Roy Goodman, European Union Baroque Orchestra - George Frideric Handel: Apollo e Dafne; The Alchemist (2001)
Roy Goodman, European Union Baroque Orchestra - George Frideric Handel: Apollo e Dafne; The Alchemist (2001)
EAC | FLAC | Image (Cue & Log) ~ 258 Mb | Total time: 57:14 | Scans included
Classical | Label: Naxos | # 8.555712 | Recorded: 2000
EAC | FLAC | Image (Cue & Log) ~ 258 Mb | Total time: 57:14 | Scans included
Classical | Label: Naxos | # 8.555712 | Recorded: 2000
Apollo e Dafne was probably begun in Venice in 1709, but was not completed until after Handel’s arrival in Hanover in 1710, to take up his appointment as Kapellmeister to the Elector. The instrumentation is more colourful than usual, and in addition to the usual strings Handel added a flute, a pair of oboes and a bassoon. The musical structure is relatively simple, with a succession of emotionally varied da capo arias and a pair of duets for the two main characters, Dafne, a soprano, and Apollo, a bass. Since Handel’s original overture has not survived, this performance is prefaced by the opening movement of his Concerto Opus 3, No.1, which was probably composed at the same time.
The plot is a mythological storm in a teacup. As the cantata opens we find the God Apollo basking in the limelight, having just released Greece from the menaces of a fearful python. Feeling rather full of himself he boasts that even Cupid’s archery is no match for his bow and arrow. How wrong he is. Apollo soon spies the lovely Dafne and is instantly smitten. Overawed or distrustful, she very sensibly rejects him. Apollo runs the full gamut of charm and seduction, but Dafne remains unimpressed, claiming that she would rather die than sacrifice her honour. Apollo presses the point, and Dafne is only able to resist his clutches by turning herself into a laurel tree. Apollo reluctantly comes to terms with his fate in a final aria of extraordinary pathos.
Performer:
Dafne - Olga Pasichnyk, soprano
Apollo - Robert Pomakov, bass
European Union Baroque Orchestra
Roy Goodman, conductor
Tracklist:
George Frideric Handel (1685-1759)
Apollo e Dafne, HWV 122
01. Overture
02. Recitativo: La terra e liberata
03. Aria: Pende il ben dell'universo
04. Recitativo: Ch'il superbetto Amore
05. Aria: Spezza l'arco e getta l'armi
06. Aria: Felicissima quest'alma
07. Recitativo: Che voce! Che belta
08. Aria: Ardi, adori, e preghi in vano
09. Recitativo: Che crudel!
10. Duetto: Una guerra ho dentro il seno
11. Recitativo: Placati al fin, o cara
12. Aria: Come rosa in su la spina
13. Recitativo: Ah! ch'un Dio non dovrebbe
14. Aria: Come in ciel benigna stella
15. Recitativo: Odi la mia ragion!
16. Duetto: Deh! lascia addolcire quell'aspro rigor
17. Recitativo: Sempre t'adorero!
18. Aria: Mie piante correte
19. Recitativo: Dafne, dove sei tu?
20. Aria: Cara pianta, co'miei pianti
The Alchemist, HWV 43
21. Overture
22. Prelude (anonymous composer)
23. Menuet
24. Saraband
25. Bouree
26. Air
27. Menuet
28. Gavotte
29. Jigg
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 10. June 2019, 15:56
Olga Pasichnyk, Robert Pomakov; Roy Goodman / Handel - Apollo e Dafne. The Alchemist
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Filename C:\EACRip\HANDEL\00 - CANTATAS\Handel - Apollo e Dafne. The Alchemist (Olga Pasichnyk, Robert Pomakov & Roy Goodman) (2001)\Handel - Apollo e Dafne. The Alchemist - Olga Pasichnyk, Robert Pomakov, Roy Goodman.wav
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==== Log checksum 4AAB3E9365252B8A8376FD659E5BB2AE1A93EFA66F66B03864D522E0F032DB86 ====
Roy Goodman, European Union Baroque Orchestra - George Frideric Handel: Apollo e Dafne; The Alchemist (2001)
Thanks to the original releaser