The Bowed Piano Ensemble, Victoria Hansen - Stephen Scott: The Deep Spaces (2006)
EAC | FLAC | Image (Cue&Log) ~ 227 Mb | Mp3 (CBR320) ~ 103 Mb | Scans ~ 73 Mb
Classical, Avant-Garde, Experimental | Label: New Albion | # NA132 | Time: 00:45:22
EAC | FLAC | Image (Cue&Log) ~ 227 Mb | Mp3 (CBR320) ~ 103 Mb | Scans ~ 73 Mb
Classical, Avant-Garde, Experimental | Label: New Albion | # NA132 | Time: 00:45:22
While most classical composers attempt to spread around their artistry among various mediums, Stephen Scott has put all of his eggs into the proverbial one basket, specializing in bowed piano music as founder/leader of the Bowed Piano Ensemble, est. 1977. This is not as limited a resource as it sounds; in 1930, Henry Cowell stated he had discovered 165 ways to play the inside of a piano, though if he made a list of all those methods no one has been able to find it. Moreover, Stephen Scott doesn't seem to mind being regarded as "the Bowed Piano Guy." New Albion's The Deep Spaces is his sixth bowed piano CD and demonstrates some measure of stepping out of the box on Scott's part; The Deep Spaces is a song cycle, set to poems by Shelley, Wordsworth, Lord Byron, Pliny, and Pablo Medina and sung by soprano Victoria Hansen. Not all of these texts lend themselves well to musical settings, and Hansen is dedicated, but a less than ideal voice for this music; her singing has a fair amount of heft, and it's an odd fit for music so diaphanous and atmospheric as what the Bowed Piano Ensemble can produce. A more transparent singer or even a "pop voice" might have been more congenial. Some of Scott's writing for the voice also tends to follow along with the harmony rather than establish itself as an independent entity; however, this is clearly intentional. At one point the bowed pianos produce a melodic figure in response to the voice that is even more arcing and enraptured than the vocal statement that preceded it. Although the music is generally calm and accessible, the formlessness of the texture can be a bit disorienting; in some places, one wonders "Where is this going?"
Despite these flaws, it is certainly difficult to dislike The Deep Spaces; even though Scott is based in Colorado, there is so much of the California sea air in it. Certain passages are strongly reminiscent texturally of the work of Brian Wilson, and even though he is never referenced in the music, one feels the spirit of Lou Harrison hovering over this music. One would be interested in hearing what Scott would do without his main instrument – his bowed pianos – or with it in a subsidiary role, or in combination with other ensembles. If one can get used to the way the voice is handled then this – at least in spots – can provide considerable enjoyment, though it wouldn't do much for high-strung impatient New York types who can't stand anything "West Coast."Review by Uncle Dave Lewis, Allmusic.com
The Bowed Piano Ensemble:
- Erin Bauer
- Bernard Brink
- Elisha Norringham
- Benjamin Schleiffer
- Stephen Scott
- Lynn Shelton
- Kevin Weitemier
- Laura Whalin
- Sienna Wolf-Ekbland
- Sayo Yamaguchi
Victoria Hansen - soprano
Tracklist:
01. Primordium - 9:25
02. A letter from Pliny (to his friend Caninius Rufus at Como) - 2:15
03. The Old Hall (poetry by William Worldsworth) - 2:42
04. Windermere Racing (poetry by William Worldsworth) - 3:08
05. Barcarola (poetry by William Worldsworth) - 5:27
06. O'er Vales that Teem with Fruits: Hector and Harold in Italy (poetry by George Gordon, Lord Byron) - 3:32
07. Evening on Como (poetry by Mary Shelley) - 4:02
08. The Face of Heaven (poetry by George Gordon, Lord Byron) - 3:03
09. Scorn not the Sonnet (poetry by William Worldsworth) - 3:27
10. The Deep Spaces (poetry by Pablo Medina) - 4:34
11. Postludium - 3:42
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 14. March 2016, 21:01
Stephen Scott / The Deep Spaces
Used drive : Optiarc DVD RW AD-5280S Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
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3 | 11:41.08 | 2:42.37 | 52583 | 64769
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9 | 33:38.10 | 3:27.08 | 151360 | 166892
