Ravel - Bolero; Ma Mère L'Oye; La Valse - London Symphony Orchestra, Pierre Monteux (1987)
Ravel - Bolero; Ma Mère L'Oye; La Valse - London Symphony Orchestra, Pierre Monteux (1987)
EAC+LOG+CUE | Flac (image) | Size: 239 MB | Artwork @ 600dpi: 61 MB | TT: 55:11 | 5% Recovery
Genre: Classical | Style: Modern | Label: Philips | Series: Silver Line Classics | Year of release: 1987 | Catalog: 420 869-2
EAC+LOG+CUE | Flac (image) | Size: 239 MB | Artwork @ 600dpi: 61 MB | TT: 55:11 | 5% Recovery
Genre: Classical | Style: Modern | Label: Philips | Series: Silver Line Classics | Year of release: 1987 | Catalog: 420 869-2
I thought it would be interesting to compare performances of some of the major works of Ravel by listening to recordings of three long acknowledged masters of mainstream French repertoire–-Pierre Monteux, Charles Munch and Jean Martinon. All three offer nearly identically recorded selections, though Martinon's is a two disc set which includes some additional fine works by the composer. Otherwise, Munch plays the original Suite From Mother Goose while Monteux and Martinon provide us with Ravel's later, sequence altered, more complete ballet version. Each conducts a different orchestra. Monteux has the London Symphony, Munch the Boston Symphony and Martinon the Orchestra de Paris. To keep the playing field level, my comments will concern only those recorded pieces that are common here to the three cds.
Bolero, of course, is Ravel's most popular composition, and also one of the favorites of the entire classical repertoire. Many have enjoyed its exotic strains, though some attest it has been overexposed and have "gotten tired of it". Nevertheless, each presents a fine performance, but I believe Martinon's is the most impressive in both sonics and interpretation. Those characterful French woodwinds certainly do sing. Moreover, the sound is cleaner than that given to the others, and the perspective on the orchestra is close to ideal. Monteux's version, however, is solid. It is straightforward and musical. Munch's strength comes in the last portions of the piece….In the Rhapsodie Espagnole Martinon scores again, with a reading that captures best the sense of color, sensuous atmosphere and flair the work is full of. Munch's Symphony Hall sound in Boston displays warmth and richness, and he too offers a fine reading. Monteux seems only slightly less interesting than the others….In La Valse all three present enjoyable accounts. Monteux brings a nice rhythmic lilt and a hint of playful, romantic charm. Munch emphasizes drive and elan, though he borders on being boisterous at times. Martinon sings with lyricism and luxurious sensuality….Pavane For a Dead Princess has Munch taking top honors. He imparts an air of nobility and an almost timeless quality. There is also some very beautiful harp playing….Finally, in Ma Mere l'Oye (Mother Goose) all three give very fine performances. Munch is superbly dynamic, colorful and tuneful. Monteux is poignant and loving. Martinon lays things out very clearly and nicely, and there is an easy yet animated flow to his presentation as well as a fine atmosphere of child-like spirit and fantasy. Yes, overall, I tend to favor Martinon, but there's a lot to appreciate in Munch and Monteux. I really don't think you will go wrong with any of these choices.
