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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Gennady Rozhdestvensky, Residentie Orchestra The Hague - Vermeulen: Symphonies Nos 2, 6 & 7 (2002)

    Posted By: ArlegZ
    Gennady Rozhdestvensky, Residentie Orchestra The Hague - Vermeulen: Symphonies Nos 2, 6 & 7 (2002)

    Gennady Rozhdestvensky, Residentie Orchestra The Hague - Matthijs Vermeulen: Symphonies Nos 2, 6 & 7 (2002)
    EAC | FLAC | Image (Cue & Log) ~ 295 Mb | Total time: 69:34 | Scans included
    Classical | Label: Chandos | # CHAN 9735 | Recorded: 2001

    Dutch composer Matthijs Vermeulen’s wildly complex and inventive music resists easy classification, and yet it does not really do his work justice to say it is an amalgam of Berg, Varèse, Ives, Hartmann, Pettersson, and others. But in effect that is just what it is–an inscrutable, polymelodic kitchen-sink approach to composition. And it is no less fascinating as a result. At once relentless, frantic, fierce, and desolate, Vermeulen’s compositions were barely performed during his own lifetime (1888-1967), and he did not help his cause by systematically estranging himself from the musical establishment (Mengelberg, among others).