Stephen Hartke - The Horse with the Lavender Eye: Piano & Chamber Music (2009)
Richard Faria, clarinet; Ellen Jewett, violin; Xak Bjerken, piano; Los Angeles Piano Quartet
EAC | FLAC | Image (Cue&Log) ~ 242 Mb | Mp3 (CBR320) ~ 149 Mb | Artwork included
Classical, Contemporary | Label: Chandos | # CHAN10513 | Time: 01:04:07
Richard Faria, clarinet; Ellen Jewett, violin; Xak Bjerken, piano; Los Angeles Piano Quartet
EAC | FLAC | Image (Cue&Log) ~ 242 Mb | Mp3 (CBR320) ~ 149 Mb | Artwork included
Classical, Contemporary | Label: Chandos | # CHAN10513 | Time: 01:04:07
Stephen Hartke is widely recognised as one of the leading composers of his generation. His individual voice is marked by a sense for melody and colour that follows in the tradition of Bartók and Messiaen. This collection offers the listener different sides of Hartke’s chamber music performed by one of America’s premiere chamber ensembles, the Los Angeles Piano Quartet. The surreal trio The Horse with the Lavender Eye of 1997 and the four selections from Post-modern Homages for solo piano here receive their premiere recording. The Sonata is a vivid three-movement work for solo piano while The King of the Sun, written for the Los Angeles Piano Quartet, takes its inspiration from paintings by Miró.
Composer Stephen Hartke is not a familiar name, but the performers on this disc give a selection of his chamber music and solo piano music all the attention usually reserved for well-loved classics. Led by pianist Xak Bjerken, the opening work, The Horse with the Lavender Eye for violin, clarinet, and piano, has a witty seriousness, while the closing The King of the Sun for violin, viola, cello, and piano, reveals a more sonically evocative side of Hartke's style. On his own, Bjerken proves a persuasive interpreter. His sonata has an irresistible flow and his readings of selections from Post-modern Homages are often very funny, as in the Gymnopédie No. 4, and sometimes quite moving, as in Sonatina DCXL. Written in a not altogether tonal and yet not altogether post-tonal style with dashes of post-modernism and neo-romanticism and a fair-sized helping of inspiration, Hartke's music is ideal for listeners who want emotionally engaging and intellectually appealing new music. Chandos' digital sound is clear, deep, and vivid.Review by James Leonard, Allmusic.com
Stephen Hartke (b1952) has enjoyed limited exposure this side of the Atlantic (though a New World disc of his Second Symphony and Violin Concerto is well worth seeking out), so this Chandos miscellany should redress the balance in favour of one whose stylistic range and unpredictability are as intriguing as they are provocative.
The Piano Sonata (1998) is the most impressive work here because the most focused in material: a lengthy Scherzo, resourcefully integrating minimalist and dance elements, prepared for by an expansively chordal Prelude then distilled into a limpid Postlude. Few composers have expressed this much so understatedly through this genre in recent times, and the chamber works are hardly less absorbing. The Horse with the Lavender Eye (1997) features some appealingly surreal imagery and expressive sleights of hand, notably the final left-footed Rumba whose emotionally distanced epilogue has droll inevitability, while The King of the Sun (1988) maintains a certain rhythmic consistency over increasingly anarchic musical imagery before an apotheosis of nonchalant matter-of-factness. Any from the selection of Post-Modern Homages would make an instructive encore – postmodern in the original “what might happen if”, rather than the current “who cares anyway” sense of the term.
