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    Philippe Jaroussky & Artaserse - Gelosia! - Italian Cantatas (2025)

    Posted By: delpotro
    Philippe Jaroussky & Artaserse - Gelosia! - Italian Cantatas (2025)

    Philippe Jaroussky & Artaserse - Gelosia! - Italian Cantatas (2025)
    WEB FLAC (tracks) - 372 Mb | MP3 CBR 320 kbps - 167 Mb | 01:10:58
    Classical, Vocal | Label: Warner Classics, Erato Records

    Gelosia! (Jealousy!), Philippe Jaroussky’s latest project with the instrumentalists of Artaserse, takes its dramatic name from two solo cantatas receiving world premiere recordings. Programmed beside cantatas by Vivaldi, Handel and Alessandro Scarlatti, they are by the Neapolitan Nicola Porpora (1686-1768) and the Venetian Baldassare Galuppi (1706-1785). Though composed some 35 years apart, both cantatas set the same text, ‘La Gelosia’, written by the prolific Pietro Metastasio.

    “The cantata da camera or secular cantata, was an incredibly popular genre in the 18th century,” explains Philippe Jaroussky. “Written for a solo singer, it often portrays a man or woman going through the torments of love and depicts the character’s various states of mind … On this album we have focused on cantatas written with a string accompaniment [rather than simply for singer and basso continuo] … Cantatas of this kind often served as a laboratory for new ideas and, I believe, as a kind of personal diary for composers. Being away from opera, with its more academic demands, they could write as they wanted, completely free to express their feelings.”

    When Jaroussky recorded an album of arias by Porpora as a tribute to the castrato Farinelli – the composer’s singing pupil – the Times wrote: “I’d be surprised if Farinelli’s voice was any more astonishing than the countertenor Philippe Jaroussky …” Now the singer provides some insights into both Porpora’s and Galuppi’s settings of ‘La Gelosia’.

    “In Porpora’s setting, composed in 1746, there is a compact instrumental overture, which signals the cantata’s status as a work that stands as an independent entity. Porpora is at his best in accompanied recitative – this becomes clear as the protagonist expresses his regret at daring to doubt the fidelity of his mistress. He swears he will no longer be jealous, but then, in the second recitative, he reverts to form as he remembers how she blushed when she saw another man … Porpora’s writing is very much in the galant style, characterised by florid sequences of triplets and an abundance of accents and trills. The final aria reflects the text wonderfully … In its first section the instruments depict the sea, and in the central section they evoke the trumpets of war.

    “Galuppi’s version of ‘La Gelosia’, which dates from 1782, adopts a notably different, Classical style, more concise and full of elegant detail. It moves away from florid writing and instead concentrates on textual inflections. The adagio ending of the second recitative somehow reminds me of ‘Quando corpus morietur’ from Pergolesi’s Stabat mater.”

