Top Gear Driving Anthems features 50 of the biggest rock and indie anthems straight from the Top Gear playlist including smash hit tracks from Muse, Kasabian, Noel Gallagher’s Flying Birds, Foster The People, Biffy Clyro, The Vaccines and Oasis. It's what The Stig would listen to if he had good taste in music. Top Gear: Driving Anthems was the fourteenth and to date, final compilation album produced by BBC Worldwide and released in 2013 on the Sony Music Entertainment label. 50 tracks were spread out over three discs, for the first and only time in the series.

Counterfeit² is the first full-length studio album by Martin Gore, the primary songwriter for the band Depeche Mode.
Martin Gore's Counterfeit² beat David Gahan's Paper Monsters to the punch by just over a month; with some better timing - and, you know, a synchronous album from Andrew Fletcher - Depeche Mode could've pulled a Kiss. This first full-length from DM's principal songwriter follows an EP he released 14 years prior. On that EP, Gore covered some of his favorite songs and made them sound unsurprisingly like his group circa that year. As one can tell from the title of this disc, this is the same concept, and even some of the most ardent fans no doubt breathed another sigh of relief with the knowledge that he decided once again to let other people provide the lyrics…

2008 digitally remastered, expanded and enhanced edition of this influential album that not only helped launch the careers of the likes of Depeche Mode, Soft Cell and The The, but also cemented Some Bizzare Records' position as one of the worlds most important independent labels. Features two bonus audio tracks originally considered for the initial release (by Fad Gadget and The Normal) plus an enhanced video of The Residents' 'The Act of Being Polite'. A true collectors Item for anybody interested in the genesis of '80s Electronica, Goth and New Wave. An extremely important album which featured the first outings from some of these legendary artists, this album is as relevant today as it ever was. Some Bizarre.

Dave Gahan is an English singer-songwriter, best known as the lead singer of the electronic band Depeche Mode since their debut in 1980.
With his second solo album, "Hourglass" (2007), the Depeche Mode front man emerged as a gifted songwriter, masterfully capturing man's race against - and fear of running out of - time.
The bonus CD of "Hourglass Remixes" (2008) includes all eight tracks from the vinyl plus three additional remixes.

Dave Gahan is an English singer-songwriter, best known as the lead singer of the electronic band Depeche Mode since their debut in 1980.
After Dave Gahan released his debut solo album, Paper Monsters, in 2003, he landed three of his songs on Depeche Mode's 2005 album Playing the Angel, meaning Martin Gore was no longer the band's sole songwriter. Two years later and he's on a roll with Hourglass, a more electronic, better built, and altogether better deal than Monsters, thanks mostly to the singer and-don't-you-forget-to-mention songwriter's better sense of self. At least that's the way it feels because unlike Monsters, Hourglass doesn't have any overly urgent need to shake off Depeche Mode comparisons…

As the lead vocalist for Depeche Mode, Dave Gahan appeared to be far removed from the common trappings of rock & roll stardom. Although the group often flirted with gloomy overtones throughout their career, they maintained a largely squeaky-clean image. By the early '90s, however, Gahan had moved to L.A., gotten hooked on heroin and booze, and immersed himself in the grunge scene. When Depeche Mode regrouped to record Songs of Faith & Devotion, Gahan had transformed himself into the perennial junkie. As his addictions worsened, Gahan lost his friends, lost himself, and for a few short minutes, lost his life before paramedics revived him after an all-night drug binge. Following Gahan's journey through both physical and mental rehabilitation, Paper Monsters is what many would expect - a collection of material culled from his addictions, failed relationships, and spiritual rebirth…

There was a time when you could walk into your average record store and find the singles section by spotting the big block of black rows. These rows signaled the whereabouts of the Ds and tended to eat up a disproportionate space of the singles section. In 2004, the Mute label condensed all of these releases into Remixes 81-04, which itself was ironically (or fittingly) presented in multiple versions. This particular version is a triple-disc set that attempts to function as a representative sampling of Depeche Mode's innumerable remixes. It does an admirable job, making a point to highlight glorified extended versions and radical reworkings alike.

Pioneering English band Depeche Mode took the underground electronic club sounds of the early '80s and expanded them to stadium-sized levels within a decade, becoming one of the best-selling international groups in the process. One of the first acts to establish a musical identity based completely around the use of synthesizers, they debuted with a bouncy electro-pop spirit which gradually developed into a darker, more dramatic synth-rock style that ultimately positioned them as one of the most quintessential alternative bands of their era. Earning a modest European following with early releases like 1981's Speak & Spell and 1983's Construction Time Again, they made their U.S. breakthrough in 1984 with their platinum-certified fourth LP, Some Great Reward…

Released in 2009, this "double A-side" single is the third single from Depeche Mode’s 2009 album Sounds of the Universe. It features the songs “Fragile Tension” and “Hole to Feed,” both remixed by cutting-edge producers like Paul Woolford and Laidback Luke. The single is also a digital-age milestone for Depeche Mode, as it’s their first not be made available on a 7" 45.

The fourth, fifth, and sixth box sets dedicated to compiling all of Depeche Mode's single releases were put out in 2004, 13 years after the first three originally appeared. All of these sets provide a convenience for hardcore fans since they provide each single in its own slim jewel case. Needless to say, those who bought the original singles as they were released will be flustered once again. The sixth set, covering 1997 through 2001, includes the "Barrell of Gun," "It's No Good," "Home," "Useless," "Only When I Lose Myself," and "Dream On" singles. Remixes come from Dan the Automator, DJ Shadow, GusGus, Plastikman, Dave Clarke, Kid 606, Bushwacka!, and Kruder & Dorfmeister.

The fourth, fifth, and sixth box sets dedicated to compiling all of Depeche Mode's single releases were put out in 2004, 13 years after the first three originally appeared. All of these sets provide a convenience for hardcore fans since they provide each single in its own slim jewel case. Needless to say, those who bought the original singles as they were released will be flustered once again. The fifth set, covering 1990 through 1994, includes the "Policy of Truth," "World in My Eyes," "I Feel You," "Walking in My Shoes," "Condemnation," and "In Your Room" singles. As usual, numerous live excerpts are provided, and remix duties are performed by the likes of Butch Vig, Brian Eno, François Kevorkian, Portishead, Jon Marsh, and William Orbit.

The fourth, fifth, and sixth box sets dedicated to compiling all of Depeche Mode's single releases were put out in 2004, 13 years after the first three originally appeared. All of these sets provide a convenience for hardcore fans since they provide each single in its own slim jewel case. Needless to say, those who bought the original singles as they were released will be flustered once again. The fourth set, covering 1987 through 1990, includes the "Strangelove," "Never Let Me Down Again," "Behind the Wheel," "Everything Counts (Live)," "Personal Jesus," and "Enjoy the Silence" singles. At this point in Depeche Mode's career, each A-side was being remixed several times over; when not filled out with live material or the occasional nonalbum track, the discs contain anywhere between a few and several alternate looks.