A posthumous collection produced by Rita Marley, based on work left behind by Bob upon his death. Some of his best post-Wailers work is here, with songs like "Buffalo Soldier," "Chant Down Babylon," and "Blackman Redemption." Given that he wasn't alive to do the production that he usually helped in, this album seems remarkably true to the general vision of Bob Marley's albums…

Rickie Lee Jones released her auspicious self-titled debut album in 1979 and its equally impressive follow-up, Pirates, in 1981. By the spring of 1983, she apparently was not close to having a third full-length collection of all original songs ready, so Girl at Her Volcano appeared instead…

As the title implies, this is indeed Bob Marley & the Wailers captured in performance at the Lyceum Ballroom in London during the final U.K. leg of the Natty Dread tour. Passionate and symbiotic energies constantly cycle between the band and audience, the net result of which is one of the most memorable concert recordings of the pop music era…

It's easy to write off There's a Riot Goin' On as one of two things – Sly Stone's disgusted social commentary or the beginning of his slow descent into addiction. It's both of these things, of course, but pigeonholing it as either winds up dismissing the album as a whole, since it is so bloody hard to categorize…

Live It Up is the tenth album by Crosby, Stills & Nash, their fourth studio album in the trio configuration, released on Atlantic Records in 1990. It peaked at #57 on the Billboard 200 with current sales of 300,000. It is the first of their studio albums not to gain either a gold or platinum certification by the. It was issued in all formats at the time (compact disc, cassette tape, and vinyl record) and was later released for streaming on Spotify and both streaming and download on Qobuz.

Vangelis, Jean-Michel Jarre, Herbie Flowers, J. Keating and J. Williams. All tracks are cover versions. Arranged by L'Orchestre Electronique.

Generally regarded as Peter Gabriel's finest record, his third eponymous album finds him coming into his own, crafting an album that's artier, stronger, more song-oriented than before. Consider its ominous opener, the controlled menace of "Intruder." He's never found such a scary sound, yet it's a sexy scare, one that is undeniably alluring, and he keeps this going throughout the record. For an album so popular, it's remarkably bleak, chilly, and dark – even radio favorites like "I Don't Remember" and "Games Without Frontiers" are hardly cheerful, spiked with paranoia and suspicion, insulated in introspection.

'When we speak of Joseph Haydn,' wrote Ernst Ludwig Gerber in his Lexicon der Tonkunstler of 1790-92, 'we think of one of our greatest men: great in small things and even greater in large… Everything speaks when he sets his orchestra in motion.' Gerber was among the first to recognise 'new and surprising' traits in Haydn's output, particularly among his Sturm und Drang (Storm and Stress) works of the early 1770s. Espousing spontaneity and passion as sources of creativity, Sturm und Drang despised the new rationalism of the Enlightenment, offering darkness and pessimism to counterpoise its orderly logic.

'When we speak of Joseph Haydn,' wrote Ernst Ludwig Gerber in his Lexicon der Tonkunstler of 1790-92, 'we think of one of our greatest men: great in small things and even greater in large… Everything speaks when he sets his orchestra in motion.' Gerber was among the first to recognise 'new and surprising' traits in Haydn's output, particularly among his Sturm und Drang (Storm and Stress) works of the early 1770s. Espousing spontaneity and passion as sources of creativity, Sturm und Drang despised the new rationalism of the Enlightenment, offering darkness and pessimism to counterpoise its orderly logic.

Fandango! is the fourth album by the American blues rock band ZZ Top, released in 1975. Half the tracks are selections from live shows, the rest are new songs from the studio. Fandango, from which the album gets its name, is a type of dance similar to flamenco. In the late 1980s a digitally remixed version of the recording was released on CD and the original 1975 mix version was discontinued. The remix version created controversy among fans because it significantly changed the sound of the instruments, especially drums. The remix version was used on all early CD copies and was the only version available for over 20 years. A remastered and expanded edition of the album was released on February 28, 2006, containing three bonus live tracks. The 2006 edition is the first CD version to use Terry Manning's original 1975 mix.