Pál Németh, Capella Savaria - Alessandro Scarlatti: Stabat Mater (1986)
Pál Németh, Capella Savaria - Alessandro Scarlatti: Stabat Mater (1986)
EAC | FLAC | Image (Cue & Log) ~ 306 Mb | Total time: 44:39 | Scans included
Classical | Label: Hungaroton| # HCD 12732-2 | Recorded: 1986
EAC | FLAC | Image (Cue & Log) ~ 306 Mb | Total time: 44:39 | Scans included
Classical | Label: Hungaroton| # HCD 12732-2 | Recorded: 1986
Scarlatti composed his Stabat mater for the Neapolitan brotherhood of the Cavalieri della Vergine dei dolori. He scored it for two solo voices, soprano and mezzo-soprano with an orchestra of strings. The Stabat mater text prevented him from adopting the 'recitative-aria' patter of the cantata and so he alternated solo and duet numbers almost throughout, introducing two short arioso sections towards the conclusion of the work. scarlatti, like Pergolesi, shows remarkable resourcefulness in the achievement of variety within what, on the face of it, looks like a restricted pattern. Pergolesi, incidentally, composed his Stabat mater for the same Neapolitan brotherhood and must certainly have takne Scarlatti's setting as his model since the similarities are too numerous and too close to be merely accidental. Scarlatti's work falls into four sections each of which reflects its own emotional response to the substance of the Latin text.
The soloists, Maria Zadori and Paul Esswood, are well matched in the duets and provide effective contrast with each other in the solo arias. Zadori has a light, attractive-sounding voice, a strong technique and a good ear; her intonation is secure and she has a firm grasp of style. Esswood is on his best form here, conveying the strong sense of pathos implicit in both music and text. The Capella Savaria is an ensemble of period instruments which has not yet reached the degree of technical finesse achieved by our finest groups nearer home; but, by the sound of things, it will not be long in catching up! It's a spirited chamber group which gives an attractive account of the music as well as providing sympathetic accompaniment to the soloists. The freshness of their approach is further enhanced by a pleasant acoustic, effectively captured in both LP and CD formats.–Nicholas Anderson
Performer:
Mária Zádori, soprano
Paul Esswood, countertenor
Capella Savaria
Pál Németh, flute & conductor
Tracklist:
Alessandro Scarlatti (1660-1725)
Sonata No. 3 In C Minor For Flute And Strings
01. I. Moderato
02. II. Fuga. Allegro
03. III. Largo
04. IV. Andante
05. V. Andante
Stabat Mater
06. I. Stabat Mater
07. II. Cujus Animam
08. III. O Quam Tristis
09. IV. Quise Moerebat
10. V. Quis Est Homo
11. VI. Quis Non Posset
12. VII. Pro Peccatis
13. VIII. Vidit Suum
14. IX. Eja, Mater
15. X. Sancta Mater
16. XI. Fac, Ut Ardeat
17. XII. Tui Nati
18. XIII. Juxta Crucem
19. XIV. Virgo Virginum
20. XV. Fac, Ut Portem
21. XVI. Inflammatus
22. XVII. Fac Me Cruce
23. XVIII. Quando Corpus - Amen
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 29. December 2019, 9:14
Pál Németh / Alessandro Scarlatti - Stabat Mater
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Filename C:\Users\Grant\Desktop\Pál Németh - Alessandro Scarlatti - Stabat Mater.wav
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Test CRC FB22F384
Copy CRC FB22F384
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==== Log checksum E1DC19E95F119B1FA0DF97209668791C06F9F077AA7178D0BA290B96D4150EB0 ====
Pál Németh, Capella Savaria - Alessandro Scarlatti: Stabat Mater (1986)
Thanks to the original releaser