Reference Recordings is proud to present The Complete Beethoven Piano Concertos played by Grammy®-winning Garrick Ohlsson, performing with the Grand Teton Music Festival Orchestra, conducted by Sir Donald Runnicles. This album was recorded during live Festival performances in July 2022.

ZEHRA is proud to present the debut album ISTEHLAL by the MOHAMAD ZATARI TRIO, consisting of musicians from Syria, Iran & India. The trio merges traditional Middle Eastern sounds with contemporary vibes incl. interpretations of Hossein Alizadeh & Riad Al-Sunbati classics.

Jewels in the Treasure Box: The 1953 Chicago Blue Note Jazz Club Recordings is a previously unissued 3-LP collection of recordings from jazz icon and virtuosic pianist, Art Tatum, captured live at the Blue Note jazz club in Chicago in March of 1953 with guitarist Everett Barksdale and bassist Slam Stewart. These recordings were transferred from the original tape reels and mastered for LP and CD by engineer Matthew Lutthans (who also worked on Resonance’s Grammy-nominated 2019 Nat King Cole release Hittin’ the Ramp). Containing a whopping nearly 3 hours of never-before-heard Art Tatum captured in an intimate setting at the height of his powers with his longtime trio, the deluxe, limited-edition 180-gram 3-LP gatefold set (and 3-CD set) includes rare photos and memorabilia from Herman Leonard, Bob Parent and the Holzfeind family archives (owners of the Blue Note jazz club in Chicago); plus liner notes from Columbia University professor and author, Brent Hayes Edwards; as well as statements from Ahmad Jamal, Sonny Rollins, Monty Alexander, ELEW, Spike Wilner, Johnny O’Neal, Michael Weiss and Terry Gibbs.

Nine CD set. Robert Palmer was one of the greatest singer-songwriters of the late 20th Century. An artist and writer who sampled world-wide success, he never stopped being a music fan first and foremost, often racing to record something he'd just heard a snatch of on the radio or had caught in a club. His astute mixture of originals and well-selected covers gave him a song palette at times so eclectic that he became impossible to pigeonhole. In many respects, Palmer was the invisible man of pop. His close friends Talking Heads once recorded a track called Seen And Not Seen, the title of which sums up Palmer perfectly.

Face to Face was a remarkable record, but its follow-up, Something Else, expands its accomplishments, offering 13 classic British pop songs. As Ray Davies' songwriting becomes more refined, he becomes more nostalgic and sentimental, retreating from the psychedelic and mod posturings that had dominated the rock world. Indeed, Something Else sounds like nothing else from 1967. The Kinks never rock very hard on the album, preferring acoustic ballads, music hall numbers, and tempered R&B to full-out guitar attacks. Part of the album's power lies in its calm music, since it provides an elegant support for Davies' character portraits and vignettes. From the martial stomp of "David Watts" to the lovely, shimmering "Waterloo Sunset," there's not a weak song on the record, and several – such as the allegorical "Two Sisters," the Noël Coward-esque "End of the Season," the rolling "Lazy Old Sun," and the wry "Situation Vacant" – are stunners. And just as impressive is the emergence of Dave Davies as a songwriter. His Dylanesque "Death of a Clown" and bluesy rocker "Love Me Till the Sun Shines" hold their own against Ray's masterpieces, and help make Something Else the endlessly fascinating album that it is.

The Faces were an English rock band formed in 1969 by members of the Small Faces after lead singer/guitarist Steve Marriott left that group to form Humble Pie. The remaining Small Faces—Ian McLagan (keyboards), Ronnie Lane (bass guitar), and Kenney Jones (drums and percussion)—were joined by Ronnie Wood (guitar) and Rod Stewart (lead vocals), both from the Jeff Beck Group, and the new line-up was renamed the Faces.

