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Piotr Anderszewski - Bartók: 14 Bagatelles; Janáček: On an overgrown path, Book II; Szymanowski: Mazurkas (2024)

Posted By: ArlegZ
Piotr Anderszewski - Bartók: 14 Bagatelles;  Janáček: On an overgrown path, Book II; Szymanowski: Mazurkas (2024)

Piotr Anderszewski - Bartók: 14 Bagatelles; Janáček: On an overgrown path, Book II; Szymanowski: Mazurkas (2024)
EAC | FLAC | Image (Cue & Log) ~ 162 Mb | Total time: 63:12 | Scans included
Classical | Label: Warner Classics | # 5054197891274 | Recorded: 2016, 2023

Piotr Anderszewski juxtaposes solo piano works by three composers who asserted and shaped the musical identity of their Central European countries in the earlier 20th century: Janáček in Moravia (which in 1918 became part of Czechoslovakia), Szymanowski in Poland, and Bartók in Hungary.
“The works on this album are imbued with a sense of rebellion,” says Anderszewski, himself a native of Warsaw. “There is no place here for stylisation or decorum. These works plumb the very roots of music.”
The influence of folk music is crucial in all three sets of pieces on the album – the second book of Janáček’s On an overgrown path (a collection which takes its name from a traditional Moravian wedding song), six of Szymanowski’s 20 mazurkas, and Bartók’s 14 Bagatelles, which the composer described as “a reaction against the exuberance of the romantic piano music of the 19th century, a style stripped of all unessential decorative elements, deliberately using only the most restricted technical means.”
The pieces by Janáček and Bartók date from the years around 1910, while Szymanowski’s mazurkas were published between 1926 and 1931. It also happens that Janáček and Bartók were still establishing their reputations – Bartók was in his twenties, but Janáček, whose genius bloomed late, was already in his fifties. By the time he composed his mazurkas, Szymanowski (born in 1882, the year after Bartók) had already explored a diversity of idioms and genres, and in the late 1920s held the prestigious post of director of the Warsaw Conservatory.
Szymanowski’s eclectic spirit is evident in the mazurkas. The mazurka, a dance in triple time with a distinctive displaced accent, has its origins in central Poland – the region around Warsaw. Some of Chopin’s most personal and original inspirations are to be found in the dozens of mazurkas that he wrote as an exile from his homeland, which did not even officially exist as a unified country between 1795 and 1918. By contrast, Szymanowski was composing his mazurkas during Poland’s halcyon inter-war period as an autonomous state. Often chromatically adventurous, sometimes elusive, they fuse the traditional mazurka and the influence of Chopin with elements of the Goral music of Poland’s southern highlands, notably a scale with a sharpened fourth and flattened seventh and the use of perfect fifths as a drone. Piotr Anderszewski speaks of the music’s “primitive incantations, simultaneously ecstatic and severe in their beauty”.

Performer:
Piotr Anderszewski, piano

Tracklist:
Leoš Janáček (1854-1928)
On an Overgrown Path, Book II:
01. No. 1, Andante
02. No. 2, Allegretto
03. No. 3, Vivo
04. No. 4, Piu mosso
05. No. 5, Allegro
Karol Szymanowski (1882-1937)
Mazurkas, Op. 50
06. 20 No. 3, Moderato
07. No. 7, Poco Vivace - Tempo oberka
08. No. 8, Moderato non troppo
09. No. 10, Allegramente - Vivace - Con brio
10. No. 5, Moderato
11. No. 4, Allegramente, risoluto
Béla Bartók (1881-1945)
14 Bagatelles, Op. 6, Sz. 38
12. No. 1, Molto sostenuto
13. No. 2, Allegro giocoso
14. No. 3, Andante
15. No. 4, Grave
16. No. 5, Vivo
17. No. 6, Lento
18. No. 7, Allegretto molto capriccioso
19. No. 8, Andante sostenuto
20. No. 9, Allegretto grazioso
21. No. 10, Allegro
22. No. 11, Allegretto molto rubato
23. No. 12, Rubato
24. No. 13, Elle est morte. Lento funèbre
25. No. 14, Valse. Ma mie qui danse - Presto


Exact Audio Copy V1.6 from 23. October 2020

EAC extraction logfile from 28. June 2024, 22:54

Piotr Anderszewski / Bartók, Janáček, Szymanowski - Piano Works

Used drive : ASUS SDRW-08U7M-U Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


TOC of the extracted CD

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24 | 58:08.12 | 2:52.46 | 261612 | 274557
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Range status and errors

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Filename C:\temp\Bartok, Janacek, Szymanowski - Piotr Anderszewski - 2024\Bartok, Janacek, Szymanowski - Piano Works.wav

Peak level 98.8 %
Extraction speed 4.6 X
Range quality 100.0 %
Test CRC C4C7B5C9
Copy CRC C4C7B5C9
Copy OK

No errors occurred


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==== Log checksum AECD8131818E32ECE0B59DEDDD3C34051B7A380BABE4754848B49D231C174B0D ====

Piotr Anderszewski - Bartók: 14 Bagatelles;  Janáček: On an overgrown path, Book II; Szymanowski: Mazurkas (2024)

Thanks to the original releaser