy and he went to catch her show.
“John called me the very next day. He set up a session to record a demo,” Nancy recalls. “Ray Bryant and I went in and recorded “Guess Who I Saw Today,” “Sometimes I’m Happy,” and two other songs. We sent them to Capitol and within five days the phone rang. Within six weeks I had all the things I wanted.”
Nancy’s debut single, “Guess Who I Saw Today,” was so successful that between April of 1960 and July of 1962 Capitol Records released five Nancy Wilson albums. Two of those remain in-demand reissues to this day: The Swingin’s Mutual with George Shearing (1961) and Nancy Wilson/Cannonball Adderley (1962), and earned her a permanent star in the jazz constellation. In 1963 “Tell Me The Truth” became her first truly major hit, leading up to her performance at the Coconut Grove in 1964” the turning pointing of her career garnering critical acclaim from coast to coast. Time Magazine wrote, “She is, all at once, both cool and sweet, both singer and story teller.”
Nancy was seen performing on variety shows (The Andy Williams Show, The Carol Burnett Show, The Flip Wilson Show, and others) and for one season she had her own popular television program, The Nancy Wilson Show (NBC) that won an Emmy in 1975. Nancy also took on acting roles, appearing on popular television shows throughout the years, from I Spy, Room 222, Hawaii Five- O, and Police Story, to The Cosby Show, Soul Food, New York Undercover, Moesha, and The Parkers.
After years with Capitol, during many of which she was second in sales only to the Beatles, surpassing even Frank Sinatra, Peggy Lee, the Beach Boys, and early idol Nat King Cole, the business had changed providing Nancy with an opportunity to seek out projects that allowed her to express the maturity that she acquired throughout her then 55 years of life. One of the more interesting albums from her later period came about in 1991, when singer Barry Manilow was given a sheath full of lyrics written by the late Johnny Mercer which the great songwriter had never put to music. Manilow added melodies and chose Nancy to sing the resultant songs.
In 1995, when National Public Radio (NPR) was looking for an articulate voice with both name value and jazz credibility to host their Jazz Profiles series, Nancy was the obvious choice. Not only did she know the music, but she knew the artists personally. Her first profile for this program was the 75th birthday tribute to Charlie Parker.
In the late 1990s, Nancy teamed up with MCG Jazz, a social enterprise supporting the youth education programs of the Manchester Craftsmen’s Guild, a nonprofit, minority-directed, arts and learning organization located in Pittsburgh, PA. A Nancy Wilson Christmas, released for the 2001 holiday season was her only completed Christmas album. All proceeds form the sale of A Nancy Wilson Christmas went directly to support the programs of MCG Jazz.
Three years later Nancy gave MCG Jazz and the world of music another gift” R.S.V.P. (Rare Songs, Very Personal)” which was released on August 25, 2004. Receiving gifts in return, R.S.V.P. (Rare Songs, Very Personal) won the 2005 GRAMMY® Award for Best Jazz Vocal Album and the 2005 NAACP Image Award for Best Jazz Artist. (This was her second GRAMMY®, the first being in 1964 for “How Glad I Am,” and her second Image Award, the first being in 1986.) Other honors Nancy has received include a Star on the Hollywood Walk of Fame, streets and days dedicated in her name, honorary doctorate degrees, and in 2005, the UNCF Trumpet Award celebrating African-American achievement, a Lifetime Achievement Award from the NAACP in Chicago, and Oprah Winfrey’s Legends Award.
Last year, Nancy retired from touring, but she still continues to perform select engagements and, happily, to record. Nancy’s third album with MCG Jazz, Turned to Blue (MCGJ 1022), is another classic from this extraordinary song stylist.