10 | 37:05.18 | 4:34.07 | 166893 | 187449
11 | 41:39.25 | 3:42.64 | 187450 | 204163
Range status and errors
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Filename C:\Stephen Scott (2006) - The Deep Spaces\Stephen Scott (2006) - The Deep Spaces.wav
Peak level 99.9 %
Extraction speed 3.8 X
Range quality 100.0 %
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Copy CRC 64CE97B3
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All tracks accurately ripped
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==== Log checksum 397C565412233FC0495F6AA2C2C8FDDEF447E46FA2B382F01EA4A942C619397B ====
EAC extraction logfile from 14. March 2016, 21:01
Stephen Scott / The Deep Spaces
Used drive : Optiarc DVD RW AD-5280S Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 9:25.25 | 0 | 42399
2 | 9:25.25 | 2:15.58 | 42400 | 52582
3 | 11:41.08 | 2:42.37 | 52583 | 64769
4 | 14:23.45 | 3:08.64 | 64770 | 78933
5 | 17:32.34 | 5:27.18 | 78934 | 103476
6 | 22:59.52 | 3:32.17 | 103477 | 119393
7 | 26:31.69 | 4:02.49 | 119394 | 137592
8 | 30:34.43 | 3:03.42 | 137593 | 151359
9 | 33:38.10 | 3:27.08 | 151360 | 166892
10 | 37:05.18 | 4:34.07 | 166893 | 187449
11 | 41:39.25 | 3:42.64 | 187450 | 204163
Range status and errors
Selected range
Filename C:\Stephen Scott (2006) - The Deep Spaces\Stephen Scott (2006) - The Deep Spaces.wav
Peak level 99.9 %
Extraction speed 3.8 X
Range quality 100.0 %
Test CRC 64CE97B3
Copy CRC 64CE97B3
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 2) [83D2B0CA] (AR v2)
Track 2 accurately ripped (confidence 2) [76435E21] (AR v2)
Track 3 accurately ripped (confidence 2) [9571B164] (AR v2)
Track 4 accurately ripped (confidence 2) [562D87B3] (AR v2)
Track 5 accurately ripped (confidence 2) [C4E79534] (AR v2)
Track 6 accurately ripped (confidence 2) [A997DEC5] (AR v2)
Track 7 accurately ripped (confidence 2) [2B03ACBA] (AR v2)
Track 8 accurately ripped (confidence 2) [92ABA159] (AR v2)
Track 9 accurately ripped (confidence 2) [195B50AB] (AR v2)
Track 10 accurately ripped (confidence 2) [9A7F2B98] (AR v2)
Track 11 accurately ripped (confidence 2) [6876CBDE] (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum 397C565412233FC0495F6AA2C2C8FDDEF447E46FA2B382F01EA4A942C619397B ====
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2016-05-14 13:38:02
––––––––––––––––––––––––––––––––––––––––
Analyzed: Stephen Scott / The Deep Spaces
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR19 0.00 dB -22.24 dB 9:25 01-Primordium
DR11 -3.40 dB -21.49 dB 2:16 02-A Letter from Pliny
DR13 -4.08 dB -22.42 dB 2:42 03-The Old Hall
DR14 -2.46 dB -20.70 dB 3:09 04-Windermere Racing
DR13 -2.49 dB -20.69 dB 5:27 05-Barcarola
DR11 -2.49 dB -18.54 dB 3:32 06-O'er Vales That Teem With Fruits: Hector and Harold in Italy
DR14 -3.66 dB -22.58 dB 4:03 07-Evening on Como
DR11 -1.95 dB -17.97 dB 3:04 08-The Face of Heaven
DR12 -3.65 dB -20.09 dB 3:27 09-Scorn Not the Sonnet
DR14 -3.39 dB -21.59 dB 4:34 10-The Deep Spaces
DR11 -2.90 dB -18.95 dB 3:43 11-Postludium
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 11
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 699 kbps
Codec: FLAC
================================================================================
log date: 2016-05-14 13:38:02
––––––––––––––––––––––––––––––––––––––––
Analyzed: Stephen Scott / The Deep Spaces
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR19 0.00 dB -22.24 dB 9:25 01-Primordium
DR11 -3.40 dB -21.49 dB 2:16 02-A Letter from Pliny
DR13 -4.08 dB -22.42 dB 2:42 03-The Old Hall
DR14 -2.46 dB -20.70 dB 3:09 04-Windermere Racing
DR13 -2.49 dB -20.69 dB 5:27 05-Barcarola
DR11 -2.49 dB -18.54 dB 3:32 06-O'er Vales That Teem With Fruits: Hector and Harold in Italy
DR14 -3.66 dB -22.58 dB 4:03 07-Evening on Como
DR11 -1.95 dB -17.97 dB 3:04 08-The Face of Heaven
DR12 -3.65 dB -20.09 dB 3:27 09-Scorn Not the Sonnet
DR14 -3.39 dB -21.59 dB 4:34 10-The Deep Spaces
DR11 -2.90 dB -18.95 dB 3:43 11-Postludium
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 11
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 699 kbps
Codec: FLAC
================================================================================