The double-disc Nights Of The Dead, Legacy Of The Beast: Live in Mexico City was recorded during the band’s three sold out arena shows in the Mexican capital in September 2019 and is a celebration of the legendary British metal band’s Legacy Of The Beast world tour which began in 2018 and will finish next summer in Europe.

The Wörld Is Yours is the twentieth studio album by the band Motörhead, released on 14 December 2010. Written and performed by Lemmy Kilmister, Philip Campbell and Mikkey Dee in both Los Angeles, California and Wales, with production once again by Cameron Webb, The Wörld Is Yours serves to remind everyone that you should never stop questioning or critiquing a society that would surely chew you up and spit you if given half a chance. And with 10 soul-scorching testaments to the unbridled power this world-famous trio continually maintain, The Wörld Is Yours delivers some of the finest, most important Motörmusic yet.

Danish/American rock and rollers VOLBEAT will release "Rewind, Replay, Rebound: Live In Deutschland" digitally worldwide on November 27 via Republic Records. The new 27-song set features songs recorded during the sold-out German leg of last year's "Rewind, Replay, Rebound" world tour, along with two additional tracks recorded earlier on the tour. The album marks the first official live recordings of 11 songs from the band's latest studio release, "Rewind, Replay, Rebound", as well as fan favorites from throughout the band's career played in front of the their die-hard German fans in cities such as Stuttgart, Cologne and Hamburg.

Kiss of Death is the eighteenth studio album by the band Motörhead, released on 29 August 2006, on Steamhammer, their ninth with the label. Kiss of Death was the second album Motörhead recorded with producer Cameron Webb and continues the heavy, blistering sound evident on the band's previous LP Inferno.

David Ellefson announces to release a new solo album. Under the name ELLEFSON the Megadeth bassist cooperates with various artists from bands like Anthrax, Crobot, Sacred Reich, Megadeth, and many more. The whole thing will be a cover album with the title "No Cover" to be released on Friday, November 20,, 2020.

After playing a major role in five positively classic heavy metal albums of the late '70s and early '80s (three with Ritchie Blackmore's Rainbow and two with Black Sabbath), it seemed that singer Ronnie James Dio could truly do no wrong. So it wasn't all that surprising – impressive, but not surprising – when he struck gold yet again when launching his solo vehicle, Dio, via 1983's terrific Holy Diver album. Much like those two, hallowed Sabbath LPs, Heaven and Hell and Mob Rules, Holy Diver opened at full metallic throttle with the frenetic "Stand Up and Shout," before settling into a dark, deliberate, and hypnotic groove for the timelessly epic title track – a worthy successor to glorious triumphs past like Rainbow's "Stargazer" and the Sabs' "Sign of the Southern Cross."

Kim Sixx, from Aarhus in Denmark, was one of the most remarkable female fronted Heavy Metal bands of the 80s. Unfortunately the band’s career was cut short because the singer, Kim Power Baby Sixx (Lone Kim Jensen) suffered a deadly accident. Kim Sixx only released two demos and an extremely sought after vinyl single.This album contains all these releases as well as 8 more unreleased songs.

Sacred Heart is Dio's third studio album. It was released in August 15, 1985 on Warner Bros. Records. The record peaked at No. 29 on the Billboard 200 chart. It is one of Dio's most well-known albums, and includes singles such as "Sacred Heart", "Rock 'n' Roll Children" and "Hungry for Heaven".

Following the extremely warm reception given his self-named band's well-deserving debut album, Holy Diver, Ronnie James Dio figured there was no point in messing with a winning formula, and decided to play it safe with 1984's sophomore effort, The Last in Line – with distinctly mixed results. Although technically cut from the same cloth as those first album nuggets, fist-pumping new songs like "We Rock," and "I Speed at Night" curiously went from good to tiresome after just a few spins (a sign that the songwriting clichés were starting to pile up…read on); and the otherwise awesome, seven-minute epic, "Egypt (The Chains Are On)," inexplicably lost it's strikingly sinister main riff halfway through, in what sounds like a mastering snafu of some kind.

In 1983, just about every up-and-coming hard rock guitarist was mesmerized by – and copying – Eddie Van Halen's two-handed tapping technique. Then, seemingly out of nowhere, came Yngwie Malmsteen, who introduced "classical metal" to the masses. Before making a name for himself as a solo artist, Yngwie was briefly a member of L.A. rockers Alcatrazz, which resulted in a studio album (1983's No Parole from Rock 'n' Roll) and a live album (1984's Live Sentence). But come 2010, an archival live album appeared from the band (from the "Yngwie era"), Live '83. As its title states, the album is comprised of live performances from the same year that Alcatrazz's debut album was released, and will certainly be of interest for longtime Yngwie fans.

After releasing My Midnight Things (his fifth Top 200 Billboard release) to critical acclaim in 2018, Lizzy Borden has been touring in support of it, joining the likes of Demons & Wizards and Týr on the road in North America last year, plus performing at stages around the world. Now, Lizzy Borden has announced a new greatest hits collection for fans: Best of Lizzy Borden, Vol. 2. Available digitally on November 13th, Best of Lizzy Borden, Vol. 2 picks up where 1994's Best of Lizzy Borden leaves off, containing 12 tracks that showcase the Deal with the Devil (2000), Appointment with Death (2007) and My Midnight Things (2018) albums. Additionally, the collection features 2 new cover songs recorded in the summer of 2020 (the first recordings by Lizzy's latest live show line-up!): Blue Oyster Cult's "Burnin’ for You" and The Ramones' "Pet Sematary" - both mixed by Jay Ruston (Anthrax, Steel Panther, Stone Sour).

Motörizer is the nineteenth studio album by the band Motörhead, released on 26 August 2008, their eleventh and last on the Steamhammer label.

Youthanasia is the sixth studio album by American heavy metal band Megadeth, released on November 1, 1994 through Capitol Records. The album is not a large stylistic departure from the band's earlier recordings; however it marked the continuing evolution of Megadeth, following the footsteps of the previous album Countdown to Extinction (1992). The album's title is a play on words, implying that society is euthanizing its youth. The cover art features an elderly woman hanging babies by their feet on a seemingly endless clothes line; the artwork concept was directly inspired from a line of the title track.

Fast forward to 2020 and, just like everyone else, Phil Campbell and the Bastard Sons had to cancel a lot of carefully-laid plans when the global pandemic descended on us all. But as if to confirm their absolute dedication to blowing people’s heads off with thunderous rock’n’roll, the band refused to cancel plans to record a follow-up to their widely lauded debut. Recorded and engineered during lockdown by guitarist Todd Campbell, the second Bastard Sons album may be just the tonic people need right now. It’s called We’re The Bastards and it’s bigger, better and even more raucously uplifting than its predecessor.

Twelve tracks licensed from rare and hard to find New Wave Of British Heavy Metal-singles originally released in England 1978-1982.