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    Josetxu Obregón, La Ritirata - Alessandro Scarlatti: Quella pace gradita: The recorder and violin cantatas (2019)

    Posted By: ArlegZ
    Josetxu Obregón, La Ritirata - Alessandro Scarlatti: Quella pace gradita: The recorder and violin cantatas (2019)

    Josetxu Obregón, La Ritirata - Alessandro Scarlatti: Quella pace gradita: The recorder and violin cantatas (2019)
    EAC | FLAC | Image (Cue & Log) ~ 345 Mb | Total time: 66:01 | Scans included
    Classical | Label: Glossa | GCD 923107 | Recorded: 2018

    In a new recording of music by Alessandro Scarlatti, Josetxu Obregóns La Ritirata parades its dazzling vocal and instrumental talents in presenting the four cantatas which involve recorders and violins, together with an additional standalone soprano aria, for a further Glossa Neapolitan-flavored release. Drawn from his well over 800 secular cantatas these works combine fully-integrated, imaginative recitatives, expressive and dramatic arias and colorful and exacting instrumental sinfonias and ritornelli into elegant and compact wholes, and featuring poetic texts which typically followed the aspirations of the Accademia degli Arcadi literary circle initiated in Rome around the turn of the eighteenth century.

    Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo d'Oro - Facce d'Amore (2019)

    Posted By: ArlegZ
    Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo d'Oro - Facce d'Amore (2019)

    Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo d'Oro - Facce d'Amore (2019)
    EAC | FLAC | Image (Cue & Log) ~ 424 Mb | Total time: 76:26 | Scans included
    Classical | Label: Erato | 9029542338 | Recorded: 2019

    Facce d’amore, ‘Faces of love’ follows Jakub Józef Orliński’s first solo album, Anima Sacra, which moved Gramophone magazine to announce that “This is a voice with a big future.” It brings a switch from the sacred to the personal and passionate. As the Polish-born, New York-trained countertenor says, the programme – which includes eight world premiere recordings – comprises “operatic arias that tell a story, showing a musical picture of a male lover in the baroque era – not only the positive side, like joyful or reciprocated love, but also anger or even madness.” Spanning some 85 years of the baroque period, the arias on Facce d’amore are by Handel, Cavalli, Alessandro Scarlatti, Bononcini, Conti, Hasse, Orlandini, Predieri and Matteis. Orliński is again partnered by the instrumentalists of Il Pomo d’Oro and their Principal Conductor Maxim Emelyanychev.

    Lynne Dawson, The Purcell Quartet - Alessandro Scarlatti: Two Cantatas & 'La Folia' (1987) Reissue 2007

    Posted By: Designol
    Lynne Dawson, The Purcell Quartet - Alessandro Scarlatti: Two Cantatas & 'La Folia' (1987) Reissue 2007

    Alessandro Scarlatti - Two Cantatas & 'La Folia' (1987) Reissue 2007
    Lynne Dawson, soprano; The Purcell Quartet

    EAC | FLAC | Image (Cue&Log) ~ 272 Mb | Mp3 (CBR320) ~ 120 Mb | Artwork included
    Genre: Classical, Vocal | Label: Helios/Hyperion | # CDH55233 | Time: 00:51:44

    Alessandro Scarlatti wrote over 600 cantatas, two of which are on this 1987 disc performed by soprano Lynne Dawson and the Purcell Quartet: Correa nel seno amato and Già lusingato appieno. He wrote considerably less keyboard music – and next to nothing compared with the gargantuan achievement of his son Domenico – one of which is on this disc performed by Robert Woolley, the harpsichordist of the Purcell Quartet: the Variations on La Folia. With the chamber cantatas flanking the keyboard variations, this disc is a wonderful program of the elder Scarlatti's art. Though there are some who might argue English soprano Dawson is perhaps too reserved for this repertoire, none would argue that she doesn't have a clear voice and a supple technique. And while there are others who might argue the Purcell Quartet is perhaps too stringent for the repertoire, none would argue they don't play together with consummate ease and they don't accompany Dawson with brilliant mastery. But there are few who would disparage Woolley's blindingly virtuosic and blazingly demonic La Folia Variations.

