In May last year, Silverstein launched their current studio album "Misery Made Me" and then there were more than enough to see in the local venues.

Bennett was born in Sulphur, Oklahoma, later moving with his parents to Ardmore. He started playing guitar in his teens, and performed in local bands.

“In a world where climate change is at the heart of our attention, these eight delightfully unhinged seasons are scattered across a wildly singular time.

Immersed in the communal, ceremonial and healing qualities of music, this record is the next epoch from the South Africa-based multidisciplinary artist and follows his acclaimed solo eponymous debut. Recorded live with an ensemble of thirteen musicians, On the Romance of Being consists of eight movements that sonically sprawl across post-gospel, spiritual jazz, black classical and the ancient music of the Nguni and Ndau peoples and elicits a sincere conversation between the erotic and spiritual.

According to the obituary written by his son Carl Philip Emmanuel and his former pupil Johann Friedrich Agricola, Johann Sebastian Bach composed five Passions, including “one for two choirs” (the St Matthew Passion).

Sremm 4 Life is the highly anticipated 4th studio album from the duo Rae Sremmurd, comprised of 14 new tracks.

Soul Jazz Records’ new Studio One collection ‘Fire Over Babylon: Dread, Peace and Conscious Sounds at Studio One’ features a stellar selection of 70s roots music – classic and rare tracks recorded at Clement Dodd’s musical empire at 13 Brentford Road in the 1970s.

Brandee Younger release her second album on Impulse! Records, Brand New Life. Younger is quite often noted for standing on the shoulders of the very women who ushered in the harp as a clear and distinct voice in jazz: Dorothy Ashby. This record is an amalgamation of original pieces from Brandee and select reinterpretations of Ashby’s work. Brandee Younger represents a generation of contemporary improvisational musicians who came of age in an era when hip hop commanded a strong presence in American popular culture and emerged as leaders of a new school.

Keith Jarrett's two primary '70s performing ensembles were based on two different continents (North America and Europe), and, for the most part, recorded for two different labels (Impulse and ECM). This 1976 recording of his American quartet was originally released in 1979, after they'd disbanded. Recorded live in concert in Austria, they're at their most organic here.

"Death of a Ladies' Man" is the fifth studio album by Leonard Cohen. Produced and co-written by Phil Spector, the voice of typically minimalist Cohen was surrounded by Spector's Wall of Sound, which included multiple tracks of instrument overdubs. Fifteen songs were written by the two over a course of three weeks, and Spector described it as "some great f-ckin' music".

"Lucky Town" is the tenth studio album by Bruce Springsteen. The album was released on March 31, 1992, the same day as the "Human Touch" album.

Vladimir Ashkenazy returns with an unexpected album of compositions by his long-standing friend Howard Blake, best known for the Christmas favourite Walking In The Air. "Walking in the Air", which Ashkenazy has chosen as the title track of the disc is arranged here for solo piano (and available as an e-single). The song was composed by Blake as the centrepiece of his score for the children’s classic animated film The Snowman, and exemplifies the composer’s warmly accessible style.

For her austere new solo album, Domestic Sphere, Josephine Foster performs solely with her electric guitar and then subverts the usual range of her voice to embody other frequencies and sounds beyond the surface layer of the songs. She communes so completely with every sound on the record, with the past and the future, animals and insects and birds, those so tenderly dead, and those of us who are alive. Listening to the record is a transcendent experience. It's an exorcism, one that exorcises you.

NYC-via-Seoul artist Yaeji, whose introspective, genre-pushing tracks have made her a global icon occupying a space all her own, releases her debut album With A Hammer on XL Recordings.

A Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter / vocalist / guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet’s new and best record, is ekphrastic but autobiographical and above all, deeply empathetic.