Angela Hewitt - Johann Sebastian Bach: The Art of Fugue (2014) 2CDs
Angela Hewitt - J.S. Bach: Die Kunst der Fuge (The Art of Fugue) (2014) 2CDs
EAC | FLAC | Tracks (Cue&Log) ~ 275 Mb | Artwork included
Genre: Classical | Label: Hyperion | # CDA67980 | Time: 01:29:40
EAC | FLAC | Tracks (Cue&Log) ~ 275 Mb | Artwork included
Genre: Classical | Label: Hyperion | # CDA67980 | Time: 01:29:40
Even though Angela Hewitt's repertoire is quite extensive and diverse, encompassing the Baroque, Classical, Romantic, and modern eras, her true specialty is the music of J.S. Bach, which she has recorded almost exclusively for Hyperion since the 1980s. With this recording of The Art of Fugue, Hewitt completes her long-running series of piano renditions of the solo keyboard works, and while not everyone is convinced that Bach composed this study of fugal techniques for the keyboard, Hewitt's performance is credible and satisfying. She controls the often unwieldy counterpoint by regarding the lines as if they were vocal parts, and her phrases are shaped by natural breathing points, as well as the different emotional qualities she brings to each fugue and canon. The Art of Fugue can be daunting for both performer and listener because its persistent tonality of D minor and monothematic material can be quite tedious in the wrong hands. Fortunately, Hewitt fights boredom by infusing the music with the full range of expressive and technical possibilities at her disposal, and her full performance has the nuances and variety of her recordings of the Well-Tempered Clavier and the partitas. Just as this masterpiece was the culmination of Bach's thinking on the subject of the fugue, it is a fitting conclusion to Hewitt's worthy service to the composer and a high point in her catalog.Review by Blair Sanderson, Allmusic.com
Angela Hewitt - Johann Sebastian Bach: The Art of Fugue (2014) 2CDs
In his advertisement for the publication of The Art of Fugue, cited in the booklet notes to this excellent new release, C.P.E. Bach noted that “all of the parts are singable throughout,” an assertion that might startle some who regard the work as the acme of abstract intellectuality in music. But “singability” is perhaps that outstanding quality of Angela Hewitt’s interpretation. On the whole, her tempos tend to be a bit slower than we often hear, certainly from artists such as Charles Rosen, whose Sony recording remains the benchmark, or the more recent Zhu Xiao-Mei (Accentus), but the music never drags.
Compare Hewitt to Rosen, for example, in one of the fugues usually taken swiftly, the double fugue in invertible counterpoint at the twelfth (Contrapunctus IX), and you will hear that although Rosen is quicker and more “instrumental,” Hewitt’s own brand of liveliness has a natural pulse and energy all its own. The music always sings or, in the case of such pieces as the Contrapunctus VI “in the French style,” dances. The fact is that densely contrapuntal music such as this lives or dies on the clarity and balance of its independent lines, and its energy comes from within, as it were, in the way that they jostle against each other. Thus, the slithery chromatic harmonies of Contrapunctus 11 impel the music forward as Hewitt’s smooth articulation and subtle attention to Bach’s voice-leading permit the music to glide along elegantly, like a skater over ice.
Hewitt plays the fugues in numerical order until the two mirror fugues, Nos. XII and XIII. Then come the various canons, and finally the incomplete Contrapunctus XIV followed by the chorale Vor deinen Thron tret ich Hiermit. It’s a pity that Hewitt did not choose one of the completions of this last fugue, Tovey’s especially. A certain mystique hovers over all incomplete works of the great composers, but that fact is that Bach would necessarily have figured out the details of how his various melodies would combine as a prerequisite to beginning work, and the number of ways that could happen is necessarily limited within his aesthetic system. So a stylistically apt conjectural completion such as Tovey’s is in fact quite likely to be close to what Bach might have done, and probably did do, even if we can never be absolutely sure.
