Moscow Soloists, Yuri Bashmet - Igor Stravinsky: Apollo; Concerto in D; Sergei Prokofiev: 20 Visions fugitives (2007)
Igor Stravinsky: Apollo; Concerto in D; Sergei Prokofiev: 20 Visions fugitives (2007)
Moscow Soloists; Yuri Bashmet, Director
EAC | FLAC | Tracks (Cue&Log) ~ 301 Mb | Mp3 (CBR320) ~ 168 Mb | Scans included
Genre: Classical | Label: ONYX | # ONYX 4017 | Time: 01:06:57
Moscow Soloists; Yuri Bashmet, Director
EAC | FLAC | Tracks (Cue&Log) ~ 301 Mb | Mp3 (CBR320) ~ 168 Mb | Scans included
Genre: Classical | Label: ONYX | # ONYX 4017 | Time: 01:06:57
This is the second release on ONYX from the amazing Moscow Soloists and their charismatic director, the great Yuri Bashmet. Their first ONYX release was of Chamber Symphonies by Shostakovich, Sviridov and Vainberg (ONYX4007) which gained excellent reviews, including a Grammy 2007 nomination. This disc combines two great Stravinsky works for strings: the marvellous neo-classical ballet Apollon musagète (in the revised 1947 version entitled simply Apollo) and the post-war Concerto in D for strings, with a genuine novelty: in 1962 Rudolf Barshai arranged for his own Moscow Chamber Orchestra 15 of the 20 Visions fugitives that Prokofiev wrote for solo piano between 1915-17. Now Roman Balashov, manager and violist in the Moscow Soloists has completed the set for this world première recording. These are exciting miniatures which truly benefit from the added colours a string orchestra can bring.
Yuri Bashmet's performances with the Moscow Soloists of a ballet and concerto by Stravinsky and transcriptions of a set of piano pieces by Prokofiev are notable for two things. First is the elegance and refinement of his readings. The subject of Stravinsky's ballet Apollo makes the work's intelligent rigor and restraint obvious, and the performance is scrupulously polished and thoughtfully considered. A second, seemingly contradictory characteristic is the sensuality Bashmet brings to the score. It would be easy to argue that most dance is essentially Dionysian, with its overt celebration of the body. The fact that Stravinsky brought his Apollonian sensibility to this Dionysian art form certainly created the kind of dynamic tension that makes the works so intriguing. While Bashmet brilliantly conveys the music's intellectuality, he also infuses it with a rhythmic fluidity and sense of corporeality that leave no doubt this music was created to accompany bodies in motion. He brings the same approach to the Concerto in D for strings, which is a thoroughly neo-classical piece, but one in which Bashmet's rhythmic springiness is completely effective.
Conductor Rudolf Barshai arranged 15 of Prokofiev's set of 20 very brief piano pieces, Visions fugitives, for string orchestra in 1962, and composer Roman Balashov arranged the remaining five for this recording, finally bringing completion to the set. The pieces work extremely well in arrangement and lose none of their charm and piquancy in the transfer from piano to strings. Here, too, the ensemble plays with complete assurance, and Bashmet's interpretation has just the sense of the delicate and the absurd that the pieces require. Onyx's sound is outstanding – realistic and clean, with a strong sense of presence.Review by Stephen Eddins, Allmusic.com
These performances are outstanding. In Apollo, Yuri Bashmet and Co. manage to put more meat on the bones of this music than you might ever dream possible, without ever compromising its elegant, restrained, neoclassical aesthetic. The key to their success is a wide dynamic range and rich string sonority allied to the necessary rhythmic acuity. Listen to how they dig into the “big tune” at the climax of The Birth of Apollo, or notice the wonderfully fleet and punchy rhythms in the penultimate scene when Apollo dances with all of the muses. The final apotheosis is also just that: haunting but never dragging, and perfectly satisfying in its feeling of finality. This is the kind of performance that may win a few converts to the cause.
