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Andre Previn, RPO - Michael Tippett: A Child of Our Time (1986)

Posted By: Designol
Andre Previn, RPO - Michael Tippett: A Child of Our Time (1986)

Michael Tippett - A Child of Our Time (1986)
Sheila Armstrong, soprano; Felicity Palmer, alto; Philip Langridge, tenor; John Shirley-Quirk, bass
Brighton Festival Chorus; Royal Philharmonic Orchestra; conducted by André Previn

EAC | FLAC | Tracks (Cue&Log) ~ 242 Mb | Mp3 (CBR320) ~ 164 Mb | Scans included
Genre: Classical, Oratorio | Label: RPO Records | # CDRPO 7012 | Time: 01:07:17

This, one of Tippett's earliest acknowledged works, is one of his most popular. The music relates the true story of a young German Jew who, terrified and enraged at the treatment of his mother, kills a Nazi officer and touches off a violent pogrom. Tippett adopts the structure of Bach's Passions, in which arias alternate with choruses and Lutheran hymns (chorales), although in place of the chorales Tippett substitutes magnificently moving Negro spirituals. "A Child of our Time" offers music of rage, poignancy, and deep compassion. As the title itself implies, it is both specific to a certain time and place, and universal as well. No lover of classical music can afford to ignore it.

– David Hurwitz

On September 4, 1939 (the day after the Second World War was declared), Michael Tippett sat at the outsized piano which dwarfed everything else in the living room of his tiny cottage in Oxted, Surrey, and started writing a large-scale work for solo voices, chorus and orchestra which would then take nearly two years to complete. Having done so, he put it in a bottom drawer and turned to chamber music instead, beginning the Second String Quartet. There were several unusual things about Tippett and A Child of Our Time (as he’d entitled his oratorio). No commission, no publisher, no money and no performance in mind. No librettist either: but thereby hangs another tale!

Although born in London on January 2, 1905, Tippett grew up in a 16th-century farmhouse deep in the Suffolk countryside not far from Stowmarket, in a household rich in intellectual stimulation though less notable for its musical advantages. The two Tippett brothers did have piano lessons, their mother sang to them at home, and by the age of nine the younger boy, Michael, was already aware that he wanted to be a composer. This is not meant to be a biographical sketch so much as to underline the contingent significance of war in Tippett’s life. The event which triggered in him that undefinable urge to compose was the seemingly happy sound of young soldiers singing the new hit It’s a Long Way to Tipperary as they marched past Rosemary Cottage’s garden-lane in August 1914 to fight in the Great War: the child was moved by the singing and wanted to replicate its effect in himself. The memory remained with Tippett until his dying day, but it became forever clouded by the shocking realisation in 1923 of what had actually happened to so many of those blithe-hearted, innocent boys. In a London cinema during the first term of his studies at the Royal College of Music, he cheerfully went to see Rudolph Valentino in The Four Horsemen of the Apocalypse – during which, he remembered, Beethoven’s ‘doom-laden’ Coriolan Overture sounded whenever the horsemen appeared on screen. But on seeing hundreds of little white crosses as graves and realising whose they were and what they meant, the 18-year-old burst into tears and fled the cinema. He was already embarked on the road towards A Child of Our Time.

André Previn brings a composer’s sympathy and insight into this flowing account which has the advantage of a perfect quartet of soloists: John Shirley-Quirk on top form and Philip Langridge by a very wide margin the best tenor ever to have recorded this great work.

With Shirley-Quirk present a third time, in 1986 the dream finally makes it: under André Previn’s sensitive guidance at Abbey Road with the RPO and Laszlo Heltay’s superb Brighton Festival Chorus and soloists Sheila Armstrong, Felicity Palmer and Philip Langridge. No weak link at all here, but a perfect ensemble totally in tune with every touch in the tale and seamlessly involved with chorus and orchestra at their peak – the studio is no obstacle either to continuity or spontaneity and every detail is achieved with natural eloquence and ease. But the single presence that lifts this account head and shoulders above every other is Langridge’s extraordinary rendition of the central role: alive to every nuance in text and music his is the beating heart of a glorious performance and the very embodiment of the Jungian plea ‘I would know my shadow and my light, so shall I at last be whole’, which becomes the lodestar and climax of the work as a whole. Of all these discs as heard in random sequence, this is the only one that had me suddenly in tears and catching my breath. Issued on its own RPO label but with favourite Previn producer Suvi Raj Grubb in charge, this priceless document is probably hard to obtain today – it should somehow be reissued immediately.

