Simon Standage, Collegium Musicum 90 - Georg Philipp Telemann: Domestic Music, Vol. 3 (1992)
Simon Standage, Collegium Musicum 90 - Georg Philipp Telemann: Domestic Music, Vol. 3 (1992)
EAC | FLAC | Image (Cue & Log) ~ 403 Mb | Total time: 78:35 | Scans included
Classical | Label: Chandos | # CHAN 0525 | Recorded: 1991
EAC | FLAC | Image (Cue & Log) ~ 403 Mb | Total time: 78:35 | Scans included
Classical | Label: Chandos | # CHAN 0525 | Recorded: 1991
By comparison with the ambitious, sometimes pioneering products of the last musically active decade of his life (1755-1765) much of Telemann's chamber music is conventional in language if not always in form. Nevertheless, we should guard against any assessment which views it as merely fluent. Telemann's chamber suites and cantatas, solo sonatas, trios, quartets and songs almost invariably carry the hallmark of a composer whose understanding of the voices and instruments for which he is writing is both imaginatively practical and technically informed. Indeed, from his own account we know that he was a proficient if not accomplished player of most instruments comprising the standard ensembles of his day; and we know from his contemporaries as well as from Telemann himself that he was especially admired for his trios and quartets: 'I have been persuaded particularly that the trio showed my greater strength' wrote the composer in one of his autobiographical sketches 'because I so arranged it that one part should have as much to perform as the other'. It was an opinion endorsed by such eminent theorists as Johann Adolf Scheibe (1708-1776) in Leipzig, Johann Joachim Quantz (1697-1773) in Berlin, and Johann Mattheson (1681-1764) in Hamburg who reckoned that Telemann's trios 'though something Italian is mixed in, nonetheless flow very naturally and in the old French manner'. Of Telemann's quartets Quantz remarked in his celebrated "Versuch einer Anweisung die Flote traversiere zu spielen" (Essay of a Method for Playing the Transverse Flute, 1752):'… "six quartets" for different instruments, the majority for flute, oboe and violin, which Mr. Telemann wrote some time ago… may provide excellenl and beautiful models for compositions of this type'.
Performer:
Martin Klietmann, tenor
Collegium Musicum 90
Simon Standage, director & violin
Tracklist:
Georg Philipp Telemann (1681-1767)
Trio Sonata for Two Violins and Continuo in E flat major
01. I. Affettuoso
02. II. Vivace
03. III. Grave
04. IV. Allegro
Singe-, Spiel- und Generalbass-Übungen
05. I. Zufriedenheit
06. II. Seltenes Glück
07. III. Die Einsamkeit
08. IV. Glück
Suite No. 5 for Flute, Violin and Continuo in A minor
09. I. Largo
10. II. Vivace - Largo
11. III. Un poco vivace
12. IV. Andante
13. V. Presto
14. VI. Un poco vivace
15. VII. Vivace
16. VIII. Allegro
Moralische Cantata Das mäßige Glück
17. Aria I
18. Recitativo
19. Aria II
Sonata for Two Violins in E minor
20. I. Largo
21. II. Allegro
22. III. Affettuoso
23. IV. Vivace
Songs from 24 theils ernsthafte, theils scherzende
24. I. An den Schlaf
25. II. Trinklied
Quartet for Flute, Two Violins and Continuo in G major
26. I. Dolce
27. II. Allegro
28. III. Soave
29. IV. Vivace
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Simon Standage, Collegium Musicum 90 / Telemann: Domestic Music, Vol. 3
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==== Log checksum E4FEBE617B58B0F494F891D67F29937D3E69EE4E6FAA17F962C233CD007AF463 ====
Simon Standage, Collegium Musicum 90 - Georg Philipp Telemann: Domestic Music, Vol. 3 (1992)