The performances are precise and probing, abetted by lucid sound and a booklet-note from Xak Bjerken that offers context and poses questions in equal measure. Those who see the Coen brothers rather than Steven Spielberg as being representative of modern American culture will find much to ponder on and enjoy here.Review by Richard Osborne, Gramophone
Richard Faria, clarinet
Ellen Jewett, violin
Xak Bjerken, piano
Los Angeles Piano Quartet:
Michi Wiancko, violin
Katherine Murdock, viola
Peter Rejto, cello
Xak Bjerken, piano
6 and 7 January and 12 August 2006
Tracklist:
The Horse with the Lavender Eye (1997)
01. I. Music of the left (2:28)
02. II. The Servant of Two Masters (4:27)
03. III. Waltzing at the Abyss (3:58)
04. IV. Cancel my Rumba Lesson (6:41)
Post-modern Homages (1984-92)
05. Sonatina-Fantasia (3:49)
06. Gymnopedie No. 4 (3:09)
07. Template (3:16)
08. Henrique Oswald: Estudo-Scherzo in B flat minor (1:26)
09. Sonatina DCXL (1:30)
Piano Sonata (1997-98)
10. I. Prelude (3:00)
11. II. Scherzo. Epicycles, Tap-dancing and a Soft Shoe (6:09)
12. III. Postlude (4:10)
The King of the Sun (1988)
13. I. Personages in the night guided by the phosphorescent tracks of snails. Stealthily (2:17)
14. II. Dutch interior (3:09)
15. III. Dancer listening to the organ in a Gothic cathedral (5:45)
16. Interlude (0:58)
17. IV. The flames of the sun make the desert flower hysterical. Fiery (3:38)
18. V. Personages and birds rejoicing at the arrival of night (4:18)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 9. January 2013, 1:54
Los Angeles Piano Quartet / Hartke - Piano & Chamber music
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EAC extraction logfile from 9. January 2013, 1:54
Los Angeles Piano Quartet / Hartke - Piano & Chamber music
Used drive : HL-DT-STDVDRAM GSA-4083N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:27.38 | 0 | 11062
2 | 2:27.38 | 4:27.00 | 11063 | 31087
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8 | 27:46.48 | 1:26.00 | 124998 | 131447
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10 | 30:42.73 | 2:59.65 | 138223 | 151712
11 | 33:42.63 | 6:09.00 | 151713 | 179387
12 | 39:51.63 | 4:10.10 | 179388 | 198147
13 | 44:01.73 | 2:17.20 | 198148 | 208442
14 | 46:19.18 | 3:08.45 | 208443 | 222587
15 | 49:27.63 | 5:45.30 | 222588 | 248492
16 | 55:13.18 | 0:57.55 | 248493 | 252822
17 | 56:10.73 | 3:38.10 | 252823 | 269182
18 | 59:49.08 | 4:17.67 | 269183 | 288524
Range status and errors
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Filename J:\New Music\The Horse with the Lavender Eye\Hartke - Piano & Chamber music.wav
Peak level 98.8 %
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Test CRC 1CA37966
Copy CRC 1CA37966
Copy OK
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==== Log checksum 73CA0206554B8E458B49666DB980F39EEBB40CA8CAB8198C63BAD3E79EDB8824 ====
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foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2018-07-09 15:43:57
––––––––––––––––––––––––––––––––––––––––
Analyzed: Ellen Jewett, Richard Faria, Xak Bjerken / Hartke - Piano & Chamber music (1-4)
Los Angeles Piano Quartet / Hartke - Piano & Chamber music (5-10)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -3.47 dB -23.39 dB 2:28 01-The Horse with the Lavender Eye - I. Music of the left
DR13 -1.74 dB -19.46 dB 4:27 02-The Horse with the Lavender Eye - II. The Servant of Two Masters
DR13 -3.51 dB -22.60 dB 3:58 03-The Horse with the Lavender Eye - III. Waltzing at the Abyss
DR13 -2.27 dB -19.84 dB 6:41 04-The Horse with the Lavender Eye - IV. Cancel my Rumba Lesson
DR16 -5.41 dB -27.93 dB 2:17 13-The King of the Sun - I. Personages in the night guided by the phosphorescent…