Remarkably, the same observations apply to the performance of the Concerto in D, one of Stravinsky’s most arid and cerebral creations. Again, it’s the treatment of rhythm that does the trick: the music in the outer movements trips along with an unusually purposeful and (yes) charming demeanor, and never comes to sound like empty note-spinning. It’s a performance that, incidentally, really does vindicate Stravinsky’s view that his music needs to be played strictly by the score. This doesn’t mean coldly or inexpressively, but the fact is that if the interpreters really apply themselves meticulously (as here) to realizing what he wrote before adding their own “ideas”, they will likely enjoy much greater success.
Rudolf Barshai arranged some 13 of Prokofiev’s Visions fugitives for string orchestra, and Bashmet supplements the previous effort with the remaining seven numbers in transcriptions by Roman Balashov. If I find these brief, quirky pieces more effective in their original keyboard guises, it’s not to disparage the excellence of the playing or the aptness of the conducting. The whole set of 20 makes a fine bonus, and of course juxtaposing Stravinsky and Prokofiev in this way is interesting in and of itself. The sonics are perfect: ideally warm and natural. You should find yourself returning to this exceptional disc often.Review by David Hurwitz, ClassicsToday.com
Moscow Soloists, Yuri Bashmet - Igor Stravinsky: Apollo; Concerto in D; Sergei Prokofiev: 20 Visions fugitives (2007)
Tracklist:
IGOR STRAVINSKY(1882-1971)
Apollo (composed 1928 as Apollon musagète, rev. 1947)
Ballet en deux tableaux. Ballet in two scenes . Ballett in zwei Bildern
01. Apollo - Tableau 1: Naissance d'Apollon (04:35)
02. Tableau 2: Variation d'Apollon (02:22)
03. Tableau 2: Pas d'action (04:02)
04. Tableau 2: Variation de Calliope (01:41)
05. Tableau 2: Variation de Polymnie (01:08)
06. Tableau 2: Variation de Terpsichore (01:50)
07. Tableau 2: Variation d'Apollon (02:42)
08. Tableau 2: Pas de deux (03:08)
09. Coda: Apollon et les Muses (03:07)
10. Coda: Apothéose (03:59)
Concerto in D for Strings (1946)
ré majeur . D-Dur
11. I. Vivace (05:41)
12. II. Arioso (02:53)
13. III. Rondo (03:21)
SERGEI PROKOFIEV (1891-1953)
20 Visions fugitives op 22 (1915-17)
arranged for string orchestra by
Rudolf Barshai (I-VI, VIII-XVI) Roman Balashov (VII, XVII-XX)
14. I. Lentamente (01:37)
15. II. Andante (01:48)
16. III. Allegretto (01:07)
17. IV. Animato (01:00)
18. V. Molto giocoso (00:21)
19. VI. Con eleganza (00:37)
20. VII. Pittoresco (01:51)
21. VIII. Commodo (01:45)
22. IX. Allegretto tranquillo (01:15)
23. X. Ridicolosamente (01:01)
24. XI. Con vivacità (01:25)
25. XII. Assai moderato (01:25)
26. XIII. Allegretto (00:48)
27. XIV. Feroce (00:55)
28. XV. Inquieto (00:59)
29. XVI. Dolente (02:45)
30. XVII. Poetico, andantino (01:04)
31. XVIII. Con una dolce lentezza (00:45)
