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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Ennio Morricone - the Legend of 1900 OST

    Posted By: SaintStyle
    Ennio Morricone - the Legend of 1900 OST

    Ennio Morricone - the Legend of 1900
    Soundtrack | 1999 | –preset standart | 29 tracks | 104MB
    Release Date: October 12, 1999 | Label: Sony | ASIN: B00001XDLM

    Italian director Giuseppe Tornatore billed The Legend of 1900 not as a film, but rather a fable. But crucially, it's also that rare film whose musical score essentially involves one of its lead characters. Here, the great composer Ennio Morricone has concocted a score that's as magical as Cinema Paradiso, the team's previous musical watershed, yet gratifyingly disparate. Though Morricone takes many of his thematic cues from the rich, raucous music of the jazz age (including rags by Jelly Roll Morton and Scott Joplin), he seamlessly fuses them with his own pastoral neoclassicism and distinctly modern sensibilities. The result is a score whose philosophical kinship with The Mission is as alike as their music is wholly different–a masterful fusion of dissimilar elements in a compelling, new whole. While jazz purists may balk, Morricone devotees will be enraptured. Though his career has spanned 40 years and some 400 films, Il Maestro's invention and playful exuberance once again seem both ageless and exhilarating. And if the closing song, "Lost Boys Calling" (with lyrics and vocals by Roger Waters and underwrought guitar solos by Eddie Van Halen), seems something of a loopy, last-minute record-company gambit, simply consider it an early entry for Canto Morricone, Vol. 5.
    Jerry McCulley

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