    Kate Lindsey, Jonathan Cohen, Arcangelo - Arianna: Alessandro Scarlatti, Handel, Joseph Haydn (2020)

    Posted By: ArlegZ
    Kate Lindsey, Jonathan Cohen, Arcangelo - Arianna: Alessandro Scarlatti, Handel, Joseph Haydn (2020)

    Kate Lindsey, Jonathan Cohen, Arcangelo - Arianna: Alessandro Scarlatti, Handel, Joseph Haydn (2020)
    EAC | FLAC | Image (Cue & Log) ~ 375 Mb | Total time: 72:13 | Scans included
    Classical | Label: Alpha ‎| ALPHA 576 | Recorded: 2019

    After a first album dedicated to Weill, Zemlinsky and Korngold (Alpha272), Kate Lindsey explores here her other repertoire of choice, the music of the eighteenth century. In partnership with Jonathan Cohen and Arcangelo, she has recorded three cantatas focusing on the myth of Ariadne, abandoned on the island of Naxos after helping Theseus kill the Cretan Minotaur by giving him a ball of thread so that he could find his way back through the labyrinth. Alessandro Scarlatti's Ebra d amor fuggia (1707) relates Ariadne's flight, drunk with love , alongside Theseus, for whom she expresses her tenderness in the magnificent aria Pur ti stringo .

    Andreas Scholl, Ottavio Dantone, Accademia Bizantina - Arias for Senesino: Handel, Albinoni, Lotti, A.Scarlatti, Porpora (2005)

    Posted By: ArlegZ
    Andreas Scholl, Ottavio Dantone, Accademia Bizantina - Arias for Senesino: Handel, Albinoni, Lotti, A.Scarlatti, Porpora (2005)

    Andreas Scholl, Ottavio Dantone, Accademia Bizantina - Arias for Senesino: Handel, Albinoni, Lotti, A.Scarlatti, Porpora (2005)
    EAC | FLAC | Image (Cue & Log) ~ 326 Mb | Total time: 65:31 | Scans included
    Classical | Label: Decca | 475 6569 | Recorded: 2004

    Senesino, the voice that inspired Handel's greatest operas showpiece arias by Handel, Lotti, Albinoni, Porpora and Scarlatti. One of the truly outstanding voices of today, star countertenor Andreas Scholl celebrates one of the 18th Century's greatest vocal superstars, the remarkable male alto known as Senesino. Senesino's place in history was secured by his extraordinary association with Handel, who after travelling to Dresden to hear him, brought him to London to join his Italian Opera Company, where he was greatly celebrated by the public, and much admired by the ladies.

    Ian Bostridge, Bernard Labadie, The English Concert - Three Baroque Tenors (2010)

    Posted By: ArlegZ
    Ian Bostridge, Bernard Labadie, The English Concert - Three Baroque Tenors (2010)

    Ian Bostridge, Bernard Labadie, The English Concert - Three Baroque Tenors (2010)
    EAC | FLAC | Image (Cue & Log) ~ 321 Mb | Total time: 66:39 | Scans included
    Classical | Label: EMI Classics ‎| 6 26864 2 | Recorded: 2009

    John Beard, Francesco Borosini, Annibale Fabri: these three men helped to revolutionized music in the 18th century. Their voices moved the greatest composers of the time to increasingly write for tenors, a move from the Castrati, which had dominated opera since 1600. Now, three centuries since this trio’s brilliance encouraged a surge of new repertoire for the vocal range, world renowned tenor Ian Bostridge celebrates their legacy with his stunning new release, Three Baroque Tenors.

    Gérard Lesne, Il Seminario musicale - Alessandro Scarlatti: Sedecia, re di Gerusalemme (2001)

    Posted By: ArlegZ
    Gérard Lesne, Il Seminario musicale - Alessandro Scarlatti: Sedecia, re di Gerusalemme (2001)

    Gérard Lesne, Il Seminario musicale - Alessandro Scarlatti: Sedecia, re di Gerusalemme (2001)
    EAC | FLAC | Image (Cue & Log) ~ 577 Mb | Total time: 46:54+47:22 | Scans included
    Classical | Label: Virgin Veritas ‎| 72435454522 | Recorded: 2000

    The edition for this premiere recording has been made by Karl Böhmer, who has provided an informative introductory essay, and Oliver Mattern. Gérard Lesne has made something of a speciality of Scarlatti’s music and his lively direction of Sedecia benefits from his fluent handling of dramatic and stylistic aspects of the work… A splendid achievement.

