The title track from Israel-born, LA-based saxophonist and composer Daniel Rotem’s forthcoming LP, “Wave Nature” is a melodic, jazz-adjacent soundscape with an ethereal synth infusion. The textured, expressive arrangement debuts alongside a contemplative visual creation by Charlie Weinmann. Together, the song and music video offer a delightfully unusual, soothing escape.

"The sound balance of the Queen's Flying Squadron, the perfect fusion between voices and instruments, the care paid to the dynamics and the articulation of the sound, restore an extremely captivating reading of the sacred music of the 17th and 18th centuries. "

October 4th, we are meeting in Babylon to commemorate Mehmet Uluğ in the ninth year of his Decedence. The stage of “Volkan Öktem #7” at the Mehmet Uluğ Night, which is organized in every edition of the Akbank Jazz Festival.

This collection gets off to a rousing start with “California Here We Come” but that’s David Haerle. For my taste, he out-Eagles the standard California laid-back rockers by injecting his earthiness & warm-toned vocals with quite an inspired delivery.

Sir Georg Solti KBE (born György Stern; 21 October 1912 – 5 September 1997) was a Hungarian-British orchestral and operatic conductor, known for his appearances with opera companies in Munich, Frankfurt and London, and as a long-serving music director of the Chicago Symphony Orchestra.

The nine compositions that make up Duality show off Oscar Domenech’s facet as a composer. An intuitive musician, he uses improvisation as a compositional tool, giving a large amount of freedom to the musicians who accompany him in the construction of the sonic landscape that can be heard on this album.

Two years after the first two volumes of A Tension of Opposites (ATOO) were issued OYC return to the form they created to house their looser more exploratory works. ATOO allows them to expand their musical horizons and release their music more expediently.

Deep Space continues to search and explore the outer frontier of the universe with songs like "Lady Heroin" & "Motorcycle".

On April 7th the Berlin-based Peruvian musicians Alejandra Cárdenas, AKA Ale Hop, and Laura Robles present their debut album together, released via Buh records. With a foundation informed by decolonialism and organology, ‘Agua Dulce’ is a radical deconstruction of traditional rhythms of the Peruvian coast, in which the cajón instrument plays a central role.

Virtuoso clavier music from the German lands is presented by the young Swiss artist Tizian Naef on his debut album. With his self-made copy of a historical instrument quasi grown together, Tizian has recorded virtuoso music by Dietrich Buxtehude, Georg Bhm and Georg Muffat. Clavier music that points the way to Johann Sebastian Bach. An album that convinces not only with deeply felt music but also with the "rounded", singing sound of the harpsichord.

"Some Other Time: The Lost Session From the Black Forest" is an unearthed studio session from the iconic pianist Bill Evans featuring bassist Eddie Gomez and drummer Jack DeJohnette. Recorded on June 20, 1968, nearly 10 years after the legendary Kind of Blue sessions with Miles Davis and a mere five days after the trio's incredible Grammy award-winning performance at the Montreux Jazz Festival, this is truly a landmark discovery for jazz listeners worldwide. Also available as limited edition 2-LP sets, and containing over 90 minutes of music, this is the only studio album in existence of the Bill Evans trio with Gomez and DeJohnette. "Some Other Time" was recorded by the legendary MPS Records founder and producer Hans Georg Brunner-Schwer along with writer/producer Joachim-Ernst Berendt at the MPS studios in the Black Forest, Germany.

Pianist Clifford Curzon joins the London Symphony Orchestra conducted by George Szell for this recording of Johannes Brahms' Piano Concerto No. 1 in D minor, Op. 15. This 1962 recording of Brahms's massive First Concerto was an instant classic when originally released.

Andrea Beneventano is an Italian pianist who mostly known for very important collaborations with Sal Nistico, Steve Grossman, Jon Faddis, Red Rodney, Gary Bartz, Donald Harrison, Rick Margitza, Steve Turre, Massimo Urbani, Paolo Fresu, Flavio Boltro, Eddy Palermo, Franco Cerri, Benny Golson, Buster Williams, Ed Thigpen, Arthur Blythe, Nathan Davis, Chico Freeman … and the list goes on.

Andrea Beneventano is an Italian pianist who mostly known for very important collaborations with Sal Nistico, Steve Grossman, Jon Faddis, Red Rodney, Gary Bartz, Donald Harrison, Rick Margitza, Steve Turre, Massimo Urbani, Paolo Fresu, Flavio Boltro, Eddy Palermo, Franco Cerri, Benny Golson, Buster Williams, Ed Thigpen, Arthur Blythe, Nathan Davis, Chico Freeman … and the list goes on.

Created over the course of two years with a cast of 47 musicians – including a gospel choir and a 16-piece string orchestra – The Worm is less a concept album than a fully-fledged musical universe, transcending genre and medium.