Simon Standage, Collegium Musicum 90 - George Frideric Handel: Concerti grossi Op. 6, Vol. 1 (1997)
Simon Standage, Collegium Musicum 90 - George Frideric Handel: Concerti grossi Op. 6, Vol. 1 (1997)
EAC | FLAC | Image (Cue & Log) ~ 343 Mb | Total time: 62:11 | Scans included
Classical | Label: Chandos | # CHAN 0600 | Recorded: 1996
EAC | FLAC | Image (Cue & Log) ~ 343 Mb | Total time: 62:11 | Scans included
Classical | Label: Chandos | # CHAN 0600 | Recorded: 1996
The first disc of the ever-fresh Op 6 Concertigrossi includes the oboe parts that Handel later added to Nos 1, 2, 5 and 6. The performances are brimful of vitality, and the clean articulation and light, predominantly detached style give the music buoyancy and help to bring out Handel's often mischievous twinkle in the eye. Speeds are generally brisk, with boldly vigorous playing, but Standage's team can also spin a tranquil broad line. Dynamics throughout are subtly graded, and except in one final cadence ornamentation is confined to small cadential trills.
On the second disc, except, in the sombre colours in the splendid G minor Concerto (No 6) – here with oboe and the agreeable addition of a theorbo to the continuo – there's a general air of cheerfulness that's most engaging. The fugue in No 7 is wittily buoyant, the Allegro in No 9, borrowed from the Cuckoo and the nightingale Organ Concerto, could scarcely be more high-spirited, the final Passepied of No 6 and the Hornpipe of No 7 are spring-toed; and Standage's feeling for convincing tempos is nowhere better shown than in the long Musette of No 6, which in other hands can drag. Phrasing everywhere is shapely, and the surprise chords that interrupt the flow of No 8's Allemande are admirably 'placed'. On the final disc the playing is always on its toes – positively twinkling in dance movements such as the concluding fugal gigue of No 12. The last two concertos, No 11 in particular, give Simon Standage an opportunity to shine as a soloist; his ad lib sections are tastefully done, without excesses; his semiquavers in the variants of the A major Andante are feather-light. All dynamics are well contrasted in a natural way, and the tempos nicely judged; a slightly faster repeat of the first half of No 10's fifth movement suggests the splicing of a different take. As a fillup, we're presented with the Alexander's Feast concerto grosso, for which the string group is joined by oboes and bassoon. The excellent concertino of two violins and cello is thrown into high relief and the Allegro movements are performed with a delightful spring.— Gramophone Classical Music Guide
Performer:
Collegium Musicum 90
Simon Standage, conductor
Tracklist:
George Frideric Handel (1689-1759)
Concerto grosso, Op. 6 No. 1
01. I A tempo giusto
02. II Allegro
03. III Adagio
04. IV Allegro
05. V Allegro
Concerto grosso, Op. 6 No. 2
06. I Andante larghetto
07. II Allegro
08. III Largo - Larghetto andante e piano
09. IV Allegro ma non troppo
Concerto grosso, Op. 6 No. 3
10. I Larghetto
11. II Andante
12. III Allegro
13. IV Polonaise: Andante
14. V Allegro ma non troppo
Concerto grosso, Op. 6 No. 4
15. I Larghetto affettuoso
16. II Allegro
17. III Largo e piano
18. IV Allegro
Concerto grosso, Op. 6 No. 5
19. I [Larghetto e staccato]
20. II Allegro
21. III Presto
22. IV Largo
23. V Allegro
24. VI Menuet: Un poco larghetto
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 19. July 2019, 12:04
Simon Standage / Handel - Concerti grossi, Op. 6, Vol. 1
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==== Log checksum 84E8F4F533D4F4865BAA2236CE86310CA1A69E8CD6E77D41050A27ACB5D1EA7C ====
Simon Standage, Collegium Musicum 90 - George Frideric Handel: Concerti grossi Op. 6, Vol. 1 (1997)
Thanks to the original releaser