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Semyon Bychkov, Symphonie-Orchester des Bayerischen Rundfunks - Rossini: Stabat Mater (1990)

Posted By: ArlegZ
Semyon Bychkov, Symphonie-Orchester des Bayerischen Rundfunks - Rossini: Stabat Mater (1990)

Semyon Bychkov, Symphonie-Orchester des Bayerischen Rundfunks - Rossini: Stabat Mater (1990)
EAC | FLAC | Image (Cue & Log) ~ 240 Mb | Total time: 65:11 | Scans included
Classical | Label: Philips | 426 312-2 | Recorded: 1989

Rossini's Stabat Mater was performed publicly in its final form in Paris on January 7, 1842. The first six sections of this ten-movement work had been composed earlier, on commission from Don Francesco de Varela, for an 1833 Good Friday performance in Madrid (with the last four movements written by Giuseppe Tadolini). The work was received enthusiastically in both of its incarnations and has remained a core piece of the choral repertory ever since.
Critics were initially less inclined to give their unqualified endorsement, however, citing its overtly operatic character. Nonetheless, one finds similar theatricality in other sacred music written by Italian composers (Verdi's Requiem is one of the most obvious) and whatever reservations one might cite are diminished by the sheer sweep and intensity of Rossini's music.
Scored for four soloists (two sopranos, tenor, and bass), chorus, and orchestra, the Stabat Mater features two movements for chorus and solo voices without accompaniment. Despite the near-decade separating the Eia Mater fons amoris (section five) and Quando corpus morietur (section nine), there is absolute consistency in style and inspiration.
The opening movement, Stabat Mater dolorosa, emerges out of the silence, first with orchestra, then orchestra joined by chorus, finally adding the soloists. Both solemnity and ardor are present. The second section, Cujus animam gementem, is a tenor aria of considerable difficulty, imposing on the singer a high D in its final moments. The springing naïveté of the vocal line and the metric simplicity of the accompaniment require that soloist and conductor approach the music with utmost dignity to avoid any sense of banality.
Section three is a duet for the two sopranos, Quis est homo, qui non fleret, often recalling duets the composer had written for his female protagonists in opera (Semiramide and Tancredi, for example). Pro peccatis suae gentis, an aria for bass, alternates between a bold, striding motive and a more reflective, flowing one. Wide-ranging, this section, too, demands a seriousness of approach by the soloist if a descent into simple bravura is to be avoided. Section five, Eia Mater, finds the bass soloist alternating with the unaccompanied chorus in a moment of sublime reflection. The quartet, Sancta Mater istud agas (section six), presents the four soloists, each of whom restate and recast the primary musical theme with remarkable invention.
Section seven, Fac, ut portem Christi mortem, is a cavatina for the second soprano, technically demanding with its broad intervals in the vocal line. Inflammatus et accensus (section eight) burns with the flaming intensity of its text. The writing here is bold and forward-looking, as unyielding as was Verdi's in the Libera me section of his Manzoni Requiem. The first soprano makes two incendiary ascents to high C over the full-throated chorus.
The unaccompanied Quando corpus morietur and the Amen comprise sections nine and ten, the latter a magnificent example of polyphony and imperative finality.
–Erik Eriksson

Performer:
Carol Vaness, soprano
Cecilia Bartoli, mezzo-soprano
Francisco Araiza, tenor
Ferruccio Furlanetto, bass
Chor des Bayerischen Rundfunks
Symphonie-Orchester des Bayerischen Rundfunks
Semyon Bychkov, conductor

Track List:
Stabat mater for 2 sopranos, tenor, bass, chorus & orchestra
01. No. 1 "Stabat mater dolorosa" (Introduction)
02. No. 2 "Cujus animam gementem"
03. No. 3 "Quis est homo"
04. No. 4 "Pro peccatis suae gentis"
05. No. 5 "Eja, mater, istud agas"
06. No. 6 "Sancta mater, istud agas"
07. No. 7 "Fac, ut portem Christi mortem"
08. No. 8 "Inflammatus et accensus"
09. No. 9 "Quando corpus morietur"
10. No. 10 "Amen. I sempiterna saecula"