    Daniela Barcellona, Marcello Di Lisa, Concerto de' Cavalieri - Alessandro Scarlatti: Opera Arias (2011)

    Posted By: ArlegZ
    Daniela Barcellona, Marcello Di Lisa, Concerto de' Cavalieri - Alessandro Scarlatti: Opera Arias (2011)

    Daniela Barcellona, Marcello Di Lisa, Concerto de' Cavalieri - Alessandro Scarlatti: Opera Arias (2011)
    EAC | FLAC | Image (Cue & Log) ~ 365 Mb | Total time: 66:12 | Scans included
    Classical | Label: Deutsche Harmonia Mundi | # 88697842162 | Recorded: 2010

    The 350th anniversary of Alessandro Scarlatti’s birth fell in 2010 but did not receive the fuss that one of the most fascinating Italian Baroque composers deserves. His operas are particularly neglected but Daniela Barcellona and Concerto de’ Cavalieri go some way towards remedying this situation. Director Marcello Di Lisa has chosen a fascinating programme of sinfonias and arias from Scarlatti’s six last extant serious operas (1716-21), written for the Teatro San Bartolomeo in Naples (Tigrane, Carlo re d’Allemagna and Cambise) and for Rome’s Teatro Capranica (Telemaco, Marco Attilio Regolo and Griselda). Most are unpublished and have been edited from manuscript sources; 20 pieces receive world premiere recordings.

    Amaryllis Dieltiens, Bart Naessens, Capriola di Gioia - Alessandro Scarlatti, Giovanni Bononcini: Bella Immago (2016)

    Posted By: ArlegZ
    Amaryllis Dieltiens, Bart Naessens, Capriola di Gioia - Alessandro Scarlatti, Giovanni Bononcini: Bella Immago (2016)

    Amaryllis Dieltiens, Bart Naessens, Capriola di Gioia - Alessandro Scarlatti, Giovanni Bononcini: Bella Immago (2016)
    EAC | FLAC | Image (Cue & Log) ~ 337 Mb | Total time: 74:30 | Scans included
    Classical | Label: Aeolus | # AE 10093 | Recorded: 2015

    Hitherto unpublished works by the very popular late seventeenth- / early eighteenth- century Italian composers Alessandro Scarlatti and Giovanni Bononcini - that's what Soprano Amaryllis Dieltiens and her continuo partner Bart Naessens found in the Brussels collection of François-Joseph Fétis, who was a famous musicologist in the nineteenth century. With their ensemble Capriola di Gioia they present many of these pieces recorded here for the first time ever. The quality of the compositions is on a par with those already known - an irresistible pleasure for friends of secular Baroque cantatas! Soprano Amaryllis Dieltiens has been acclaimed particularly by connoisseurs of Baroque singing.

    Alan Curtis, Il Complesso Barocco - Salve Regina: Sacred Music from Naples: Leo, A. Scarlatti, Pergolesi (2009)

    Posted By: ArlegZ
    Alan Curtis, Il Complesso Barocco - Salve Regina: Sacred Music from Naples: Leo, A. Scarlatti, Pergolesi (2009)

    Alan Curtis, Il Complesso Barocco - Salve Regina: Sacred Music from Naples: Leo, A. Scarlatti, Pergolesi (2009)
    EAC | FLAC | Image (Cue & Log) ~ 330 Mb | Total time: 67:42 | Scans included
    Classical | Label: Deutsche Harmonia Mundi ‎| 88697539442 | Recorded: 2008

    Greek mezzo-soprano, Mary-Ellen Nesi, who sings all five works, produces a stream of gloriously firm tone reminiscent of Bernada Fink, another superb mezzo on the scene these days. Her diction and moulding of phrases here is excellent. The two Leonardo Leo settings of the Salve Regina (in C Minor and F Major) which begin the disc are followed by a cello Concerto (also by Leonardo Leo) and a world premiere recording of an Alessandro Scarlatti setting of salve Regina (in C Minor) and then the two better known Pergolesi settings (in C and A Minor) conclude the disc. The cello soloist is lovely too and all works receive excellent support from Alan Curtis and Il Complesso Barocco.

    Sergio Balestracci, La Stagione Armonica - Alessandro Scarlatti: Responsories for the Holy Week - Good Friday (2020)

    Posted By: ArlegZ
    Sergio Balestracci, La Stagione Armonica - Alessandro Scarlatti: Responsories for the Holy Week  - Good Friday (2020)

    Sergio Balestracci, La Stagione Armonica - Alessandro Scarlatti: Responsories for the Holy Week - Good Friday (2020)
    EAC | FLAC | Image (Cue & Log) ~ 344 Mb | Total time: 68:01 | Scans included
    Classical | Label: Deutsche Harmonia Mundi | 19075940772 | Recorded: 2018

    When it comes to old Italian vocal music, the Italian choir "La Stagione Armonica" from Padua under the direction of Sergio Balestracci has proven its high musical level several times. After the recording with responsories, which Alessandro Scarlatti composed for Good Saturday, the follow-up album with Scarlatti's responsories for Good Friday is now released.