32. XIX. Presto agitatissimo e molto accentuato (00:42)
33. XX. Lento irrealmente (03:01)
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 27. September 2016, 22:10
Moscow Soloists, Yuri Bashmet / Stravinsky - Apollo, Concerto in D & Prokofiev - 20 Visions fugitives
Used drive : PLEXTOR CD-R PREMIUM2 Adapter: 5 ID: 1
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
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TOC of the extracted CD
Track | Start | Length | Start sector | End sector
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1 | 0:00.00 | 4:35.65 | 0 | 20689
2 | 4:35.65 | 2:22.39 | 20690 | 31378
3 | 6:58.29 | 4:02.62 | 31379 | 49590
4 | 11:01.16 | 1:41.11 | 49591 | 57176
5 | 12:42.27 | 1:08.27 | 57177 | 62303
6 | 13:50.54 | 1:50.65 | 62304 | 70618
7 | 15:41.44 | 2:42.40 | 70619 | 82808
8 | 18:24.09 | 3:08.12 | 82809 | 96920
9 | 21:32.21 | 3:07.55 | 96921 | 111000
10 | 24:40.01 | 3:59.58 | 111001 | 128983
11 | 28:39.59 | 5:41.34 | 128984 | 154592
12 | 34:21.18 | 2:53.09 | 154593 | 167576
13 | 37:14.27 | 3:21.72 | 167577 | 182723
14 | 40:36.24 | 1:37.39 | 182724 | 190037
15 | 42:13.63 | 1:48.01 | 190038 | 198138
16 | 44:01.64 | 1:07.59 | 198139 | 203222
17 | 45:09.48 | 1:00.11 | 203223 | 207733
18 | 46:09.59 | 0:21.63 | 207734 | 209371
19 | 46:31.47 | 0:37.67 | 209372 | 212213
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22 | 50:46.72 | 1:15.26 | 228522 | 234172
23 | 52:02.23 | 1:01.22 | 234173 | 238769
24 | 53:03.45 | 1:25.03 | 238770 | 245147
25 | 54:28.48 | 1:25.09 | 245148 | 251531
26 | 55:53.57 | 0:48.45 | 251532 | 255176
27 | 56:42.27 | 0:55.59 | 255177 | 259360
28 | 57:38.11 | 0:59.74 | 259361 | 263859
29 | 58:38.10 | 2:45.71 | 263860 | 276305
30 | 61:24.06 | 1:04.41 | 276306 | 281146
31 | 62:28.47 | 0:45.13 | 281147 | 284534
32 | 63:13.60 | 0:42.13 | 284535 | 287697
33 | 63:55.73 | 3:01.43 | 287698 | 301315
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==== Log checksum B0639D8281B15E2C988C5CD026600BE7CCEE509C5D2A440F9D8E1630A97E7ABF ====
EAC extraction logfile from 27. September 2016, 22:10
Moscow Soloists, Yuri Bashmet / Stravinsky - Apollo, Concerto in D & Prokofiev - 20 Visions fugitives
Used drive : PLEXTOR CD-R PREMIUM2 Adapter: 5 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : Yes
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
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Quality : High
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TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:35.65 | 0 | 20689
2 | 4:35.65 | 2:22.39 | 20690 | 31378
3 | 6:58.29 | 4:02.62 | 31379 | 49590
4 | 11:01.16 | 1:41.11 | 49591 | 57176
5 | 12:42.27 | 1:08.27 | 57177 | 62303
6 | 13:50.54 | 1:50.65 | 62304 | 70618
7 | 15:41.44 | 2:42.40 | 70619 | 82808
8 | 18:24.09 | 3:08.12 | 82809 | 96920
9 | 21:32.21 | 3:07.55 | 96921 | 111000
10 | 24:40.01 | 3:59.58 | 111001 | 128983