Review by Geraint Lewis, Gramophone

Andre Previn, RPO - Michael Tippett: A Child of Our Time (1986)



Andre Previn, RPO - Michael Tippett: A Child of Our Time (1986)



Sheila Armstrong, soprano
Felicity Palmer, alto
Philip Langridge, tenor
John Shirley-Quirk, bass

Brighton Festival Chorus (Chorus Master: László Heltay)
Royal Philharmonic Orchestra
André Previn, conductor

Recorded in EMI Studios, Abbey Road, London, July 5th & 6th 1986

Tracklist:

PART I:

01. Chorus: "The world turns on its dark side" (04:56)
02. The Argument (Alto Solo): "Man has measured the heavens" (02:50)
03. INTERLUDIUM - Scena (Chorus & Alto Solo): "Is evil then good?" (02:59)
04. The Narrator (Bass Solo): "Now in each nation there were some cast out" (01:05)
05. Chorus Of The Oppressed: "When shall the usurer's city cease?" (02:05)
06. Tenor Solo: "I have no money for my bread" (03:14)
07. Soprano Solo: "How can I cherish my man?" (03:13)
08. A Spiritual (Chorus & Tenor Solo): "Steal Away" (02:30)

PART II:

09. Chorus: "A star rises in midwinter" (03:24)
10. The Narrator (Bass Solo): "And a time came" (00:13)
11. Chorus Of The Persecutors And Persecuted: "Away with them!" (00:52)
12. The Narrator (Bass Solo): "Where they could, they fled" (00:22)
13. Chorus Of The Self-Righteous: "We cannot have them in our Empire" (00:46)
14. The Narrator (Bass Solo): "And the boy's mother wrote" (00:10)
15. Scena (Solo Quartet): "O my son!" (01:21)
16. A Spiritual (Chorus & Solo): "Nobody knows the trouble I see" (01:16)
17. Scena (Bass & Alto Soli): "The boy becomes desperate" (01:21)
18. The Narrator (Bass Solo): "They took a terrible vengeance" (00:29)
19. The Terror (Chorus): "Burn down their houses!" (01:10)
20. The Narrator (Bass Solo): "Men were ashamed" (00:27)
21. A Spiritual Of Anger (Chorus & Bass Solo): "Go down, Moses" (02:56)
22. The Boy Sings In His Prison (Tenor Solo): "My dreams are all shattered" (03:17)
23. The Mother (Soprano Solo): "What have I done to you, my son?" (01:41)
24. Alto Solo: "The dark forces rise" (00:53)
25. A Spiritual (Chorus & Soprano Solo): "O by and by" (01:10)

Part III:

26. Chorus: "The cold deepens" (04:37)
27. Alto Solo: "The soul of man" (02:14)
28. Scena (Bass Solo & Chorus): "The words of wisdom" (06:31)

PRELUDIUM:

29. General Ensemble (Chorus & Soli): "I would know my shadow and my light" (05:15)
30. A Spiritual (Chorus & Soli): "Deep river" (03:46)


Exact Audio Copy V1.1 from 23. June 2015

EAC extraction logfile from 16. June 2016, 23:12

Tippett, Michael / A Child of Our Time - Royal Philharmonic Orchestra, Andre Previn

Used drive : PLEXTOR CD-R PREMIUM2 Adapter: 5 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 30
Overread into Lead-In and Lead-Out : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "PERFORMER=%albuminterpret%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "COMPOSER=%composer%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -6" %source%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.33 | 4:56.07 | 33 | 22239
2 | 4:56.40 | 2:50.48 | 22240 | 35037
3 | 7:47.13 | 2:59.35 | 35038 | 48497
4 | 10:46.48 | 1:05.55 | 48498 | 53427
5 | 11:52.28 | 2:05.45 | 53428 | 62847
6 | 13:57.73 | 3:14.20 | 62848 | 77417
7 | 17:12.18 | 3:13.40 | 77418 | 91932
8 | 20:25.58 | 2:30.27 | 91933 | 103209
9 | 22:56.10 | 3:24.28 | 103210 | 118537
10 | 26:20.38 | 0:13.20 | 118538 | 119532
11 | 26:33.58 | 0:52.72 | 119533 | 123504
12 | 27:26.55 | 0:22.00 | 123505 | 125154
13 | 27:48.55 | 0:46.13 | 125155 | 128617
14 | 28:34.68 | 0:10.40 | 128618 | 129407
15 | 28:45.33 | 1:21.25 | 129408 | 135507
16 | 30:06.58 | 1:16.37 | 135508 | 141244
17 | 31:23.20 | 1:21.55 | 141245 | 147374
18 | 32:45.00 | 0:29.70 | 147375 | 149619
19 | 33:14.70 | 1:10.53 | 149620 | 154922
20 | 34:25.48 | 0:27.62 | 154923 | 157009
21 | 34:53.35 | 2:56.70 | 157010 | 170279
22 | 37:50.30 | 3:17.33 | 170280 | 185087
23 | 41:07.63 | 1:41.22 | 185088 | 192684
24 | 42:49.10 | 0:53.15 | 192685 | 196674
25 | 43:42.25 | 1:10.55 | 196675 | 201979
26 | 44:53.05 | 4:37.48 | 201980 | 222802
27 | 49:30.53 | 2:14.42 | 222803 | 232894
28 | 51:45.20 | 6:31.68 | 232895 | 262287
29 | 58:17.13 | 5:15.00 | 262288 | 285912
30 | 63:32.13 | 3:46.20 | 285913 | 302882