Wynonna Judd is set to release Back to Wy: Live on September 6th via Curb Records. The package features the country legend performing the timeless melodies from her acclaimed debut solo albums, Wynonna (1992) and Tell Me Why (1993), presented in a track-by-track journey from start to finish.

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Introducing "#1s ," the first installment in the highly-anticipated '#1s' series. Dive deep into the golden age of music with this compilation of chart-toppings. This disc collection captures the spirit, innovation, and charm of a transformative decade. Expect to be transported back in time with iconic tracks that still resonate today.

Peter Bernstein Jazz guitarist Peter Bernstein was born September 3, 1967, in New York City. He got his first break while attending the New School when he met Jim Hall, who recruited him for a concert of guitarists as part of the 1990 JVC Jazz Festival in New York. The show was recorded by MusicMasters and issued as Live at Town Hall, Vol. 2. Bernstein quickly began playing with other jazz musicians, notably appearing on albums by Lou Donaldson, Michael Hashim, Larry Goldings, Mel Rhyne, Jesse Davis, and Geoff Keezer. He recorded his first album as a leader, Somethin's Burnin', for Criss Cross in December, 1992, as part of quartet with pianist Brad Mehldau, bassist John Webber, and drummer Jimmy Cobb.

Walter Braunfels’ music died twice: first, when the Nazis declared it “degenerate art”; and again when post-war Germany had little use for the various schools of tonal music. This was the period when arbiters of taste considered any form of romantic music – which meant practically the whole pre-war aesthetic – to be tainted. We now reach the 10th volume in Capriccio’s Braunfels Edition, which features one of his most popular operas. What makes Jeanne d’Arc such an uncommonly effective music drama is not only the frequently sumptuous, post-romantic musical language, but also the libretto, which was assembled by Braunfels himself. The central thread of Joan of Arc’s story is known well enough: her vision, her contribution to the liberation of Orléans and the coronation of the Dauphin, and her subsequent arrest, trial, and burning at the stake. Braunfels somehow managed to put together a libretto from the original 15th-century French and Latin documentation of Joan of Arc’s trial, a snippet from George Bernard Shaw's play Saint Joan, and his own writing, which together make this story and its characters – in many ways so far removed from a modern audience’s sensibilities and experience – relatable to listeners today.

Movements Vol. 12" again gathers a wide variety of artists of whom even soul and jazz connoisseurs have often not even heard the name, let alone the title The compilation covers a wide range of genres: early rhythm & blues, soul-jazz, Latin-soul, heavy James Brown-style funk and mid-70s pre-disco.

The two-disc collection Pye Anthology 1963-1967 features nearly everything recorded by one of England's favorite Liverpool outfits during the early '60s (among heavy competition). Formed a few years before the Beatles, in 1957, the Searchers were prime competitors with them for the crown of hardest-working and best band in Liverpool during the early '60s.

Free were an English rock band formed in London in 1968, best known for their 1970 signature song "All Right Now". They disbanded in 1973 and lead singer Paul Rodgers went on to become a frontman of the band Bad Company along with Simon Kirke on drums. Lead guitarist Paul Kossoff formed Back Street Crawler in 1975, but died from a pulmonary embolism at the age of 25 in 1976. Bassist Andy Fraser formed Sharks.

Free were an English rock band formed in London in 1968 by Paul Rodgers (vocals), Paul Kossoff (guitar), Andy Fraser (bass, piano) and Simon Kirke (drums, percussion). They are best known for their hit songs "All Right Now" and "Wishing Well". Although renowned for their live performances and non-stop touring, their music did not sell well until their third studio album, Fire and Water (1970), which featured the hit "All Right Now". The song helped secure them a performance at the 1970 Isle of Wight Festival, where they played to an audience of 600,000 people. In the early 1970s they became one of the best-selling British blues rock groups; by the time they disbanded, they had sold more than 20 million records worldwide and had played in more than 700 arenas and festival concerts. "All Right Now" remains a staple of R&B and rock, and has entered ASCAP's "One Million" airplay singles club.