11 | 28:39.59 | 5:41.34 | 128984 | 154592
12 | 34:21.18 | 2:53.09 | 154593 | 167576
13 | 37:14.27 | 3:21.72 | 167577 | 182723
14 | 40:36.24 | 1:37.39 | 182724 | 190037
15 | 42:13.63 | 1:48.01 | 190038 | 198138
16 | 44:01.64 | 1:07.59 | 198139 | 203222
17 | 45:09.48 | 1:00.11 | 203223 | 207733
18 | 46:09.59 | 0:21.63 | 207734 | 209371
19 | 46:31.47 | 0:37.67 | 209372 | 212213
20 | 47:09.39 | 1:51.56 | 212214 | 220594
21 | 49:01.20 | 1:45.52 | 220595 | 228521
22 | 50:46.72 | 1:15.26 | 228522 | 234172
23 | 52:02.23 | 1:01.22 | 234173 | 238769
24 | 53:03.45 | 1:25.03 | 238770 | 245147
25 | 54:28.48 | 1:25.09 | 245148 | 251531
26 | 55:53.57 | 0:48.45 | 251532 | 255176
27 | 56:42.27 | 0:55.59 | 255177 | 259360
28 | 57:38.11 | 0:59.74 | 259361 | 263859
29 | 58:38.10 | 2:45.71 | 263860 | 276305
30 | 61:24.06 | 1:04.41 | 276306 | 281146
31 | 62:28.47 | 0:45.13 | 281147 | 284534
32 | 63:13.60 | 0:42.13 | 284535 | 287697
33 | 63:55.73 | 3:01.43 | 287698 | 301315
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Extraction speed 1.8 X
Track quality 99.9 %
Test CRC 99E09EFA
Copy CRC 99E09EFA
Accurately ripped (confidence 2) [7038D873] (AR v2)
Copy OK
Track 2
Filename D:\EAC extraction\02 - Tableau 2; Variation d'Apollon.wav
Peak level 34.6 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC C090051B
Copy CRC C090051B
Accurately ripped (confidence 2) [BE73125E] (AR v2)
Copy OK
Track 3
Filename D:\EAC extraction\03 - Tableau 2; Pas d'action.wav
Peak level 47.3 %
Extraction speed 1.9 X
Track quality 100.0 %
Test CRC 133B3ADF
Copy CRC 133B3ADF
Accurately ripped (confidence 2) [23CDD5C4] (AR v2)
Copy OK
Track 4
Filename D:\EAC extraction\04 - Tableau 2; Variation de Calliope.wav
Peak level 77.8 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC 12D50086
Copy CRC 12D50086
Accurately ripped (confidence 2) [9227299E] (AR v2)
Copy OK
Track 5
Filename D:\EAC extraction\05 - Tableau 2; Variation de Polymnie.wav
Peak level 70.1 %
Extraction speed 1.7 X
Track quality 99.8 %
Test CRC 7D7DE30D
Copy CRC 7D7DE30D
Accurately ripped (confidence 2) [AFC486DD] (AR v2)
Copy OK
Track 6
Filename D:\EAC extraction\06 - Tableau 2; Variation de Terpsichore.wav
Peak level 53.7 %
Extraction speed 1.7 X
Track quality 99.9 %
Test CRC E3F5C27A
Copy CRC E3F5C27A
Accurately ripped (confidence 2) [56EF0959] (AR v2)
Copy OK
Track 7
Filename D:\EAC extraction\07 - Tableau 2; Variation d'Apollon.wav
Peak level 82.6 %
Extraction speed 1.9 X
Track quality 100.0 %
Test CRC 78A16BF1
Copy CRC 78A16BF1
Accurately ripped (confidence 2) [E35822BA] (AR v2)
Copy OK
Track 8
Filename D:\EAC extraction\08 - Tableau 2; Pas de deux.wav
Peak level 37.0 %
Extraction speed 1.9 X
Track quality 100.0 %
Test CRC 281C870B
Copy CRC 281C870B
Accurately ripped (confidence 2) [C2FDE933] (AR v2)
Copy OK
Track 9
Filename D:\EAC extraction\09 - Coda; Apollon et les Muses.wav
Peak level 96.4 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC 98C07699