Produced by Barry Manilow and Eddie Arkin
Arranged by Eddie Arkin
"Epilogue" arranged by Barry Manilow and Eddie Arkin
Executive Producers: Jay Landers and Dr. George Butler
Recorded at Rumbo Recorders, Canoga Park, CA
Recorded and Mixed by Don Murray
Recording assisted by Andy Udoff, "Epilogue" assisted by Shawn Berman
Mixed at Smoke Tree Ranch, Chatsworth, CA
Mixing assisted by Elaine Anderson
Mastered by Wally Traugott at Capitol Studios, Hollywood, CA
Digitally edited by Robert Vosgien at CMS Digital, Pasadena, CA
Production Coordinators: Les Joyce and Pat Arkin
Assistant to Barry Manilow: Marc Hulett
Art Direction: Nancy Donald
Design: Alan Disparte
Photography: Alberto Tolot
Liner notes by Barry Manilow, Eddie Arkin and Nancy Wilson
All songs, music by Barry Manilow & lyrics by Johnny Mercer
Exact Audio Copy V1.0 beta 3 from 18. July 2011
EAC extraction logfile from 23. September 2011, 20:14
Nancy Wilson / With My Lover Beside Me
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Read mode : Secure
Utilize accurate stream : Yes
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Make use of C2 pointers : Yes
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Delete leading and trailing silent blocks : No
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TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:28.15 | 0 | 11114
2 | 2:28.15 | 4:43.17 | 11115 | 32356
3 | 7:11.32 | 3:57.00 | 32357 | 50131
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10 | 33:52.27 | 1:21.33 | 152427 | 158534
11 | 35:13.60 | 3:35.40 | 158535 | 174699
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==== Log checksum 8681B571FB3C38557CAC7D5AF7D43AED85757FBB299CAE55BADA4422CFCE9145 ====
EAC extraction logfile from 23. September 2011, 20:14
Nancy Wilson / With My Lover Beside Me
Used drive : HL-DT-STDVDRAM GSA-E10N Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : No
Make use of C2 pointers : Yes
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
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Gap handling : Not detected, thus appended to previous track
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2 | 2:28.15 | 4:43.17 | 11115 | 32356
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9 | 30:07.60 | 3:44.42 | 135585 | 152426
10 | 33:52.27 | 1:21.33 | 152427 | 158534
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==== Log checksum 8681B571FB3C38557CAC7D5AF7D43AED85757FBB299CAE55BADA4422CFCE9145 ====
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03 [8c9dd967] (2/8) Accurately ripped
04 [a6c0b45a] (2/8) Accurately ripped
05 [4f1b83ee] (2/8) Accurately ripped
06 [3180b2c1] (2/8) Accurately ripped
07 [8db30b95] (2/8) Accurately ripped
08 [41e112eb] (2/8) Accurately ripped
09 [bb17ebe5] (2/8) Accurately ripped
10 [b217c710] (2/8) Accurately ripped
11 [0ea4f815] (2/8) Accurately ripped
Offsetted by 1049:
01 [f27b159d] (0/8) No match
02 [c06f58f1] (0/8) No match
03 [de2d44e9] (0/8) No match
04 [bde09e72] (0/8) No match
05 [5ada2810] (0/8) No match
06 [ba330b28] (0/8) No match
07 [6ea6026d] (0/8) No match
08 [e5e452a2] (0/8) No match
09 [14614c1b] (0/8) No match
10 [b3ff3e0d] (0/8) No match
11 [ea033c34] (0/8) No match
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [B1241DE4] [A769A27C]
01 94,7 [987D74F8] [ED63066C] CRC32
02 97,0 [68E1CDAC] [4145A4B9] CRC32
03 94,4 [F0622A58] [CA0C3226] CRC32
04 94,4 [89E6412E] [4BB57104] CRC32
05 100,0 [E86E0EEE] [D7B01408] CRC32
06 94,4 [5018F636] [5B8E8891] CRC32
07 95,0 [E667B25A] [C27E77CC] CRC32
08 94,6 [0C166C2D] [6D02189B] CRC32
09 97,4 [317D41CB] [D647E146] CRC32
10 95,0 [4518D990] [11F71B5E] CRC32
11 95,2 [A714D539] [53C67E90] CRC32
[CTDB TOCID: AnjT.BUjaXn9D8WxzcosMZ0Rnw8-] disk not present in database.
