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    Rogers Covey-Crump, Jakob Lindberg - John Dowland: The First Booke of Songes or Ayres (1990)

    Posted By: Designol
    Rogers Covey-Crump, Jakob Lindberg - John Dowland: The First Booke of Songes or Ayres (1990)

    Rogers Covey-Crump, Jakob Lindberg - John Dowland: The First Booke of Songes or Ayres (1990)
    EAC | FLAC | Image (Cue&Log) ~ 358 Mb | Mp3 (CBR320) ~ 182 Mb | Scans included
    Classical, Renaissance, Vocal | Label: BIS | # BIS-CD-430 | Time: 01:15:37

    John Dowland (1563–1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep" (the basis of Benjamin Britten's 1963 composition for solo guitar, Nocturnal after John Dowland), "Come again", "Flow my tears", "I saw my Lady weepe" and "In darkness let me dwell", but his instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists. Dowland published his The First Booke of Songes or Ayres in London in 1597. It was one of the most influential and important musical publications of the history of the lute. This collection of lute-songs was set out in a way that allows performance by a soloist with lute accompaniment or various combinations of singers and instrumentalists.

    John Dowland's songs (or ayres, as they were termed) for voice and lute represent the culmination of a long tradition in England, where such pieces were held in high esteem throughout the sixteenth century. The bulk of Dowland's contribution to this rich repertoire consists of three books published simply as a First, Second and Third Book of Songs, and a further collection published in 1612 under the title "A Pilgrimmes Solace." The First Book appeared in 1597. It bears a dedication to Sir George Carey, Baron of Hunsden and chamberlain to Queen Elizabeth I. In this dedication, the thirty-four year-old Dowland not only reasserts the traditional superiority of vocal over instrumental music, but makes it clear that the collection represents his first attempts at this form of composition: "This small booke containing the consent of speaking harmony, joyned with the most musicall instrument the Lute, being my first labour, I have presumed to dedicate to your Lordship." The continuation of the composer's preface also confirms that many of the songs were composed long before the publication date, they having been "concealde" until "the greater part of them might have been ripe enough by their age." However, far from being immature, the songs of Book I reveal Dowland as a fully fledged master. The publication includes twenty-one songs, among them such well-known titles as "If my complaints," "Can she excuse my wrongs," "Go crystal tears," "Come away, come sweet love," and "Awake, sweet love." Dowland was one of the greatest lutenists of his age, and despite his prefatory comments the most important single feature of all his songs is the close integration of the vocal and instrumental parts, the latter of which are as important to the structure of the songs as the piano is to those of Schubert. This is one of a number of characteristics that set Dowland's songs apart from those of many of his contemporaries, who were frequently content to simply accompany the voice. Equally as important is the close relationship between the texts and the settings, Dowland's acute response to poetry that is in itself frequently highly musical placing him on near-parity with Purcell and Benjaman Britten in his setting of the English language. The songs of Book One include a wider diversity of mood than might be suspected from Dowland's self-confessed predilection for enjoying melancholy or somber themes. They range from the philosophical "His golden locks," which muses on the transience of life (a familiar theme among poets of the age), through deeply-felt utterances ("Come, heavy sleep"), to such charming conceits as "Dear, if you change," and spirited pieces like "Away with these self-loving lads." Although published for solo voice with lute accompaniment, many of the songs are also capable of being performed by a vocal ensemble or with a viol consort.

    Brian Robins, Allmusic.com

    John Dowland at Allmusic
    John Dowland at Wiki

    Jakob Lindberg (lute)
    Rogers Covey-Crump (tenor)

    Date of Recording: 11/1988
    Venue: Petrus Church, Stocksund, Sweden

    Tracklist:

    John Dowland (1563-1626)