Copy CRC 98C07699
Accurately ripped (confidence 2) [7071F92A] (AR v2)
Copy OK
Track 10
Filename D:\EAC extraction\10 - Coda; Apotheose.wav
Peak level 64.5 %
Extraction speed 1.9 X
Track quality 100.0 %
Test CRC C9359875
Copy CRC C9359875
Accurately ripped (confidence 2) [60C2B4AC] (AR v2)
Copy OK
Track 11
Filename D:\EAC extraction\11 - Concerto in D for Strings - I. Vivace.wav
Peak level 94.7 %
Extraction speed 1.9 X
Track quality 100.0 %
Test CRC E05AC27B
Copy CRC E05AC27B
Accurately ripped (confidence 2) [C556572D] (AR v2)
Copy OK
Track 12
Filename D:\EAC extraction\12 - II. Arioso.wav
Peak level 67.9 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC 1C0895B3
Copy CRC 1C0895B3
Accurately ripped (confidence 2) [51890CEE] (AR v2)
Copy OK
Track 13
Filename D:\EAC extraction\13 - III. Rondo.wav
Peak level 97.5 %
Extraction speed 1.9 X
Track quality 100.0 %
Test CRC 8AF43FEC
Copy CRC 8AF43FEC
Accurately ripped (confidence 2) [16B5A313] (AR v2)
Copy OK
Track 14
Filename D:\EAC extraction\14 - 20 Visions fugitives - I. Lentamente.wav
Peak level 12.2 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC CF4EEE93
Copy CRC CF4EEE93
Accurately ripped (confidence 2) [D24B5A16] (AR v2)
Copy OK
Track 15
Filename D:\EAC extraction\15 - II. Andante.wav
Peak level 19.4 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC E07C19CB
Copy CRC E07C19CB
Accurately ripped (confidence 2) [0A2E87B1] (AR v2)
Copy OK
Track 16
Filename D:\EAC extraction\16 - III. Allegretto.wav
Peak level 39.0 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC DE040F20
Copy CRC DE040F20
Accurately ripped (confidence 2) [784AD67B] (AR v2)
Copy OK
Track 17
Filename D:\EAC extraction\17 - IV. Animato.wav
Peak level 83.2 %
Extraction speed 1.7 X
Track quality 100.0 %
Test CRC BD3B8673
Copy CRC BD3B8673
Accurately ripped (confidence 2) [17027D26] (AR v2)
Copy OK
Track 18
Filename D:\EAC extraction\18 - V. Molto giocoso.wav
Peak level 63.9 %
Extraction speed 1.6 X
Track quality 100.0 %
Test CRC 92C457FF
Copy CRC 92C457FF
Accurately ripped (confidence 2) [2903B1FD] (AR v2)
Copy OK
Track 19
Filename D:\EAC extraction\19 - VI. Con eleganza.wav
Peak level 18.3 %
Extraction speed 1.7 X
Track quality 100.0 %
Test CRC 9089D899
Copy CRC 9089D899
Accurately ripped (confidence 2) [E10F936E] (AR v2)
Copy OK
Track 20
Filename D:\EAC extraction\20 - VII. Pittoresco.wav
Peak level 57.9 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC B2A8692A
Copy CRC B2A8692A
Accurately ripped (confidence 2) [0B53FAEC] (AR v2)
Copy OK
Track 21
Filename D:\EAC extraction\21 - VIII. Commodo.wav
Peak level 49.1 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC 55ADD7CF
Copy CRC 55ADD7CF
Accurately ripped (confidence 2) [10339896] (AR v2)
Copy OK
Track 22
Filename D:\EAC extraction\22 - IX. Allegretto tranquillo.wav
Peak level 87.5 %
Extraction speed 1.7 X
