In 1985, singer/songwriter Suzanne Vega released her stunning self-titled debut album. 25 years and 7 million albums sold later, Suzanne is widely regarded as one of the most brilliant songwriters of her generation. Now Suzanne is reinterpreting a majority of her catalog in a close and personal manner, creating 4 new thematic albums that will be released over 2010-2011. States of Being has Suzanne revisiting her most haunting songs. Suzanne used to call these the "Mental Health" songs. They express a state of mind, but also more than that; Suzanne says, "they are descriptions of a place deep inside. Anyone can feel like the narrator in Penitent, or Cracking, depending on your mood". Vol. 3 also includes a brand new song, a collaboration with Duncan Sheik from Suzanne's upcoming play, "Carson McCullers Talks About Love".

Lover, Beloved: Songs from an Evening with Carson McCullers is the ninth studio album by the American singer/songwriter Suzanne Vega. The album is based on a play "Carson McCullers Talks About Love" about the life of the writer Carson McCullers, written and performed by Vega, which premiered in 2011. Suzanne Vega wrote 8 songs in collaboration with Duncan Sheik and 2 with Michael Jefry Stevens.

2014 release, the first studio album of new material in seven years from the singer/songwriter. Tales From The Realm… features 10 new songs, each telling a story that has to do with the material world and the world of the spirit and how they intersect. Suzanne spent the past few years writing and recording these new gems on the road, recording portions in Chicago, London, Prague, LA and New York City, and Kyserike Station, an old train station in upstate New York. Tracking for the album took place mostly at the Clubhouse Studios in Rhinebeck, and the album was mixed by Kevin Killen, who has worked with Peter Gabriel and Kate Bush.

The songs on Solitude Standing, Suzanne Vega's second album, had years listed beside them on the lyric sheet, so you could see that some of them dated back to 1978. But that bold admission heralded the album's triumph – its diversity was what made it so good. Partially, that was because the old songs were the equal of anything on the first album – tunes like the a cappella slice-of-life "Tom's Diner" and the warmly romantic "Gypsy" simply wouldn't have fit thematically on the debut. On Solitude Standing, however, they became part of an album of story songs set in a variety of musical contexts; many had band arrangements, and in fact, members of Vega's touring band often were credited as co-writers. Additionally, Vega had developed more as a singer without losing the focused intonation that had made her debut – one of many compelling elements which helped make "Luka," a character song about domestic abuse, a fluke hit.

Suzanne Vega's first new album of new songs in 11 years released in several formats including this limited deluxe 2CD version that comes in a bound hardback book form that has the lyrics and amazing photos of Suzanne and examples of her own handwritten lyrics and notes Suzanne create her own record label/music company to relase her music.

With hits such as "Luka" and "Marlene on the Wall," folksy singer-songwriter Suzanne Vega helped pave the way for future artists the likes of Tracy Chapman, The Indigo Girls and Sinead O'Connor. This retrospective features all 16 of Vega's videos, including "Tom's Diner," "In Liverpool" and "99.9Fº." Extras include an alternate video of "Caramel," promotional videos for three of Vega's albums, a discography and a rarities archive.

Nine Objects of Desire is Suzanne Vega's fifth studio album, released September 10, 1996. It peaked at number 92 in the Billboard 200.

Widely regarded as one of the foremost songwriters of her generation or any other, Suzanne Vega releases her first studio album of new songs in eleven years. 'Each song on 'Flying With Angels' takes place in an atmosphere of struggle', Vega notes, 'struggle to survive, to speak, to dominate, to win, to escape, to help someone else, or just live'.

This album comprehensively covers Suzanne Vega's remarkable career and body of work. Taken from her six multi-platinum albums and including her biggest hits, most intimate songs, and personal favourites. This version of the album is a special UK only edition featuring unreleased live recordings, a brand new song ('Anniversary') and the original version of 'Tom's Diner'.

A smorgasbord album, the cast list includes Bjork, Siouxsie Sioux, Brendan Perry, and long-term sidekick Barbera Googan. As expected, the mood is cold, often somber in tone. Only on "The Long Voyage," a springy ditty fronted by Suzanne Vega and John Cale, does the album ascend from the depths. Some of the gloom works, like in "Havet Stomar," a brilliant slow burner with B.J. Cole's pedal steel guitar and ECM artist Lene Willemark's chilling howls. "Annukka Suaren Neito" presents what must be the closest to an Eskimo rap you can get. Mark Isham provides freestyle trumpet that almost sounds like seagulls swooping the skies. The Jane Siberry-fronted "She Is Like the Swallow" is a beauty, as soft as it is light. Hector Zazou's electronics are in fine check too. The canvas expands to new textures, such as metallic percussion in "Adventures in the Scandinavian Skin Trade".

2012 album by renowned jazz bassist and composer Jaromír Honzák is for the first time not comprised of his own compositions but is dedicated to song by Suzanne Vega in Honzák´s charac­teristic arrangements. Honzák is joined here by the Norwegian singer Sissel Vera Pettersen, Polish drummer Łukasz Żyta, pianist Vít Křišťan and guitarist Josef Štěpánek. The album was recorded at the end of 2012 at Sono Studios.

Retrospective: The Best of Suzanne Vega is essentially A&M's updated version of their 1999 issue, The Best of Suzanne Vega: Tried and True, adding "Tired of Sleeping" from Vega's Days of Open Hand, "Calypso" and "Solitude Standing" from Solitude Standing, "(I'll Never Be) Your Maggie May" and "Penitent" from the 2001 recording Songs in Red and Gray, and "Woman on the Tier (I'll See You Through)" from the Dead Man Walking soundtrack. Unfortunately, A&M chose to drop "Book and Cover" from the track listing, which was only previously available on The Best of Suzanne Vega: Tried and True, but the overall collection feels a little bit more hearty with a total of 21 tracks instead of 17.

Songs in Red and Gray is the sixth studio album release by New York-based singer/songwriter and musician Suzanne Vega. The album was Vega's final album for A&M Records (with whom she had been since 1983) and also marks the divorce from her husband and producer Mitchell Froom.

Beauty & Crime is the seventh studio album by singer-songwriter Suzanne Vega. It is her first album of new material since 2001's Songs in Red and Gray and her first for Blue Note Records. It was released on July 17, 2007. Beauty & Crime won the Grammy Award for Best Engineered Album, Non-Classical, on February 11, 2008. On Beauty & Crime, Suzanne Vega's Blue Note Records debut, the Manhattan native uses New York City as the backdrop for a collection of eleven new songs that juxtapose acoustic guitar-driven melodies with coolly synthesized beats; intensely personal lyrics with compelling, short story-like narratives; images of today's scarred cityscape with memories of Vega's old Upper West Side 'hood and Lower East Side haunts. The past commingles with the present, the public with the private, familiar sounds with the utterly new, just like the city itself. Making her first new studio album in six years, Vega says, "I feel like I really stretched my limits. I pushed myself out of my comfort zone–to sing in keys I wouldn't have sung in before, to work with different textures, to be unafraid of doing what ever sounded good to me. I wanted to make a modern classic."

While 99.9 F° is not the techno album that Suzanne Vega was rumored to be making, it does offer a significant departure from her previous contemporary folk albums. Vega uses more synthesizers and drum machines, often evoking a bizarre carnivalesque atmosphere on the album. Still, 99.9 F° is a folk album at heart; every song is steeped in traditional song form, and Vega's writing is strong. Fans of Vega's previous work might be taken aback, but those willing to listen to the album will find that she has produced one of her strongest yet.