[AccurateRip ID: 0010ae2f-00902e99-7a09190b] found.
Track [ CRC ] Status
01 [e614570d] (0/8) No match
02 [5b8c8c96] (0/8) No match
03 [7535cd97] (0/8) No match
04 [1a405229] (0/8) No match
05 [5af5d949] (0/8) No match
06 [1691f37b] (0/8) No match
07 [610ebbb1] (0/8) No match
08 [45632164] (0/8) No match
09 [a3e9697b] (0/8) No match
10 [8da64d05] (0/8) No match
11 [c0242d74] (0/8) No match
Offsetted by 841:
01 [2683c0bb] (3/8) Accurately ripped
02 [7fd96e03] (3/8) Accurately ripped
03 [f9450ee3] (3/8) Accurately ripped
04 [87c1781b] (3/8) Accurately ripped
05 [7f39bdb1] (3/8) Accurately ripped
06 [1990db8c] (3/8) Accurately ripped
07 [c76e05f6] (3/8) Accurately ripped
08 [059f3de0] (3/8) Accurately ripped
09 [b6fdbaa1] (3/8) Accurately ripped
10 [468f53d0] (3/8) Accurately ripped
11 [b4d05614] (3/8) Accurately ripped
Offsetted by 842:
01 [9c40d822] (3/8) Accurately ripped
02 [65ea8acb] (3/8) Accurately ripped
03 [7617471f] (3/8) Accurately ripped
04 [135d7c28] (3/8) Accurately ripped
05 [3f0dc322] (3/8) Accurately ripped
06 [f87fc616] (3/8) Accurately ripped
07 [103c39d7] (3/8) Accurately ripped
08 [073facdf] (3/8) Accurately ripped
09 [eaac3187] (3/8) Accurately ripped
10 [ca8be285] (3/8) Accurately ripped
11 [1161610a] (3/8) Accurately ripped
Offsetted by 1113:
01 [0a707a1f] (2/8) Accurately ripped
02 [f518ca83] (2/8) Accurately ripped
03 [8c9dd967] (2/8) Accurately ripped
04 [a6c0b45a] (2/8) Accurately ripped
05 [4f1b83ee] (2/8) Accurately ripped
06 [3180b2c1] (2/8) Accurately ripped
07 [8db30b95] (2/8) Accurately ripped
08 [41e112eb] (2/8) Accurately ripped
09 [bb17ebe5] (2/8) Accurately ripped
10 [b217c710] (2/8) Accurately ripped
11 [0ea4f815] (2/8) Accurately ripped
Offsetted by 1049:
01 [f27b159d] (0/8) No match
02 [c06f58f1] (0/8) No match
03 [de2d44e9] (0/8) No match
04 [bde09e72] (0/8) No match
05 [5ada2810] (0/8) No match
06 [ba330b28] (0/8) No match
07 [6ea6026d] (0/8) No match
08 [e5e452a2] (0/8) No match
09 [14614c1b] (0/8) No match
10 [b3ff3e0d] (0/8) No match
11 [ea033c34] (0/8) No match
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 100,0 [B1241DE4] [A769A27C]
01 94,7 [987D74F8] [ED63066C] CRC32
02 97,0 [68E1CDAC] [4145A4B9] CRC32
03 94,4 [F0622A58] [CA0C3226] CRC32
04 94,4 [89E6412E] [4BB57104] CRC32
05 100,0 [E86E0EEE] [D7B01408] CRC32
06 94,4 [5018F636] [5B8E8891] CRC32
07 95,0 [E667B25A] [C27E77CC] CRC32
08 94,6 [0C166C2D] [6D02189B] CRC32
09 97,4 [317D41CB] [D647E146] CRC32
10 95,0 [4518D990] [11F71B5E] CRC32
11 95,2 [A714D539] [53C67E90] CRC32
Thanks to the original releaser.
Nancy Wilson - With My Lover Beside Me (1991)
(flac links are interchangeable, mp3@320 & artwork = single links)