Track quality 99.8 %
Test CRC 90A736C1
Copy CRC 90A736C1
Accurately ripped (confidence 2) [24A7F750] (AR v2)
Copy OK
Track 23
Filename D:\EAC extraction\23 - X. Ridicolosamente.wav
Peak level 24.4 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC 85CE69D0
Copy CRC 85CE69D0
Accurately ripped (confidence 2) [3FB5DCD5] (AR v2)
Copy OK
Track 24
Filename D:\EAC extraction\24 - XI. Con vivacita.wav
Peak level 54.0 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC 5F8E74CB
Copy CRC 5F8E74CB
Accurately ripped (confidence 2) [EC11909C] (AR v2)
Copy OK
Track 25
Filename D:\EAC extraction\25 - XII. Assai moderato.wav
Peak level 25.6 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC 7C2E3D33
Copy CRC 7C2E3D33
Accurately ripped (confidence 2) [5432E69B] (AR v2)
Copy OK
Track 26
Filename D:\EAC extraction\26 - XIII. Allegretto.wav
Peak level 22.1 %
Extraction speed 1.7 X
Track quality 100.0 %
Test CRC AEFD441A
Copy CRC AEFD441A
Accurately ripped (confidence 2) [BBDAD11A] (AR v2)
Copy OK
Track 27
Filename D:\EAC extraction\27 - XIV. Feroce.wav
Peak level 97.5 %
Extraction speed 1.6 X
Track quality 99.8 %
Test CRC 6D8AD0A3
Copy CRC 6D8AD0A3
Accurately ripped (confidence 2) [5ACD467E] (AR v2)
Copy OK
Track 28
Filename D:\EAC extraction\28 - XV. Inquieto.wav
Peak level 97.4 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC D54D56A1
Copy CRC D54D56A1
Accurately ripped (confidence 2) [D3C0B29C] (AR v2)
Copy OK
Track 29
Filename D:\EAC extraction\29 - XVI. Dolente.wav
Peak level 48.3 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC 83FAD1E2
Copy CRC 83FAD1E2
Accurately ripped (confidence 2) [87EF66C7] (AR v2)
Copy OK
Track 30
Filename D:\EAC extraction\30 - XVII. Poetico, andantino.wav
Peak level 7.4 %
Extraction speed 1.7 X
Track quality 100.0 %
Test CRC F144EF02
Copy CRC F144EF02
Accurately ripped (confidence 2) [9A4FEBE4] (AR v2)
Copy OK
Track 31
Filename D:\EAC extraction\31 - XVIII. Con una dolce lentezza.wav
Peak level 21.7 %
Extraction speed 1.5 X
Track quality 99.7 %
Test CRC 2954342C
Copy CRC 2954342C
Accurately ripped (confidence 2) [E7821670] (AR v2)
Copy OK
Track 32
Filename D:\EAC extraction\32 - XIX. Presto agitatissimo e molto accentuato.wav
Peak level 97.5 %
Extraction speed 1.6 X
Track quality 99.7 %
Test CRC 9D7CF291
Copy CRC 9D7CF291
Accurately ripped (confidence 2) [DCE36375] (AR v2)
Copy OK
Track 33
Filename D:\EAC extraction\33 - XX. Lento irrealmente.wav
Peak level 21.1 %
Extraction speed 1.9 X
Track quality 99.9 %
Test CRC 3C6E78A6
Copy CRC 3C6E78A6
Accurately ripped (confidence 2) [F3E7B4F9] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: ghrVW_nEYwCun3TGdzK_W6uTs4U-] found
Submit result: ghrVW_nEYwCun3TGdzK_W6uTs4U- has been confirmed
Track | CTDB Status
1 | (3/3) Accurately ripped
2 | (3/3) Accurately ripped
3 | (3/3) Accurately ripped
4 | (3/3) Accurately ripped
5 | (3/3) Accurately ripped
6 | (3/3) Accurately ripped
