Olivier Schneebeli, Les Pages et les Chantres, Musica Florea - Jean-Baptiste Lully: Grands Motets (2004)
Olivier Schneebeli, Les Pages et les Chantres, Musica Florea - Jean-Baptiste Lully: Grands Motets (2005)
EAC | FLAC | Image (Cue & Log) ~ 284 Mb | Total time: 52:13 | Scans included
Classical | Label: K617 | # K617157 | Recorded: 2003
EAC | FLAC | Image (Cue & Log) ~ 284 Mb | Total time: 52:13 | Scans included
Classical | Label: K617 | # K617157 | Recorded: 2003
Grands motets, requiring lavish vocal and instrumental resources, always signalled important occasions at the French court. Until the advent of public concerts in Paris in the 1720s they were performed exclusively by the king's musicians for the court. Olivier Schneebeli has assembled an admirable survey of these large-scale settings of psalm texts, which were excerpted and arranged to convey doubles entendres flattering to Louis XIV and his policies. The music employs an orchestra with a full continuo complement, a choir and a petit choeur of soloists that relies on high male voices. The only concession to modern times is the use of sopranos instead of castrati in the top part and the inclusion of girls among the pages. The survey begins with Lully's first grandmotet, the Jubilate Deo (1660), celebrating both the marriage of the king and a peace treaty. The Miserere (1663), frequently performed during Lully's lifetime, has remained his best-known work. Quare fremuerunt (1685) was composed at a difficult time, when he most needed to please the king. From first to last, one can easily hear the ways in which Lully experimented with his forces, refining the role of the orchestra, the ways in which the soloists relate to the choir, and how he was influenced by his experience of opera. The singers are attentive to Schneebeli's direction; the five soloists contribute singly, in dialogue with one another and in concert with the choir. Musica Florea's sweet sound suggests a refreshing departure from current ideas of Lullian style.–Gramophone Classical Music Guide
Performer:
Amel Brahim-Djelloul, soprano
Damien Guillon, alto
Howard Crook, tenor
Hervé Lamy, tenor
Arnaud Marzorati, bass-baritone
Les Pages et les Chantres du Centre de Musique Baroque de Versailles
Musica Florea de Prague
Olivier Schneebeli, direction
Tracklist:
Jean-Baptiste Lully (1632-1687)
JUBILATE DEO [LWV.77/16]
01. Jubilate Deo omnis terra
02. Reges terrae et omnes populi
03. Arcum conterit
04. Jubilate Deo omnis terra
05. Taliter non fecit omni nationi
06. Jubilate, in conspectu regis
MISERERE MEI DEUS [LWV.25]
07. Miserere mei Deus
08. Amplius lava me
09. Tibi soli peccavi
10. Ecce enim veritatem dilexisti
11. Asperges me
12. Averte faciem tuam
13. Ne projicias me a facie tua
14. Docebo iniquos vias tuas
15. Domine labia mea aperies
16. Sacrificium Deo spiritus contribulatus
17. Benigne fac Domine
18. Tunc acceptabis
QUARE FREMUERUNT GENTES [LWV.67]
19. Quare fremuerunt gentes
20. Dirumpamus vincula eorum
21. Qui habitat in caelis
22. Ego autem constitutus sum rex
23. Postula a me
24. Et nunc reges intelligite
25. Apprehendite disciplinam
26. Beati omnes qui confidunt in eo
27. DOMINE SALVUM FAC REGEM [LWV.77/14]
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 13. March 2019, 8:13
Olivier Schneebeli - Les Pages & Les Chantres de la Chapelle (CMBV) / Jean-Baptiste Lully - Grands Motets
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==== Log checksum 416B0098C9FAB5BB8FB125AC825F3A19B5049D3F0DC2592EA59D99973D7DB1BC ====
Olivier Schneebeli, Les Pages et les Chantres, Musica Florea - Jean-Baptiste Lully: Grands Motets (2004)
Thanks to the original releaser