DR14 -2.06 dB -22.34 dB 3:09 14-The King of the Sun - II. Dutch interior
DR13 -2.40 dB -20.46 dB 5:45 15-The King of the Sun - III. Dancer listening to the organ in a Gothic cathedral
DR14 -3.95 dB -24.85 dB 0:58 16-The King of the Sun - Interlude
DR12 -1.33 dB -15.71 dB 3:38 17-The King of the Sun - IV. The flames of the sun make the desert flower hyster…
DR12 -6.28 dB -23.43 dB 4:18 18-The King of the Sun - V. Personages and birds rejoicing at the arrival of night
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 521 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Xak Bjerken / Hartke - Piano & Chamber music
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -1.55 dB -21.14 dB 3:49 05-Post-modern Homages - Sonatina-Fantasia
DR13 -6.50 dB -24.96 dB 3:09 06-Post-modern Homages - Gymnopedie No. 4
DR13 -1.40 dB -19.81 dB 3:16 07-Post-modern Homages - Template
DR10 -7.50 dB -21.42 dB 1:26 08-Henrique Oswald: Estudo-Scherzo in B flat minor
DR14 -0.10 dB -19.61 dB 1:30 09-Post-modern Homages - Sonatina DCXL
DR12 -1.42 dB -18.45 dB 3:00 10-Piano Sonata - I. Prelude
DR13 -1.43 dB -18.96 dB 6:09 11-Piano Sonata - II. Scherzo. Epicycles, Tap-dancing and a Soft Shoe
DR19 -1.43 dB -28.57 dB 4:10 12-Piano Sonata - III. Postlude
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 8
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 521 kbps
Codec: FLAC
================================================================================
log date: 2018-07-09 15:43:57
––––––––––––––––––––––––––––––––––––––––
Analyzed: Ellen Jewett, Richard Faria, Xak Bjerken / Hartke - Piano & Chamber music (1-4)
Los Angeles Piano Quartet / Hartke - Piano & Chamber music (5-10)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -3.47 dB -23.39 dB 2:28 01-The Horse with the Lavender Eye - I. Music of the left
DR13 -1.74 dB -19.46 dB 4:27 02-The Horse with the Lavender Eye - II. The Servant of Two Masters
DR13 -3.51 dB -22.60 dB 3:58 03-The Horse with the Lavender Eye - III. Waltzing at the Abyss
DR13 -2.27 dB -19.84 dB 6:41 04-The Horse with the Lavender Eye - IV. Cancel my Rumba Lesson
DR16 -5.41 dB -27.93 dB 2:17 13-The King of the Sun - I. Personages in the night guided by the phosphorescent…
DR14 -2.06 dB -22.34 dB 3:09 14-The King of the Sun - II. Dutch interior
DR13 -2.40 dB -20.46 dB 5:45 15-The King of the Sun - III. Dancer listening to the organ in a Gothic cathedral
DR14 -3.95 dB -24.85 dB 0:58 16-The King of the Sun - Interlude
DR12 -1.33 dB -15.71 dB 3:38 17-The King of the Sun - IV. The flames of the sun make the desert flower hyster…
DR12 -6.28 dB -23.43 dB 4:18 18-The King of the Sun - V. Personages and birds rejoicing at the arrival of night
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 10
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 521 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Xak Bjerken / Hartke - Piano & Chamber music
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -1.55 dB -21.14 dB 3:49 05-Post-modern Homages - Sonatina-Fantasia
DR13 -6.50 dB -24.96 dB 3:09 06-Post-modern Homages - Gymnopedie No. 4
DR13 -1.40 dB -19.81 dB 3:16 07-Post-modern Homages - Template
DR10 -7.50 dB -21.42 dB 1:26 08-Henrique Oswald: Estudo-Scherzo in B flat minor
DR14 -0.10 dB -19.61 dB 1:30 09-Post-modern Homages - Sonatina DCXL
DR12 -1.42 dB -18.45 dB 3:00 10-Piano Sonata - I. Prelude
DR13 -1.43 dB -18.96 dB 6:09 11-Piano Sonata - II. Scherzo. Epicycles, Tap-dancing and a Soft Shoe
DR19 -1.43 dB -28.57 dB 4:10 12-Piano Sonata - III. Postlude
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 8
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 521 kbps
Codec: FLAC
================================================================================