7 | (3/3) Accurately ripped
8 | (3/3) Accurately ripped
9 | (3/3) Accurately ripped
10 | (3/3) Accurately ripped
11 | (3/3) Accurately ripped
12 | (3/3) Accurately ripped
13 | (3/3) Accurately ripped
14 | (3/3) Accurately ripped
15 | (3/3) Accurately ripped
16 | (3/3) Accurately ripped
17 | (3/3) Accurately ripped
18 | (3/3) Accurately ripped
19 | (3/3) Accurately ripped
20 | (3/3) Accurately ripped
21 | (3/3) Accurately ripped
22 | (3/3) Accurately ripped
23 | (3/3) Accurately ripped
24 | (3/3) Accurately ripped
25 | (3/3) Accurately ripped
26 | (3/3) Accurately ripped
27 | (3/3) Accurately ripped
28 | (3/3) Accurately ripped
29 | (2/3) Accurately ripped, or (1/3) differs in 346 samples @02:11:32-02:11:33
30 | (2/3) Accurately ripped, or (1/3) differs in 764 samples @01:03:30-01:03:32
31 | (3/3) Accurately ripped
32 | (3/3) Accurately ripped
33 | (3/3) Accurately ripped
==== Log checksum B0639D8281B15E2C988C5CD026600BE7CCEE509C5D2A440F9D8E1630A97E7ABF ====
foobar2000 1.2 / Dynamic Range Meter 1.1.1
log date: 2016-10-06 14:33:15
––––––––––––––––––––––––––––––––––––––––
Analyzed: Moscow Soloists, Yuri Bashmet / Stravinsky - Apollo • Concerto in D & Prokofiev - 20 Visions fugitives
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -2.50 dB -21.71 dB 4:36 01-Apollo - Tableau 1: Naissance d'Apollon
DR12 -9.21 dB -27.55 dB 2:23 02-Tableau 2: Variation d'Apollon
DR13 -6.49 dB -24.45 dB 4:03 03-Tableau 2: Pas d'action
DR15 -2.18 dB -24.25 dB 1:41 04-Tableau 2: Variation de Calliope
DR12 -3.08 dB -20.56 dB 1:08 05-Tableau 2: Variation de Polymnie
DR12 -5.39 dB -23.05 dB 1:51 06-Tableau 2: Variation de Terpsichore
DR12 -1.65 dB -19.90 dB 2:43 07-Tableau 2: Variation d'Apollon
DR11 -8.62 dB -26.15 dB 3:08 08-Tableau 2: Pas de deux
DR13 -0.32 dB -17.77 dB 3:08 09-Coda: Apollon et les Muses
DR12 -3.81 dB -22.03 dB 4:00 10-Coda: Apothéose
DR13 -0.47 dB -18.85 dB 5:41 11-Concerto in D for Strings - I. Vivace
DR14 -3.35 dB -23.82 dB 2:53 12-II. Arioso
DR14 -0.22 dB -21.60 dB 3:22 13-III. Rondo
DR11 -18.22 dB -35.65 dB 1:38 14-20 Visions fugitives - I. Lentamente
DR12 -14.23 dB -32.49 dB 1:48 15-II. Andante
DR11 -8.17 dB -24.92 dB 1:08 16-III. Allegretto
DR14 -1.59 dB -22.10 dB 1:00 17-IV. Animato
DR12 -3.88 dB -21.38 dB 0:22 18-V. Molto giocoso
DR11 -14.71 dB -32.43 dB 0:38 19-VI. Con eleganza
DR14 -4.74 dB -28.90 dB 1:52 20-VII. Pittoresco
DR12 -6.17 dB -25.99 dB 1:46 21-VIII. Commodo
DR14 -1.16 dB -22.09 dB 1:15 22-IX. Allegretto tranquillo
DR12 -12.25 dB -30.56 dB 1:01 23-X. Ridicolosamente
DR13 -5.35 dB -24.00 dB 1:25 24-XI. Con vivacità
DR11 -11.81 dB -28.36 dB 1:25 25-XII. Assai moderato
DR10 -13.08 dB -27.22 dB 0:49 26-XIII. Allegretto
DR11 -0.22 dB -16.39 dB 0:56 27-XIV. Feroce
DR11 -0.22 dB -17.96 dB 1:00 28-XV. Inquieto
DR12 -6.31 dB -24.48 dB 2:46 29-XVI. Dolente
DR10 -22.51 dB -38.60 dB 1:05 30-XVII. Poetico, andantino
