Retaining the buoyant musical feel of Paul Simon, but employing a more produced sound, There Goes Rhymin' Simon found Paul Simon writing and performing with assurance and venturing into soulful and R&B-oriented music. Simon returned to the kind of vocal pyrotechnics heard on the Simon & Garfunkel records by using gospel singers. On "Love Me Like a Rock" and "Tenderness" (which sounded as though it could have been written to Art Garfunkel), the Dixie Hummingbirds sang prominent backup vocals, and on "Take Me to the Mardi Gras," Reverend Claude Jeter contributed a falsetto part that Garfunkel could have handled, though not as warmly…

Nyro peaked early, and Eli and the Thirteenth Confession, just her second album, remains her best. It's not only because it contains the original versions of no less than three songs that were big hits for other artists: "Sweet Blindness" (covered by the 5th Dimension), "Stoned Soul Picnic" (also covered by the 5th Dimension), and "Eli's Comin'" (done by Three Dog Night). It's not even just because those three songs are so outstanding. It's because the album as a whole is so outstanding, with its invigorating blend of blue-eyed soul, New York pop, and early confessional singer/songwriting. Nyro sang of love, inscrutably enigmatic romantic daredevils, getting drunk, lonely women, and sensual desire with an infectious joie de vivre. The arrangements superbly complemented the material with lively brass, wailing counterpoint backup vocals, and Nyro's own ebullient piano.

If any musical justification were needed for the breakup of Simon & Garfunkel, it could be found on this striking collection, Paul Simon's post-split debut. From the opening cut, "Mother and Child Reunion" (a Top Ten hit), Simon, who had snuck several subtle musical explorations into the generally conservative S&G sound, broke free, heralding the rise of reggae with an exuberant track recorded in Jamaica for a song about death. From there, it was off to Paris for a track in South American style and a rambling story of a fisherman's son, "Duncan" (which made the singles chart). But most of the album had a low-key feel, with Simon on acoustic guitar backed by only a few trusted associates (among them Joe Osborn, Larry Knechtel, David Spinozza, Mike Manieri, Ron Carter, and Hal Blaine, along with such guests as Stefan Grossman, Airto Moreira, and Stephane Grappelli)…

These 12 sides represent singer/songwriter Laura Nyro 's earliest professional recordings. More Than a New Discovery was originally issued on the Folkways label in conjunction with Verve Records in early 1967. The contents were subsequently reissued as The First Songs in 1969 after she began to garner national exposure with her first two LPs for Columbia – Eli and the Thirteenth Confession (1968) and New York Tendaberry (1969), respectively. Many of these titles became international hits for some of the early '70s most prominent pop music vocalists and bands. Among them, "Wedding Bell Blues" and "Blowing Away" were covered by the Fifth Dimension . "And When I Die" became one of Blood, Sweat & Tears signature pieces. Likewise, "Stoney End," as well as "I Never Meant to Hurt You," are both arguably best known via Barbra Streisand 's renditions. Accompanied by a small pop combo, Nyro 's prowess as both composer and performer are evidence that she was a disciple of both Tin Pan Alley as well as the Brill Building writers. Additionally, Nyro was able to blend the introspection of a classic torch ballad with an undeniable intimacy inherent in her lyrics.

Beautiful Collision is the second solo album by New Zealand artist Bic Runga, released on 1 July 2002 in New Zealand, 15 July 2002 in Australia, and 5 November 2002 in the United States. Ken Goldstein of PopMatters gave the album a positive review, as did Emma Phillpott from NZ Musician. At the 2003 New Zealand Music Awards, Beautiful Collision was nominated for Album of the Year, Best Female Vocalist, Best Solo Artist and Producer of the Year. It lost Album of the Year to The Datsuns' self-titled album, but won the other three categories.

The Essential Mary Chapin Carpenter takes hits from six albums she recorded for Columbia, omitting material from her first album, Hometown Girl. Since the majority of these songs appealed to both pop and country audiences, they achieved wide crossover popularity. The 16 cuts include the original versions of Carpenter's Top Ten hits "I Feel Lucky," "Passionate Kisses," "Down at the Twist and Shout," "Quittin' Time," and her first number one hit, "He Thinks He'll Keep Her."

Shawn Colvin is a contemporary folk/pop artist best known for her 1997 hit 'Sunny Came Home' from the album 'A Few Small Repairs'. She released her debut album in 1989 and was one of the leading lights of the 'new folk' movement (her peers include the likes of Sarah McLachlan, Toni Childs, Mary Chapin-Carpenter, Lisa Loeb & Sheryl Crow). She continues to tour and release albums regularly with much critical acclaim.

Beyond his achievements as a founding member of the Byrds, Rock & Roll Hall of Fame inductee Gene Clark was one of the most prolific singer-songwriters of the rock era. After his passing in 1991, fans began lobbying for the release of known studio recordings that had been locked away for decades. They eventually got their wish with the release of The Lost Studio Sessions: 1964-1982, a collection of rarities from the personal archives of the Byrds’ first manager, Jim Dickson. This title was released in several limited-edition formats in 2016 by Sierra Records. Mining this same cache of treasures, a six-song EP entitled Back Street Mirror followed in 2018 for Record Store Day.

The Historical Conquests of Josh Ritter is the fifth full-length album by American singer-songwriter Josh Ritter. It was released in the U.S. on August 21, 2007, in Ireland on September 7, 2007 through Independent Records, and released in the rest of Europe on October 1, 2007 by V2 Records. The record was recorded in a Maine farmhouse dating to the 18th century. According to Ritter: "Lyrically, musically, and in terms of production, it's the most adventurous record I've made yet and I think when you hear it you're going to be surprised. Seriously, repeatedly, and in a good way." In regards to The Historical Conquests of Josh Ritter, Paste Magazine described Ritter as the poster-boy of Americana music. As with previous albums, Ritter was compared to the great American songwriters like Bob Dylan and Bruce Springsteen.

John Hiatt's highest-charting album yet is a step down from the dizzy heights of Bring the Family and Slow Turning, as he abandons his more acid commentaries and turns in a self-deprecating set full of promises of reformation and celebrations of marriage and family life. But the observations remain acute, and Hiatt's singing (so much camouflaged in his early days) is becoming his secret weapon.

Backwood Progression is Chris Spedding's second album that was released in the UK on the Harvest label in 1970. With this album, Spedding falls a bit into the singer-songwriter genre with a fine collection of mostly folk rock songs. Although, he does amp it up and rock hard on songs like the great "She's My Friend". His trademark guitar shines as does some beautiful piano compliments. He delivers his deadpan vocal stylings with a bit more "singing" than you might find on his punkish albums of the late 70's. This somewhat rare gem is a fine addition to any rock collection and a prized piece to any Chris Spedding fan.

Walk On is a classic "road" album in the sense that its songs largely seem written to or about people who are not present, either because the singer is away from them, he is singing about the past, or they are dead. John Hiatt exploits the resulting feelings of longing, anger, and mourning inherent in that premise, sometimes, as in "I Can't Wait," singing about wanting to be back home, sometimes, as in the odd love song "Ethylene," wishing for a departed lover, sometimes, as in "Dust Down a Country Road," reflecting as in a dream on the past. He employs rustic nature imagery, but frequently for ominous effects rather than gentle ones, and he is supported by spare, guitar-dominated backup that is alternately soothing and disturbing…