Track 1

Filename D:\EAC extraction\01 - PART I - Chorus.wav

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Accurately ripped (confidence 3) [C5A30F3A] (AR v2)
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Track 2

Filename D:\EAC extraction\02 - The Argument.wav

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Track 3

Filename D:\EAC extraction\03 - INTERLUDIUM - Scena (Chorus & Alto Solo).wav

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Track 4

Filename D:\EAC extraction\04 - The Narrator.wav

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Track 5

Filename D:\EAC extraction\05 - Chorus Of The Oppressed.wav

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Track 6

Filename D:\EAC extraction\06 - Tenor Solo.wav

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Track 7

Filename D:\EAC extraction\07 - Soprano Solo.wav

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Track 8

Filename D:\EAC extraction\08 - A Spiritual (Chorus & Tenor Solo).wav

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Track 9

Filename D:\EAC extraction\09 - PART II - Chorus.wav

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Accurately ripped (confidence 3) [DE51EA2E] (AR v2)
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Track 10

Filename D:\EAC extraction\10 - The Narrator.wav

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Accurately ripped (confidence 3) [1983BBCD] (AR v2)
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Track 11

Filename D:\EAC extraction\11 - Chorus Of The Persecutors And Persecuted.wav

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Accurately ripped (confidence 3) [E283DC5C] (AR v2)
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Track 12

Filename D:\EAC extraction\12 - The Narrator.wav

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Accurately ripped (confidence 3) [70B4435F] (AR v2)
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Track 13

Filename D:\EAC extraction\13 - Chorus Of The Self-Righteous.wav

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Track 14

Filename D:\EAC extraction\14 - The Narrator.wav

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Track 15

Filename D:\EAC extraction\15 - Scena (Solo Quartet).wav

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Accurately ripped (confidence 3) [DF9096C4] (AR v2)
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Track 16

Filename D:\EAC extraction\16 - A Spiritual (Chorus & Solo).wav

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Accurately ripped (confidence 3) [358A13D0] (AR v2)
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Track 17

Filename D:\EAC extraction\17 - Scena (Bass & Alto Soli).wav

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Extraction speed 1.8 X
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Accurately ripped (confidence 3) [26F969EB] (AR v2)
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Track 18

Filename D:\EAC extraction\18 - The Narrator.wav

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Extraction speed 1.7 X
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Accurately ripped (confidence 3) [3FE99F75] (AR v2)
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Track 19

Filename D:\EAC extraction\19 - The Terror.wav

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Accurately ripped (confidence 3) [CEE5E033] (AR v2)
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Track 20

Filename D:\EAC extraction\20 - The Narrator.wav

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Accurately ripped (confidence 3) [D4547412] (AR v2)
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Track 21

Filename D:\EAC extraction\21 - A Spiritual Of Anger (Chorus & Bass Solo).wav

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Accurately ripped (confidence 3) [A846B970] (AR v2)
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Track 22

Filename D:\EAC extraction\22 - The Boy Sings In His Prison.wav

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Track 23

Filename D:\EAC extraction\23 - The Mother.wav

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Track 24

Filename D:\EAC extraction\24 - Alto Solo.wav

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Track 25

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Track 26

Filename D:\EAC extraction\26 - Part III - Chorus.wav

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Track 27

Filename D:\EAC extraction\27 - Alto Solo.wav

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Track 28

Filename D:\EAC extraction\28 - Scena (Bass Solo & Chorus).wav

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Track 29

Filename D:\EAC extraction\29 - PRELUDIUM - General Ensemble.wav

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Track 30

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All tracks accurately ripped