    Maria Cristina Kiehr, Jean-Marc Aymes, Concerto Soave - Alessandro Scarlatti: Bella madre dei fiori, Cantates (2009)

    Posted By: ArlegZ
    Maria Cristina Kiehr, Jean-Marc Aymes, Concerto Soave - Alessandro Scarlatti: Bella madre dei fiori, Cantates (2009)

    Maria Cristina Kiehr, Jean-Marc Aymes, Concerto Soave - Alessandro Scarlatti: Bella madre dei fiori, Cantates (2009)
    EAC | FLAC | Image (Cue & Log) ~ 461 Mb | Total time: 72:48 | Scans included
    Classical | Label: Harmonia Mundi | # HMG 501725 | Recorded: 2000

    In attempting to select something from the vast pool of solo cantatas left behind by Alessandro Scarlatti, it's hard to know what to highlight. Argentine soprano Maria Cristina Kiehr, a prominent European early music specialist who honed her craft in the Schola Cantorum Basiliensis under René Jacobs, casts in her lot with both the elder Scarlatti and Concerto Soave in a recital consisting of three of the elder Scarlatti's solo cantatas in Harmonia Mundi's Alessandro Scarlatti: Bella madre de' fiori.

    Estévan Velardi, Alessandro Stradella Consort - Alessandro Scarlatti: Il giardino d'amore (2003)

    Posted By: ArlegZ
    Estévan Velardi, Alessandro Stradella Consort - Alessandro Scarlatti: Il giardino d'amore (2003)

    Estévan Velardi, Alessandro Stradella Consort - Alessandro Scarlatti: Il giardino d'amore (2003)
    EAC | FLAC | Image (Cue & Log) ~ 321 Mb | Total time: 70:33 | Scans included
    Classical | Label: Bongiovanni | # BG 2327-2 | Recorded: 1999

    Il giardino d'amore ou Venere e Adone (Vénus et Adonis) est une serenata à deux voix (SA), trompette, sopranino, cordes et basse continue du compositeur italien Alessandro Scarlatti, sur un livret en italien d'un auteur inconnu et composée dans les premières années du xviiie siècle. On ignore les circonstances de la composition de cette sérénade.

    Gérard Lesne, Véronique Gens, Il Seminario Musicale - Alessandro Scarlatti: Motets (1994)

    Posted By: ArlegZ
    Gérard Lesne, Véronique Gens, Il Seminario Musicale - Alessandro Scarlatti: Motets (1994)

    Gérard Lesne, Véronique Gens, Il Seminario Musicale - Alessandro Scarlatti: Motets (1994)
    EAC | FLAC | Image (Cue & Log) ~ 329 Mb | Total time: 69:19 | Scans included
    Classical | Label: Virgin Veritas | # 5 45103 2 | Recorded: 1993

    Depuis plus d'une décennie, Gérard Lesne poursuit un splendide travail de redécouverte du répertoire baroque sacré, qu'il chante avec sa voix merveilleuse de haute- contre, accompagné de son ensemble Il Seminario Musicale. Ce disque est l'occasion de les retrouver dans de très beaux Motets de Scarlatti - Alessandro Scarlatti, le père de Domenico, l'auteur des fameuses 555 sonates pour clavier. Tout est subtilité, douceur et expression, comme toujours avec Gérard Lesne.

    Eduardo López Banzo, Orquesta Barroca de Sevilla - Alessandro Scarlatti: Colpa, Pentimento e Grazia (2004)

    Posted By: ArlegZ
    Eduardo López Banzo, Orquesta Barroca de Sevilla - Alessandro Scarlatti: Colpa, Pentimento e Grazia (2004)

    Eduardo López Banzo, Orquesta Barroca de Sevilla - Alessandro Scarlatti: Colpa, Pentimento e Grazia (2004)
    EAC | FLAC | Image (Cue & Log) ~ 379 Mb | Total time: 44:54+39:00 | Scans included
    Classical | Label: Harmonia Mundi | # HMI987045.46 | Recorded: 2003

    Alessandro Scarlatti composed many oratorios to celebrate special events. Colpa, Pentimento e Grazia, subtitled Oratorio per la Passione (Oratorio for the Passion) and created for Easter 1708, evokes the Passion of Christ through a text written by a great roman patron of the time, Cardinal Ottoboni. This is the first recording of the Baroque Orchestra of Seville, conducted by Eduardo López Banzo.