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Olga Borodina, Dmitri Hvorostovsky - Arias / Duets (1998)

Posted By: tirexiss
Olga Borodina, Dmitri Hvorostovsky - Arias / Duets (1998)

Olga Borodina, Dmitri Hvorostovsky - Arias / Duets (1998)
EAC | APE (image+.cue, log) | Covers Included | 65:38 | 279 MB
Genre: Classical, Vocal | Label: Philips | Catalog: 289 454 439-2

The concert at London’s Royal Festival Hall in April last year was one of those rousing ringside events where the supporters gather as at a great party and everybody has a tremendous time cheering and asking for more. The recording was made the following month in Henry Wood Hall, and it preserves much of the sparky atmosphere of the live occasion though of course leaving to us the cheering (which I’m afraid in this establishment is reduced to a grunt or two, usually of approval, from the depths of the armchair).
Exciting as was the prospect of a joint recital, it did raise the question of the programme: duets for mezzo and baritone do not swarm to mind, especially considering that the nationality of the two artists would suggest the inclusion of something Russian. In fact, The Tsar’s Bride, which certainly did not occur to me as a likely source, provides what is probably the most cherishable part of the programme. The three passages given here impress as the work of a composer writing in intensely characteristic vein, and the solos find both singers at their best. In hers, Borodina shows just the imaginative sensitivity that seemed lacking in the duet, where Lyubasha’s pleading so cries out for the caress of portamento and other enticements that were once familiar enough to singers of the Russian school. Still, these two are fine and often thrilling representatives of the modern generation. In the Barbiere group, Hvorostovsky brings many an original touch, as well as magnificence of voice and vitality to the “Largo al factotum”, and in the duet responds to Rosina’s wiles with lively appreciation. Borodina’s “Una voce poco fa” is another brilliant piece of work, marred only by the jerky novelty of her “Io sono docile” which is the kind of thing that should be tried out at rehearsal and benignly dismissed. Special moments in the Favorita solos include the quiet beginnings of both arias, Borodina’s launching of her cabaletta and Hvorostovsky’s modulation of tone from the severity of the recitative to the plaintive “Vien, Leonora”. The duet carries dramatic conviction and is graced by a sometimes flawless legato. Fine operatic grandeur is also achieved in the scene between Dalilah and the High Priest, Hvorostovsky singing the bass-baritone part with good dark colouring and fine resonance.
Towards the end, that duet recalls Ortrud and Telramund in Lohengrin and leaves a slight feeling of an open-ended finale: there wanted really some suitable ‘encore’ piece. The ECO play well and the voices are finely caught and balanced in the recording.

Olga Borodina, Dmitri Hvorostovsky - Arias / Duets (1998)

Track List:

Il barbiere di Siviglia (The Barber of Seville), opera
01. Largo at factotum
02. Dunque io son…To non m'inganni?
03. Une voce poco fa-lo sono docile

La favorita, opera
04. Ebben, cosi si narra! - Quando le soglie paterne
05. Fia dunque vero, oh ciel - O mio Fernando
06. Ma de'malvagi invan -Veine, Leonora

The Tsar's Bride (Tsarskaya nevesta)
07. Zachem ty? Znat' nye lyubish
08. Vot da chevo ya dashla, Grigori
09. S uma neydot krasavitsa

Samson Et Dalila
10. J'ai Gravi La Montagne

Exact Audio Copy V0.99 prebeta 3 from 28. July 2007

Отчёт EAC об извлечении, выполненном 28. января 2008, 19:25

Dmitri Hvorostovsky, Olga Borodina / Arias & Duets

Дисковод: ASUS DRW-1814BLT Adapter: 3 ID: 0

Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет

Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Да
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Установленный внешний ASPI-интерфейс

Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
Смещение при сжатии : 0


TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:50.49 | 0 | 21798
2 | 4:50.49 | 5:10.31 | 21799 | 45079
3 | 10:01.05 | 6:00.52 | 45080 | 72131
4 | 16:01.57 | 7:34.69 | 72132 | 106250
5 | 23:36.51 | 7:06.51 | 106251 | 138251
6 | 30:43.27 | 7:26.63 | 138252 | 171764
7 | 38:10.15 | 8:25.04 | 171765 | 209643
8 | 46:35.19 | 3:07.61 | 209644 | 223729
9 | 49:43.05 | 5:28.45 | 223730 | 248374
10 | 55:11.50 | 10:26.45 | 248375 | 295369


Характеристики диапазона извлечения и сообщения об ошибках

Выбранный диапазон

Имя файла F:\NEW MUSIC\Новая папка\class\Dmitri Hvorostovsky, Olga Borodina - Arias & Duets\Dmitri Hvorostovsky, Olga Borodina - Arias & Duets.wav


Пиковый уровень 98.7 %
Качество диапазона 99.9 %
CRC копии 74AB09AE
Копирование завершено

Ошибок не произошло

Конец отчёта

[CUETools log; Date: 24.11.2017 10:13:26; Version: 2.1.5]
[CTDB TOCID: 2kNirSxVuiWjrict7qNZ5hpqzTA-] disk not present in database.
[AccurateRip ID: 001761ee-00be088f-940f620a] disk not present in database.

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09 82,6 [71CB9DB9] [9EBC4E86]
10 98,7 [EDA56CC3] [29F4FDF1]


Thanks to the Original ripper (unknown)!

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