Exact Audio Copy V1.0 beta 3 from 29. August 2011

File di log EAC per l'estrazione del 6. Agosto 2014, 22:55

Semyon Bychkov, SO und Chor des BR / Stabat Mater

Unità predefinita : TSSTcorpCDDVDW SH-S203N Adapter: 1 ID: 0

Modalità di lettura : Sicura
Utilizza lettura accurata : Sì
Disattiva cache audio : Sì
Rileva errori lettura C2 : Sì

Correzione offset di lettura : 6
Compensa lettura nel Lead-In e nel Lead-Out : No
Riempi sample offset mancanti con silenzio : Sì
Rimuovi blocchi di silenzio ad inizio e fine traccia : No
Usa i sample nulli nel calcolo CRC : Sì
Interfaccia usata : Interfaccia nativa Win32 Per Windows XP/Vista/Win 7

Formato di destinazione scelto : Usa Encoder Definito Da Utente
Bitrate selezionato : 768 kBit/s
Qualità : Alta
Aggiungi tag ID3 : Sì
Compressore a riga di comando : C:\Program Files\FLAC\FLAC frontend.exe


TOC del CD estratto

Traccia | Inizio | Lunghezza | Inizio settore | Fine settore
––––––––––––––––––––––––––––––––
1 | 0:00.33 | 10:17.00 | 33 | 46307
2 | 10:17.33 | 7:05.00 | 46308 | 78182
3 | 17:22.33 | 7:22.00 | 78183 | 111332
4 | 24:44.33 | 4:50.00 | 111333 | 133082
5 | 29:34.33 | 4:55.00 | 133083 | 155207
6 | 34:29.33 | 7:59.00 | 155208 | 191132
7 | 42:28.33 | 5:05.00 | 191133 | 214007
8 | 47:33.33 | 5:14.00 | 214008 | 237557
9 | 52:47.33 | 6:33.00 | 237558 | 267032
10 | 59:20.33 | 5:59.00 | 267033 | 293957


Stato intervallo ed errori

Intervallo selezionato

Nome file H:\BLOGGER\AA CD RIPPATI\Rossini Stabat Mater Bychkov 1989\Semyon Bychkov, SO und Chor des BR - Stabat Mater.wav

Livello di picco 97.9 %
Velocità estrazione 11.0 X
Qualità intervallo 100.0 %
Copia CRC 8133F720
Copia corretta

Non sono stati riscontrati errori


Sommario Accuraterip

Traccia 1 Estratta accuratamente (Confidence 5) [86859991] (AR v2)
Traccia 2 Estratta accuratamente (Confidence 5) [ED51C746] (AR v2)
Traccia 3 Estratta accuratamente (Confidence 5) [EBDE804C] (AR v2)
Traccia 4 Estratta accuratamente (Confidence 5) [52951586] (AR v2)
Traccia 5 Estratta accuratamente (Confidence 5) [414C6D15] (AR v2)
Traccia 6 Estratta accuratamente (Confidence 5) [2679B43B] (AR v2)
Traccia 7 Estratta accuratamente (Confidence 5) [E3BC7C95] (AR v2)
Traccia 8 Estratta accuratamente (Confidence 5) [C37042EA] (AR v2)
Traccia 9 Estratta accuratamente (Confidence 5) [EFE11BF3] (AR v2)
Traccia 10 Estratta accuratamente (Confidence 5) [2E6DB9C0] (AR v2)

Tutte le tracce sono state estratte accuratamente

Fine del resoconto di stato

Semyon Bychkov, Symphonie-Orchester des Bayerischen Rundfunks - Rossini: Stabat Mater (1990)

Thanks to the original releaser