Ravel - Bolero; Ma Mère L'Oye; La Valse - London Symphony Orchestra, Pierre Monteux (1987)
Tracklist:
"Bolero"
01. Bolero 15:20
"La Valse" - Choreographic Poem
02. La Valse 11:39
"Ma Mere L'Oye" - Ballet
03. Prelude 3:25
04. Danse Du Rouet Et Scene - Interlude 3:29
05. Pavane De La Belle Au Bois Dormant 1:41
06. Interlude 0:53
07. Les Entretiens De La Belle Et De La Bête 4:11
08. Interlude 0:46
09. Petit Poucet 3:20
10. Interlude 1:09
11. Laideronnette, Impératrice Des Pagodes 3:55
12. Interlude 1:23
13. Apotheose: Le Jardin Féerique 3:41
Ravel - Bolero; Ma Mère L'Oye; La Valse - London Symphony Orchestra, Pierre Monteux (1987)
Credits:
Art Direction – Estelle Kercher
Conductor – Pierre Monteux
Liner Notes – Max Harrison
Orchestra – London Symphony Orchestra
Photography – Harald Sund
Exact Audio Copy V1.0 beta 4 from 7. December 2014
EAC extraction logfile from 23. June 2019, 10:23
London Symphony Orchestra & Pierre Monteux / Ravel, Boléro - La Valse - Ma Mère l'Oye
Used drive : HL-DT-STDVDRAM GHA2N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : No
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
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Range status and errors
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Filename C:\EACrips\London Symphony Orchestra & Pierre Monteux - Ravel, Boléro - La Valse - Ma Mère l'Oye.wav
Peak level 98.7 %
Extraction speed 3.2 X
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Test CRC 2ACA5B64
Copy CRC 2ACA5B64
Copy OK
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Track | CTDB Status
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4 | (31/31) Accurately ripped
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==== Log checksum 22713CE103E57CFB36FC79AC1D52BCC9A90671AD259A462BC55A80D71A1E0076 ====
EAC extraction logfile from 23. June 2019, 10:23
London Symphony Orchestra & Pierre Monteux / Ravel, Boléro - La Valse - Ma Mère l'Oye
Used drive : HL-DT-STDVDRAM GHA2N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : No
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.33 | 15:28.00 | 33 | 69632
2 | 15:28.33 | 11:47.00 | 69633 | 122657
3 | 27:15.33 | 3:25.35 | 122658 | 138067
4 | 30:40.68 | 3:28.52 | 138068 | 153719
5 | 34:09.45 | 1:41.35 | 153720 | 161329
6 | 35:51.05 | 0:53.13 | 161330 | 165317
7 | 36:44.18 | 4:12.15 | 165318 | 184232
8 | 40:56.33 | 0:45.62 | 184233 | 187669
9 | 41:42.20 | 3:21.00 | 187670 | 202744
10 | 45:03.20 | 1:08.43 | 202745 | 207887
11 | 46:11.63 | 3:54.70 | 207888 | 225507
12 | 50:06.58 | 1:23.22 | 225508 | 231754
13 | 51:30.05 | 3:41.28 | 231755 | 248357
Range status and errors
Selected range
Filename C:\EACrips\London Symphony Orchestra & Pierre Monteux - Ravel, Boléro - La Valse - Ma Mère l'Oye.wav
Peak level 98.7 %
Extraction speed 3.2 X
Range quality 100.0 %
Test CRC 2ACA5B64
Copy CRC 2ACA5B64
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 11) [9AED5308] (AR v2)
Track 2 accurately ripped (confidence 11) [42310C83] (AR v2)
Track 3 accurately ripped (confidence 11) [1A988ACC] (AR v2)
Track 4 accurately ripped (confidence 11) [169F18E0] (AR v2)
Track 5 accurately ripped (confidence 11) [4E595879] (AR v2)
Track 6 accurately ripped (confidence 11) [9C67E8C4] (AR v2)
Track 7 accurately ripped (confidence 11) [63367504] (AR v2)
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Track 11 accurately ripped (confidence 11) [E52F0F6A] (AR v2)
Track 12 accurately ripped (confidence 11) [A1948983] (AR v2)
Track 13 accurately ripped (confidence 11) [8D7C5E0A] (AR v2)
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–– CUETools DB Plugin V2.1.4
[CTDB TOCID: q3qU8SpwKZdQtvpFfQGZF43vcO8-] found
Submit result: q3qU8SpwKZdQtvpFfQGZF43vcO8- has been confirmed
Track | CTDB Status
1 | (31/31) Accurately ripped
2 | (31/31) Accurately ripped
3 | (31/31) Accurately ripped
4 | (31/31) Accurately ripped
5 | (30/31) Accurately ripped
6 | (30/31) Accurately ripped
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9 | (30/31) Accurately ripped
10 | (30/31) Accurately ripped
11 | (30/31) Accurately ripped
12 | (30/31) Accurately ripped
13 | (30/31) Accurately ripped
==== Log checksum 22713CE103E57CFB36FC79AC1D52BCC9A90671AD259A462BC55A80D71A1E0076 ====