This is, in any case, a matter of personal preference and Hewitt is certainly entitled to draw her own conclusions. It only remains to be said that she is gorgeously recorded, and that she provides thoughtful, intelligent, thorough, and very readable notes that provide a good bit of pleasure all by themselves. In a work that offers so much freedom to the performer regarding its realization there can never be a “best” recording, but this must certainly be ranked as one of them on the basis of its distinctive and always supremely musical qualities.Review by David Hurwitz, ClassicsToday.com
Angela Hewitt - Johann Sebastian Bach: The Art of Fugue (2014) 2CDs
Angela Hewitt - Johann Sebastian Bach: The Art of Fugue (2014) 2CDs
Tracklist:
CD1:
01. Contrapunctus 1 (03:24)
02. Contrapunctus 2 (02:46)
03. Contrapunctus 3 (03:18)
04. Contrapunctus 4 (04:37)
05. Contrapunctus 5 (03:15)
06. Contrapunctus 6 ‘in stylo Francese’ (05:34)
07. Contrapunctus 7 ‘per augmentationem et diminutionem’ (04:39)
08. Contrapunctus 8 (06:07)
09. Contrapunctus 9 ‘alla duodecima’ (02:48)
10. Contrapunctus 10 ‘alla decima’ (05:37)
CD2:
01. Contrapunctus 11 (07:03)
02. Contrapunctus 12 Rectus (03:14)
03. Contrapunctus 12 Inversus (03:08)
04. Contrapunctus 13 Rectus (02:21)
05. Contrapunctus 13 Inversus (02:23)
06. Canon per augmentationem in contrario motu (04:35)
07. Canon alla ottava (02:20)
08. Canon alla decima in contrapunto alla terza (04:51)
09. Canon alla duodecima in contrapunto alla quinta (02:22)
10. Contrapunctus 14 (Fuga a 3 soggetti) (09:54)
11. Wenn wir in höchsten Nöten sein (‘Vor deinen Thron tret ich hiermit’) BWV668a (05:13)
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 26. February 2016, 20:25
Angela Hewitt / Bach: The Art of Fugue [Disc 1]
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Angela Hewitt / Bach: The Art of Fugue [Disc 1]
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Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 26. February 2016, 21:45
Angela Hewitt / Bach: The Art of Fugue [Disc 2]
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Track 7
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Extraction speed 4.7 X
Track quality 100.0 %
Test CRC 646FF811
Copy CRC 646FF811
Accurately ripped (confidence 23) [93C4CFCC] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum A92B60C513136643AE74EE4CEEFE23CF126D3C5957445E7DAEC0D762BDF59A82 ====
EAC extraction logfile from 26. February 2016, 21:45
Angela Hewitt / Bach: The Art of Fugue [Disc 2]
Used drive : TSSTcorpCDDVDW SE-S084D Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -e -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 7:03.25 | 0 | 31749
2 | 7:03.25 | 3:14.50 | 31750 | 46349
3 | 10:18.00 | 3:08.28 | 46350 | 60477
4 | 13:26.28 | 2:21.43 | 60478 | 71095
5 | 15:47.71 | 2:23.62 | 71096 | 81882
6 | 18:11.58 | 4:35.19 | 81883 | 102526
7 | 22:47.02 | 2:20.38 | 102527 | 113064
8 | 25:07.40 | 4:51.38 | 113065 | 134927
9 | 29:59.03 | 2:22.73 | 134928 | 145650
10 | 32:22.01 | 9:54.24 | 145651 | 190224
11 | 42:16.25 | 5:13.72 | 190225 | 213771
Track 1
Filename Z:\tmp\Angela Hewitt - Bach The Art of Fugue (2014) [FLAC]\CD2\01 - Contrapunctus XI.wav
Pre-gap length 0:00:02.00
Peak level 98.6 %
Extraction speed 2.9 X
Track quality 100.0 %
Test CRC DC2133BA
Copy CRC DC2133BA
Accurately ripped (confidence 23) [1E17E96F] (AR v2)
Copy OK
Track 2
Filename Z:\tmp\Angela Hewitt - Bach The Art of Fugue (2014) [FLAC]\CD2\02 - Contrapunctus XII Rectus.wav
Peak level 44.2 %
Extraction speed 3.0 X
Track quality 100.0 %
Test CRC 7A16718A
Copy CRC 7A16718A
Accurately ripped (confidence 23) [8ADE4A31] (AR v2)
Copy OK
Track 3
Filename Z:\tmp\Angela Hewitt - Bach The Art of Fugue (2014) [FLAC]\CD2\03 - Contrapunctus XII Inversus.wav
Peak level 52.7 %
Extraction speed 3.1 X
Track quality 100.0 %
Test CRC 844AB1B6
Copy CRC 844AB1B6
Accurately ripped (confidence 23) [97F8AB90] (AR v2)
Copy OK
Track 4
Filename Z:\tmp\Angela Hewitt - Bach The Art of Fugue (2014) [FLAC]\CD2\04 - Contrapunctus XIII Rectus.wav
Peak level 54.2 %
Extraction speed 3.1 X
Track quality 100.0 %
Test CRC BDE4096E
Copy CRC BDE4096E
Accurately ripped (confidence 23) [85E3C498] (AR v2)
Copy OK
Track 5
Filename Z:\tmp\Angela Hewitt - Bach The Art of Fugue (2014) [FLAC]\CD2\05 - Contrapunctus XIII Inversus.wav
Peak level 50.1 %
Extraction speed 3.2 X