    If the ‘jealousy’ cantatas by Porpora and Galuppi represent a new discovery, Jaroussky has given frequent performances of the works by Vivaldi (‘Cessate, omai cessate’), Handel (‘Mi palpita il cor’) and Alessandro Scarlatti (‘Ombre tacite e sole’). He describes Scarlatti as “the unquestioned master” of the cantata da camera, praising ‘Cessate, omai cessate’ (dating from 1716) as “full of adventurous harmonies and haunting melodic charm”, and noting the composer’s musical evocations of splashing water, howling beasts and slithering serpents! “An absolute masterpiece among Italian cantatas”, is Jaroussky’s verdict on Vivaldi’s ‘Cessate, omai cessate’, composed around 1735. The composer’s distinctive writing for strings echoes and amplifies the emotions of the protagonist, which shift from quiet depair to raging torment. Handel’s ‘Mi palpita il cor’ was written shortly after the young composer’s extended stay in Italy in the early years of the 18th century. Its first aria includes “a sublime and very sensuous dialogue between the voice and a flute,” and, in its opening recitative, the only instance of the word ‘gelosia’ in any of the five cantatas on the album.
    Tracklist:
    01 Ombre tacite e sole_ I. Recitativo accompagnato. _Ombre tacite e sole_
    02 Ombre tacite e sole_ II. Aria. _Con piede errante e lasso_
    03 Ombre tacite e sole_ III. Recitativo. _Qui, tra tenebre oscure_
    04 Ombre tacite e sole_ IV. Aria. _Allor d’intorno a te_
    05 Cessate, omai cessate, RV 684_ I. Largo e sciolto. _Cessate, omai cessate_
    06 Cessate, omai cessate, RV 684_ II. Larghetto. _Ah ch'infelice sempre_
    07 Cessate, omai cessate, RV 684_ III. Andante e pianissimo. _A voi dunque ricorro, orridi spechi_
    08 Cessate, omai cessate, RV 684_ IV. Allegro. _Nell'orrido albergo, ricetto di pene_
    09 Perdono, amata Nice _La gelosia__ I. Sinfonia. Allegro
    10 Perdono, amata Nice _La gelosia__ II. Recitativo. _Perdono, amata Nice_
    11 Perdono, amata Nice _La gelosia__ III. Aria. _Bei labbri, che Amore formò per suo nido_
    12 Perdono, amata Nice _La gelosia__ IV. Recitativo. _Son reo, non mi difendo_
    13 Perdono, amata Nice _La gelosia__ V. Aria. _Giura il nocchier, che al mare_
    14 Mi palpita il cor, HWV 132c_ I. Recitativo. _Mi palpita il cor_
    15 Mi palpita il cor, HWV 132c_ II. Arioso. _Agitata è l’alma mia_
    16 Mi palpita il cor, HWV 132c_ III. Recitativo. _Tormento e gelosia_
    17 Mi palpita il cor, HWV 132c_ IV. Aria. _Ho tanti affanni in petto_
    18 Mi palpita il cor, HWV 132c_ V. Recitativo. _Clori, di te mi lagno_
    19 Mi palpita il cor, HWV 132c_ VI. Aria. _Se un dì m’adora la mia crudele_
    20 La gelosia_ I. Recitativo accompagnato. _Perdono amata Nice_
    21 La gelosia_ II. Aria. _Bei labbri, che Amore formò per suo nido_
    22 La gelosia_ III. Recitativo accompagnato. _Son reo, non mi difendo_
    23 La gelosia_ IV. Aria. _Giura il nocchier_

