Manfred Mann's 1980 album is a strange mix of topical songwriting, progressive rock, and power pop – from its opening seconds, the Earth Band is pressing serious messages and social commentary on their listenership amid swirling prog rock keyboards and catchy guitar hooks and choruses. The whole package is challenging in ways that should have put them on the cutting edge of rock music at the outset of that decade, but one suspects that Mann and company were too musically adept and sophisticated for their own good – a little dumbing down and maybe a little less musicianship on display would have made them more accessible to the coming MTV generation.

Manfred Mann released two albums while signed to EMI in the early 1960s but used the EP format to showcase new material, especially tracks which were not considered as singles. These Eps, featuring vocalist Paul Jones, proved so popular that three of them hit the No 1 spot of the EP charts, while 'The One In The Middle' also reached No 10 in the UK singles chart a remarkable achievement for an EP at that time…

2009 five CD live set from the veteran British band. Manfred Mann's Earth Band has toured consistently since their inception in the early '70s. No wonder then, that there are countless bootleg recordings doing the rounds. The band is renowned for shaping their songs on a gig-by-gig basis and this collection shows how the sets have been molded and developed over the years. The CDs contain recordings from various European venues, dating from 1981 to 2007. Apart from Volume One, they are all taken from single concerts. For timing purposes, some sets have been edited, but no other enhancements, re-records or overdubs have been added. The performances on this set were recorded in Europe 1981, Austria 1986, Germany 1991, Norway 1999, and Germany 2007.

The second album by Manfred Mann's Earth Band to be released in 1972, Glorified Magnified is as solid a heavy rock album as you're likely to find from that era, and it still holds up three decades later, mostly because these guys are smarter than the music they're playing and don't mind indulging their taste as well as their dexterity. They can romp and stomp through "Meat" or "I'm Gonna Have You All," complete with a slashing guitar solo by Mick Rogers on the latter, or throw in a synthesizer interlude by Mann on "One Way Glass" that's so quietly and carefully executed as to be worthy of a classical piece – and not skip a beat doing it.

The album that was Manfred Mann's commercial breakthrough was a departure from the previous albums made with the Earth Band. Though the personnel are the same and the musicianship is as mind-blowing as ever, the songs are shorter and punchier, in some cases more poppy. This is not to say that the band had sacrificed a bit of ingenuity or complexity, but the long jams are gone in favor of briefer sound portraits. Nightingales and Bombers included Manfred Mann's first cover of a Bruce Springsteen song, the album-opening "Spirits in the Night," a single that charted, and became one of the only pieces written in 10/4 time ever to do so.

Remakes can be atrocious wastes of wax: subpar carbon copy re-treads dressed up as calculated idolatry, or deconstructionist reconfigurations basking in the laziness of lyrics already written. However, two of the greatest rewrites in history belong to Manfred Mann's Earth Band. The treatments of Bruce Springsteen's "Blinded By the Light" and "For You" included here create a wholly unique variation on the stark, earthy originals by flipping the tracks and exposing the soft, white underbelly, then piling on excessive musical ornamentation like a master filmmaker visualizing a novel, blowing the inspiration at the nucleus into a bowdlerized paronomasia of sonic perfection.

This 25-song CD (originally a shorter LP called The Singles Album) is a handy collection of the band's most well-known English tracks from 1963 through 1966, plus their B-sides and some songs off of EPs that charted high in the U.K. Except for the final three songs – "Groovin'," "Can't Believe It," and "Did You Have to Do That?," none of which are that easy to find on compilations – it's all assembled in chronological order from their debut single "Why Should We Not" to 1966's "You Gave Me Somebody to Love." The notes by John Tobler are a bit superficial, and the American EMI Manfred Mann: The Definitive Collection is a little more adventurous. Also, the sound here doesn't match the presence and clarity of more recent 24-bit transfers. Nonetheless, this is a respectable compilation for the novice or the casual fan. The presence of the B-sides, including lost gems like "What Did I Do Wrong" (a killer Chess-style blues number written by Tom McGuinness) and the Goffin/King-authored "Oh No Not My Baby" (one of Paul Jones's greatest R&B-style performances), assures that one gets a truer picture of the band's output and their focus on R&B, jazz, blues, and folk, than the A-sides by themselves would provide.

Manfred Mann was an English rock band of the 1960s, named after keyboardist, Manfred Mann, who later led the successful 1970s group Manfred Mann's Earth Band. The group had two different lead vocalists during their success, Paul Jones from 1962 to 1966, and Mike d'Abo from 1966 to 1969….

The second of a pair of 2001-released discs compacting two full Manfred Mann albums onto a single CD, this covers their sophomore album (The Five Faces Of) from 1965 and fourth (Pretty Flamingo) from 1966, the latter being the last to feature original vocalist Paul Jones and multi-instrumentalist Mike Vickers. Taken as a whole, these 22 tracks exhibit the remarkable breadth of the band as they tackle blues covers ("I Put a Spell on You"), Beatleesque Brit Invasion pop hits ("Pretty Flamingo" and "Sha-La-La"), jazz (a vocal version of Herbie Hancock's "Watermelon Man"), and folk ("John Hardy"), as well as contributing their own derivative yet enthusiastic originals.

The first of a duo of "two-fer" collections of Manfred Mann's earliest work from 1964 and 1965 oddly combines their first and third American albums onto a single disc. Although there aren't any extras added onto these straight 2001 reissues (except for replications of the original cheesy notes), the crisply remastered sound is in pristine stereo. As a cross between the jazzy style of the Zombies, the ragged R&B of Them, and the recycled American blues of the Pretty Things and Yardbirds, Manfred Mann hit a lot of diverse bases. Covering songs from Burt Bacharach, Muddy Waters, Goffin, King, Holland-Dozier-Holland, Bo Diddley, Joe South, and even early Bob Dylan, the band cut a wide musical swath.

British band founded in 1962 by Manfred Mann and Mike Hugg as "Mann Hugg Blues Brothers" and later renamed to "Manfred Mann". The band's line-up changed several times before the break up in 1969…

The second album by Manfred Mann's Earth Band to be released in 1972, Glorified Magnified is as solid a heavy rock album as you're likely to find from that era, and it still holds up three decades later, mostly because these guys are smarter than the music they're playing and don't mind indulging their taste as well as their dexterity. They can romp and stomp through "Meat" or "I'm Gonna Have You All," complete with a slashing guitar solo by Mick Rogers on the latter, or throw in a synthesizer interlude by Mann on "One Way Glass" that's so quietly and carefully executed as to be worthy of a classical piece – and not skip a beat doing it.