    01. Awake sweet love thou art returnd (2:47)
    02. Thinkst thou then by thy fayning? (2:00)
    03. Can she excuse my wrongs with vertues cloake (3:07)
    04. Goe crystall teares (3:00)
    05. My thoughts are wingd with hopes (3:19)
    06. Come heavy sleepe (4:18)
    07. His golden locks time has to silver turnd (4:05)
    08. Come away, come sweet love (2:15)
    09. If my complaints could passions move (3:28)
    10. All ye whom love or fortune hath betrayd (3:16)
    11. Who ever thinkes or hopes of love for love (2:54)
    12. Away with these self-loving lads (2:47)
    13. Now, O now I needs must part (5:09)
    14. Come again: Sweet love doth now invite (4:35)
    15. Sleep wayward thoughts (3:34)
    16. Deare if you change Ile never chuse againe (2:58)
    17. Unquiet thoughts (3:38)
    18. Would my conceit that first enforst my woe (5:33)
    19. Wilt thou, unkind, thus reave me of my heart? (4:07)
    20. Burst forth, my teares (4:17)
    21. Rest a while you cruell cares (4:30)


    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 6. December 2017, 12:09

    Rogers Covey-Crump, Jakob Lindberg / Dowland - The First Booke of Songes

    Used drive : PLDS DVD-RW DU8A6SH Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 128 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%


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    Range status and errors

    Selected range

    Filename C:\temp\BIS-CD-430 - Dowland - The First Booke of Songes\Dowland - The First Booke of Songes.wav

    Peak level 94.4 %
    Extraction speed 4.2 X
    Range quality 100.0 %
    Test CRC 65B75076
    Copy CRC 65B75076
    Copy OK

    No errors occurred


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    You may have a different pressing from the one(s) in the database

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    ==== Log checksum 89D70EE909B3208985F321100E705F58B503036B3E747112851382F04E33128B ====

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    foobar2000 1.2 / Dynamic Range Meter 1.1.1
    log date: 2018-11-02 02:49:21

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Rogers Covey-Crump, Jakob Lindberg / Dowland - The First Booke of Songes
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR14 -4.99 dB -22.73 dB 2:47 01-Awake sweet love thou art returnd
    DR15 -2.13 dB -22.30 dB 2:00 02-Thinkst thou then by thy fayning?
    DR16 -3.91 dB -23.90 dB 3:07 03-Can she excuse my wrongs with vertues cloake
    DR12 -6.74 dB -23.84 dB 3:00 04-Goe crystall teares
    DR13 -2.47 dB -21.24 dB 3:19 05-My thoughts are wingd with hopes
    DR14 -5.45 dB -24.73 dB 4:18 06-Come heavy sleepe
    DR15 -5.20 dB -24.87 dB 4:05 07-His golden locks time has to silver turnd
    DR14 -3.06 dB -21.34 dB 2:15 08-Come away, come sweet love
    DR14 -3.56 dB -22.43 dB 3:28 09-If my complaints could passions move
    DR15 -2.69 dB -23.49 dB 3:16 10-All ye whom love or fortune hath betrayd
    DR13 -0.50 dB -20.52 dB 2:54 11-Who ever thinkes or hopes of love for love
    DR16 -2.23 dB -22.47 dB 2:47 12-Away with these self-loving lads
    DR15 -4.18 dB -25.33 dB 5:09 13-Now, O now I needs must part
    DR13 -4.34 dB -21.82 dB 4:35 14-Come again: Sweet love doth now invite
    DR15 -2.75 dB -22.33 dB 3:34 15-Sleep wayward thoughts
    DR15 -3.48 dB -22.35 dB 2:58 16-Deare if you change Ile never chuse againe
    DR16 -2.02 dB -22.32 dB 3:38 17-Unquiet thoughts
    DR15 -4.97 dB -24.66 dB 5:33 18-Would my conceit that first enforst my woe
    DR15 -0.96 dB -22.34 dB 4:07 19-Wilt thou, unkind, thus reave me of my heart?
    DR17 -4.50 dB -25.55 dB 4:17 20-Burst forth, my teares
    DR14 -5.83 dB -24.03 dB 4:30 21-Rest a while you cruell cares
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 21
    Official DR value: DR14

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 646 kbps
    Codec: FLAC
    ================================================================================

    Rogers Covey-Crump, Jakob Lindberg - John Dowland: The First Booke of Songes or Ayres (1990)

    All thanks to original releaser

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