No errors occurred

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==== Log checksum 3F99A1C99E71776888E8EB7987E73FCE394C7C75CF58C0A5E2E46B7E3FFFEBCE ====

foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2016-06-24 16:39:23

––––––––––––––––––––––––––––––––––––––––
Analyzed: Tippett, Michael / A Child of Our Time - Sheila Armstrong, Felicity Palmer, Philip Langridge, John Shirley-Quirk, Royal Philharmonic Orchestra, André Previn
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -3.62 dB -24.85 dB 4:56 01-PART I - Chorus: "The world turns on its dark side"
DR13 -7.94 dB -29.79 dB 2:51 02-The Argument (Alto Solo): "Man has measured the heavens"
DR14 -1.20 dB -22.36 dB 2:59 03-INTERLUDIUM - Scena (Chorus & Alto Solo): "Is evil then good?"
DR13 -19.11 dB -36.95 dB 1:06 04-The Narrator (Bass Solo): "Now in each nation there were some cast out"
DR11 -4.48 dB -24.20 dB 2:06 05-Chorus Of The Oppressed: "When shall the usurer's city cease?"
DR16 -7.50 dB -29.33 dB 3:14 06-Tenor Solo: "I have no money for my bread"
DR11 -3.53 dB -24.63 dB 3:14 07-Soprano Solo: "How can I cherish my man?"
DR12 -1.74 dB -21.37 dB 2:30 08-A Spiritual (Chorus & Tenor Solo): "Steal Away"
DR14 -0.90 dB -24.05 dB 3:24 09-PART II - Chorus: "A star rises in midwinter"
DR12 -18.83 dB -34.01 dB 0:13 10-The Narrator (Bass Solo): "And a time came"
DR13 0.00 dB -20.33 dB 0:53 11-Chorus Of The Persecutors And Persecuted: "Away with them!"
DR15 -19.39 dB -38.19 dB 0:22 12-The Narrator (Bass Solo): "Where they could, they fled"
DR12 -2.31 dB -18.17 dB 0:46 13-Chorus Of The Self-Righteous: "We cannot have them in our Empire"
DR13 -20.11 dB -38.77 dB 0:11 14-The Narrator (Bass Solo): "And the boy's mother wrote"
DR12 -4.97 dB -23.87 dB 1:21 15-Scena (Solo Quartet): "O my son!"
DR12 -3.92 dB -22.80 dB 1:16 16-A Spiritual (Chorus & Solo): "Nobody knows the trouble I see"
DR15 -11.45 dB -33.10 dB 1:22 17-Scena (Bass & Alto Soli): "The boy becomes desperate"
DR6 -4.05 dB -24.42 dB 0:30 18-The Narrator (Bass Solo): "They took a terrible vengeance"
DR13 0.00 dB -18.62 dB 1:11 19-The Terror (Chorus): "Burn down their houses!"
DR12 -19.32 dB -37.12 dB 0:28 20-The Narrator (Bass Solo): "Men were ashamed"
DR12 0.00 dB -17.44 dB 2:57 21-A Spiritual Of Anger (Chorus & Bass Solo): "Go down, Moses"
DR12 -14.64 dB -33.93 dB 3:17 22-The Boy Sings In His Prison (Tenor Solo): "My dreams are all shattered"
DR12 -4.68 dB -27.86 dB 1:41 23-The Mother (Soprano Solo): "What have I done to you, my son?"
DR13 -9.71 dB -28.88 dB 0:53 24-Alto Solo: "The dark forces rise"
DR11 -5.54 dB -22.42 dB 1:11 25-A Spiritual (Chorus & Soprano Solo): "O by and by"
DR16 -0.92 dB -24.42 dB 4:38 26-Part III - Chorus: "The cold deepens"
DR14 -5.19 dB -26.40 dB 2:15 27-Alto Solo: "The soul of man"
DR14 -3.04 dB -24.33 dB 6:32 28-Scena (Bass Solo & Chorus): "The words of wisdom"
DR15 -3.86 dB -24.50 dB 5:15 29-PRELUDIUM - General Ensemble (Chorus & Soli): "I would know my shadow and my light"
DR14 0.00 dB -23.20 dB 3:46 30-A Spiritual (Chorus & Soli): "Deep river"
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 30
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 480 kbps
Codec: FLAC
================================================================================

Andre Previn, RPO - Michael Tippett: A Child of Our Time (1986)

Andre Previn, RPO - Michael Tippett: A Child of Our Time (1986)

All thanks to original releaser

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