DR11 -13.24 dB -28.78 dB 0:45 31-XVIII. Con una dolce lentezza
DR11 -0.22 dB -16.28 dB 0:42 32-XIX. Presto agitatissimo e molto accentuato
DR13 -13.48 dB -32.83 dB 3:02 33-XX. Lento irrealmente
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 33
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 536 kbps
Codec: FLAC
================================================================================
log date: 2016-10-06 14:33:15
––––––––––––––––––––––––––––––––––––––––
Analyzed: Moscow Soloists, Yuri Bashmet / Stravinsky - Apollo • Concerto in D & Prokofiev - 20 Visions fugitives
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -2.50 dB -21.71 dB 4:36 01-Apollo - Tableau 1: Naissance d'Apollon
DR12 -9.21 dB -27.55 dB 2:23 02-Tableau 2: Variation d'Apollon
DR13 -6.49 dB -24.45 dB 4:03 03-Tableau 2: Pas d'action
DR15 -2.18 dB -24.25 dB 1:41 04-Tableau 2: Variation de Calliope
DR12 -3.08 dB -20.56 dB 1:08 05-Tableau 2: Variation de Polymnie
DR12 -5.39 dB -23.05 dB 1:51 06-Tableau 2: Variation de Terpsichore
DR12 -1.65 dB -19.90 dB 2:43 07-Tableau 2: Variation d'Apollon
DR11 -8.62 dB -26.15 dB 3:08 08-Tableau 2: Pas de deux
DR13 -0.32 dB -17.77 dB 3:08 09-Coda: Apollon et les Muses
DR12 -3.81 dB -22.03 dB 4:00 10-Coda: Apothéose
DR13 -0.47 dB -18.85 dB 5:41 11-Concerto in D for Strings - I. Vivace
DR14 -3.35 dB -23.82 dB 2:53 12-II. Arioso
DR14 -0.22 dB -21.60 dB 3:22 13-III. Rondo
DR11 -18.22 dB -35.65 dB 1:38 14-20 Visions fugitives - I. Lentamente
DR12 -14.23 dB -32.49 dB 1:48 15-II. Andante
DR11 -8.17 dB -24.92 dB 1:08 16-III. Allegretto
DR14 -1.59 dB -22.10 dB 1:00 17-IV. Animato
DR12 -3.88 dB -21.38 dB 0:22 18-V. Molto giocoso
DR11 -14.71 dB -32.43 dB 0:38 19-VI. Con eleganza
DR14 -4.74 dB -28.90 dB 1:52 20-VII. Pittoresco
DR12 -6.17 dB -25.99 dB 1:46 21-VIII. Commodo
DR14 -1.16 dB -22.09 dB 1:15 22-IX. Allegretto tranquillo
DR12 -12.25 dB -30.56 dB 1:01 23-X. Ridicolosamente
DR13 -5.35 dB -24.00 dB 1:25 24-XI. Con vivacità
DR11 -11.81 dB -28.36 dB 1:25 25-XII. Assai moderato
DR10 -13.08 dB -27.22 dB 0:49 26-XIII. Allegretto
DR11 -0.22 dB -16.39 dB 0:56 27-XIV. Feroce
DR11 -0.22 dB -17.96 dB 1:00 28-XV. Inquieto
DR12 -6.31 dB -24.48 dB 2:46 29-XVI. Dolente
DR10 -22.51 dB -38.60 dB 1:05 30-XVII. Poetico, andantino
DR11 -13.24 dB -28.78 dB 0:45 31-XVIII. Con una dolce lentezza
DR11 -0.22 dB -16.28 dB 0:42 32-XIX. Presto agitatissimo e molto accentuato
DR13 -13.48 dB -32.83 dB 3:02 33-XX. Lento irrealmente
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 33
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 536 kbps
Codec: FLAC
================================================================================
Moscow Soloists, Yuri Bashmet - Igor Stravinsky: Apollo; Concerto in D; Sergei Prokofiev: 20 Visions fugitives (2007)
Moscow Soloists, Yuri Bashmet - Igor Stravinsky: Apollo; Concerto in D; Sergei Prokofiev: 20 Visions fugitives (2007)
