B.B. King & Eric Clapton - Riding With The King (2000)

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B.B. King & Eric Clapton - Riding With The King (2000)

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Product Description: It sounds like the beginning of a story: "So, Slowhand and the King of the Blues were riding in a car …" If this is a musical journey, it's the kind that rolls down long, empty stretches of country highway at 80 miles an hour, with the top down and the stereo blasting. Clapton and King may be more city than country, but this collection has the relaxed, laid-back feel that only comes from a pair of veterans doing what they do best. What they do here is cover 12 classic blues songs, many of them staples of King's repertoire, so the title of this album makes sense. Whether it's the rollicking rock & roll of the title track, or the acoustic shuffle of "Key to the Highway," or the sweet notes of "When My Heart Beats Like a Hammer," a real sense of pleasure comes through on this album, the kind of pleasure one gets from jamming late at night with a good friend.

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B.B. King & Eric Clapton - Riding With The King (2000)

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Review: Forget any apprehensions you may have had about this pairing of blues legend B.B. King and guitar god Eric Clapton. This CD should satisfy fans of King, Clapton and blues purists alike. Unlike the sometimes strained vocals on Clapton's 1994 blues album From The Cradle, there is nothing forced about this collaboration.
Some of these songs are reworkings of some of King's earliest sides like 1951's "Three O'Clock Blues," where King's single-note leads are balanced against Clapton's more fluid runs. And Joe Sample's piano playing is stellar throughout. Or the slow blues of 1954's "Heart Beats Like a Hammer" and 1955's shuffling "Ten Long Years," where Clapton steps back from the mic and lets King's vocal carry the song. (Although with Clapton now in his mid-fifties, he's nearly twice as old as King was when he first recorded these songs and has earned the right and acquired the ability to sing the blues with authority as he does on the rest of the tracks on this CD.)
Whether they're playing the acoustic blues of Big Bill Broonzy's "Key To The Highway," a funky version of the Sam and Dave classic "Hold On I'm Coming" or the electrifying "Days Of Old," these two artists play the blues with conviction. And the supporting cast is superb, including guitarists Andy Fairweather Low and Texas blues sensation Doyle Bramhall II. (In fact, two of Bramhalls's songs from last year's Jellycream–"Marry You" and "I Wanna Be"–are included here.)
The only song that at first glance seemed out of place was John Hiatt's title track, but once I hit the play button any misgivings I had immediately disappeared. There is not a false note on this album. The only disappointment is that after sixty minutes, it's over. If King can still play like this at his age–he'll turn seventy-five this fall–I'm looking forward to what clapton will be doing in another twenty years. This is as good as the blues gets.