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    FILE: 23 La gelosia_ IV. Aria. _Giura il nocchier_.flac
    Size: 25875113 Hash: C12103036715975875F09CACDC542371 Accuracy: -m8
    Conclusion: CDDA 99%
    Signature: 4CFCC54892FBCBE2879369BFBA65F387603F2E0D
    FILE: 22 La gelosia_ III. Recitativo accompagnato. _Son reo, non mi difendo_.flac
    Size: 13660561 Hash: 86F38363A4CE6C9E75077DB7D9EDCBD0 Accuracy: -m8
    Conclusion: CDDA 99%
    Signature: A2F18368799FA119DD345B5D4E622993C9BC6219
    FILE: 20 La gelosia_ I. Recitativo accompagnato. _Perdono amata Nice_.flac
    Size: 7431224 Hash: FFC74BE5239629B590375E22FD67C0AE Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 2730D85C25D7A36CD60116317FE7171628FB303D
    FILE: 18 Mi palpita il cor, HWV 132c_ V. Recitativo. _Clori, di te mi lagno_.flac
    Size: 5069945 Hash: CC324B60FD857B2AF28081B4373BB1C7 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: AB1225B85871467F06F27222446AD2BE9C3790C0
    FILE: 17 Mi palpita il cor, HWV 132c_ IV. Aria. _Ho tanti affanni in petto_.flac
    Size: 34675093 Hash: 38F2C26BC7F39DD3A3B54E19B2CC5F6E Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: EE9C6AB78A31954FE1346AF7F9217F552E3FB483
    FILE: 16 Mi palpita il cor, HWV 132c_ III. Recitativo. _Tormento e gelosia_.flac
    Size: 3889066 Hash: 35563A555070A84316271550C9A663F5 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 8FE134CBDE60AC8F36B779461DA3D2E0D1CA4C73
    FILE: 14 Mi palpita il cor, HWV 132c_ I. Recitativo. _Mi palpita il cor_.flac
    Size: 2702773 Hash: 44980C8CCE3D519BA632D548C638CAE7 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: C6FDC6F7522D45B5B9C769BC9C3E1324CDFEEACE
    FILE: 13 Perdono, amata Nice _La gelosia__ V. Aria. _Giura il nocchier, che al mare_.flac
    Size: 28527783 Hash: 6C0288F43CD4FCA2C05DEF78AD2EB9FD Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 1B600833BFE07E3A3CC2FD1E995630461EA592C9
    FILE: 12 Perdono, amata Nice _La gelosia__ IV. Recitativo. _Son reo, non mi difendo_.flac
    Size: 13729424 Hash: 8BE6AD5C3EDB8BE0967867ECAF62C970 Accuracy: -m8
    Conclusion: CDDA 99%
    Signature: 82F9C4EE5C696F6136957310F7467FDE236914D3
    FILE: 10 Perdono, amata Nice _La gelosia__ II. Recitativo. _Perdono, amata Nice_.flac
    Size: 6870689 Hash: D1D8EDD45A5598ED1C40A05B301053F0 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 1DEEA93AC13B3018981C4BCC3AB7B10204649423
    FILE: 09 Perdono, amata Nice _La gelosia__ I. Sinfonia. Allegro.flac
    Size: 6283943 Hash: 8F399E1097EA339D45A560C00F29ED0D Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 3771EDBD22A0DE8E754D646C5F916B16F2BE53C7
    FILE: 08 Cessate, omai cessate, RV 684_ IV. Allegro. _Nell'orrido albergo, ricetto di pene_.flac
    Size: 21639429 Hash: 510BC5702051D1BF9EB45CA1164A924B Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: CD43D90E6A06893E4EF7F29F156C219EA59DEDDE
    FILE: 07 Cessate, omai cessate, RV 684_ III. Andante e pianissimo. _A voi dunque ricorro, orridi spechi_.flac
    Size: 6440452 Hash: 985C7A92B59400BC633C4919D11B5356 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 7B0AF7CAB8D93008CF35F2F90733A0A9423A22FF
    FILE: 06 Cessate, omai cessate, RV 684_ II. Larghetto. _Ah ch'infelice sempre_.flac
    Size: 28893932 Hash: BF201CEF9C9110823B3185A1FC5CD43D Accuracy: -m8
    Conclusion: CDDA 99%
    Signature: 9FF6F92E10BD33821BE580C6D0A976E452EAE723
    FILE: 05 Cessate, omai cessate, RV 684_ I. Largo e sciolto. _Cessate, omai cessate_.flac
    Size: 10384869 Hash: D8F74E4B02A161435B3693AB88391383 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 31FF803289C7180A135B6BFA14815505A37FD18C
    FILE: 04 Ombre tacite e sole_ IV. Aria. _Allor d’intorno a te_.flac
    Size: 31900490 Hash: 83CC8A75F0DBA0C1D37964A19D64C4A9 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 43F494E404E18243EBCD67B5CC855A40CFB39F43
    FILE: 03 Ombre tacite e sole_ III. Recitativo. _Qui, tra tenebre oscure_.flac
    Size: 9186681 Hash: 5F35DD702F4553FCA4BC8207B21EF030 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: 7D3E2A3425DE7A12EB72A249EA2CF071481799A7
    FILE: 02 Ombre tacite e sole_ II. Aria. _Con piede errante e lasso_.flac
    Size: 26731046 Hash: E901792BA05878736C1524D25BF216FE Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: E4967E747911FAD5FDA2390847FCD2F764F5CCF1
    FILE: 01 Ombre tacite e sole_ I. Recitativo accompagnato. _Ombre tacite e sole_.flac
    Size: 13586483 Hash: 860D03CDE249B6382305A6A14C2B60F0 Accuracy: -m8
    Conclusion: CDDA 100%
    Signature: BE76CDA9D71962AA4579D9EB23777153B45A6B00