Track quality 100.0 %
Test CRC C11A84C9
Copy CRC C11A84C9
Accurately ripped (confidence 23) [BE7A3650] (AR v2)
Copy OK
Track 6
Filename Z:\tmp\Angela Hewitt - Bach The Art of Fugue (2014) [FLAC]\CD2\06 - Canon Per Augmentationem In Contrario Motu.wav
Peak level 29.8 %
Extraction speed 3.8 X
Track quality 100.0 %
Test CRC E7ED69FA
Copy CRC E7ED69FA
Accurately ripped (confidence 23) [CEE7F123] (AR v2)
Copy OK
Track 7
Filename Z:\tmp\Angela Hewitt - Bach The Art of Fugue (2014) [FLAC]\CD2\07 - Canon Alla Ottava.wav
Peak level 54.4 %
Extraction speed 3.5 X
Track quality 100.0 %
Test CRC 06070CBE
Copy CRC 06070CBE
Accurately ripped (confidence 23) [278FDF33] (AR v2)
Copy OK
Track 8
Filename Z:\tmp\Angela Hewitt - Bach The Art of Fugue (2014) [FLAC]\CD2\08 - Canon Alla Decima In Contrapunto Alla Terza.wav
Peak level 30.6 %
Extraction speed 3.4 X
Track quality 99.9 %
Test CRC B3BD40D7
Copy CRC B3BD40D7
Accurately ripped (confidence 23) [C1A6B3AA] (AR v2)
Copy OK
Track 9
Filename Z:\tmp\Angela Hewitt - Bach The Art of Fugue (2014) [FLAC]\CD2\09 - Canon Alla Duodecima In Contrapunto Alla Quinta.wav
Peak level 50.5 %
Extraction speed 3.7 X
Track quality 100.0 %
Test CRC 817069F0
Copy CRC 817069F0
Accurately ripped (confidence 23) [5C10DF26] (AR v2)
Copy OK
Track 10
Filename Z:\tmp\Angela Hewitt - Bach The Art of Fugue (2014) [FLAC]\CD2\10 - Contrapunctus XIV (Fuga A 3 Soggetti).wav
Peak level 49.7 %
Extraction speed 4.7 X
Track quality 100.0 %
Test CRC 68A1F926
Copy CRC 68A1F926
Accurately ripped (confidence 23) [982F1442] (AR v2)
Copy OK
Track 11
Filename Z:\tmp\Angela Hewitt - Bach The Art of Fugue (2014) [FLAC]\CD2\11 - Wenn Wir In Höchsten Nöten Sein, BWV 668a, ''Vor Deinen Thron Tret Ich''.wav
Peak level 47.2 %
Extraction speed 4.7 X
Track quality 100.0 %
Test CRC 646FF811
Copy CRC 646FF811
Accurately ripped (confidence 23) [93C4CFCC] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum A92B60C513136643AE74EE4CEEFE23CF126D3C5957445E7DAEC0D762BDF59A82 ====
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2017-02-02 18:32:45
––––––––––––––––––––––––––––––––––––––––
Analyzed: Angela Hewitt / Bach: The Art of Fugue
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.12 dB -21.66 dB 7:03 01-Contrapunctus 11
DR12 -7.09 dB -24.20 dB 3:15 02-Contrapunctus 12 Rectus
DR12 -5.55 dB -23.36 dB 3:08 03-Contrapunctus 12 Inversus
DR13 -5.31 dB -21.76 dB 2:22 04-Contrapunctus 13 Rectus
DR11 -6.00 dB -22.27 dB 2:24 05-Contrapunctus 13 Inversus
DR12 -10.49 dB -25.60 dB 4:35 06-Canon per augmentationem in contrario motu
DR12 -5.28 dB -21.14 dB 2:21 07-Canon alla ottava
DR11 -10.26 dB -25.96 dB 4:52 08-Canon alla decima in contrapunto alla terza
DR12 -5.92 dB -23.33 dB 2:23 09-Canon alla duodecima in contrapunto alla quinta
DR14 -6.07 dB -24.85 dB 9:54 10-Contrapunctus 14 (Fuga a 3 soggetti)
DR15 -6.51 dB -27.50 dB 5:14 11-Wenn wir in höchsten Nöten sein (‘Vor deinen Thron tret ich hiermit’) BWV668a
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 11
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 352 kbps
Codec: FLAC
================================================================================
log date: 2017-02-02 18:32:45
––––––––––––––––––––––––––––––––––––––––
Analyzed: Angela Hewitt / Bach: The Art of Fugue
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.12 dB -21.66 dB 7:03 01-Contrapunctus 11
DR12 -7.09 dB -24.20 dB 3:15 02-Contrapunctus 12 Rectus
DR12 -5.55 dB -23.36 dB 3:08 03-Contrapunctus 12 Inversus
DR13 -5.31 dB -21.76 dB 2:22 04-Contrapunctus 13 Rectus
DR11 -6.00 dB -22.27 dB 2:24 05-Contrapunctus 13 Inversus
DR12 -10.49 dB -25.60 dB 4:35 06-Canon per augmentationem in contrario motu
DR12 -5.28 dB -21.14 dB 2:21 07-Canon alla ottava
DR11 -10.26 dB -25.96 dB 4:52 08-Canon alla decima in contrapunto alla terza
DR12 -5.92 dB -23.33 dB 2:23 09-Canon alla duodecima in contrapunto alla quinta
DR14 -6.07 dB -24.85 dB 9:54 10-Contrapunctus 14 (Fuga a 3 soggetti)
DR15 -6.51 dB -27.50 dB 5:14 11-Wenn wir in höchsten Nöten sein (‘Vor deinen Thron tret ich hiermit’) BWV668a
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 11
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 352 kbps
Codec: FLAC
================================================================================
Angela Hewitt - Johann Sebastian Bach: The Art of Fugue (2014) 2CDs
