Buck Clayton - 1945-1947 (1997)
Buck Clayton - 1945-1947 (1997)
EAC Rip | FLAC (image+.cue+log) - 168 MB | Covers (4 MB) included
Genre: Jazz, Swing | RAR 3% Rec. | Label: Classics Records (CLASSICS 968)
EAC Rip | FLAC (image+.cue+log) - 168 MB | Covers (4 MB) included
Genre: Jazz, Swing | RAR 3% Rec. | Label: Classics Records (CLASSICS 968)
Buck Clayton played smooth trumpet, warm and precise every step of the way. The first session included here appeared under the nominal leadership of Count Basie's rhythm guitarist, Freddie Green. After Lucky Thompson introduces "I'm in the Mood for Love," Sylvia Sims sings the lyric in attractive, easygoing tones. The flip side, an uncredited original called "Sugar Hips," is a typical mid-1945 exercise in what was at the time called both "rebop" and "bebop." Swing was now ready to morph into music of greater rhythmic and harmonic complexity. This track provides a fine example of Shadow Wilson's superb handling of hi-hat and drums. Sammy Benskin demonstrates a fine, muscular pianism. Dicky Wells seems to enjoy riding along on a tide of what were at the time decisively modern changes. Recorded exactly one month later for the small-time Melrose label, the Buck Clayton Quintet session introduces tenor man Flip Phillips, with Teddy Wilson appearing as "Theodocius," roundly supported by Slam Stewart and Danny Alvin. After a snappy romp through "Diga Diga Doo," "Love Me or Leave Me" is taken at a much more relaxed tempo than usual. This gives everyone a chance to savor the melody rather than chasing about. "We're in the Money" bounces along in an updated groove, much hipper than the Busby Berkeley original. Flip is exceptionally helpful here. The date closes with a stunningly solid piece of blues bearing Buck Clayton's initials. Slam bows his bass in an uncharacteristically low register, and the combination of horns and piano during the out chorus is really amazing. The only thing that could top it is the J.C. Heard Quintet session recorded for Keynote on August 17, 1945. Buck and Flip are now backed by three of the best rhythm section mates in all of early modern jazz: Johnny Guarnieri, Milt Hinton, and the immaculate J.C. Heard. The quintet's approach to Jerome Kern's "Why Do I Love You" is refreshingly brisk and inventive. "All My Life" is still sometimes associated with Fats Waller; in 1945 a lot of people probably thought that he had written it. What you get here is a magnificent sensitive rendering, beautifully phrased. "Groovin' With J.C." begins with jaunty walking bass and eases into a steady lope, very groovy as the title implies. "What's the Use" further demonstrates the perfect balance of this little band, wherein the rhythm section is so strong that the horns fit in uncommonly well. Nobody ever gets stepped on or overshadowed. As for the Hot Record Society sessions, there was always a lot of "original" material on these dates, and some of the melodies sound like attempts at modernity without a whole lot of innovation. This is not to imply that the music is inferior. It's just a bit short on genuine melodic substance. The Big Four session is mostly memorable for Tiny Grimes and his electrified guitar, while the Big Eight date is notable for the combined presence of trombonists Dicky Wells and Trummy Young. Funny thing: "Sentimental Summer" has a bridge identical to that of "I Don't Want to Set the World On Fire." A fascinating addition to this CD is a children's record narrated by the actor Canada Lee. This 1947 recording traces the root system of jazz back to Africa (with authentic African drumming and chanting!) describing abduction, enslavement, emancipation, and the development of jazz in the 20th century. During part two of the story, Buck Clayton, Ed Hall, Teddy Wilson, and Jimmy Crawford provide a blues and a hot stomp. This is an uncommonly hip kiddie record, infinitely more accurate and intelligent than anything else on the market in its day. How thoughtful of the producers to include it on Buck Clayton's CD.Tracklist:
01. I'm in the Mood for Love
02. Sugar Hips
03. Diga Diga Doo
04. Love Me or Leave Me
05. We're in the Money
06. B.C. Blues
07. Why Do I Love You
08. All My Life
09. Groovin' with J.C.
10. What's the Use?
11. Dawn Dance
12. Well-A-Poppin'
13. On the Sunny Side of the Street
14. It's Dizzy
15. Basie's Morning Bluesicale
16. Saragota Special
17. Sentimental Summer
18. Harlem Cradle Song
19. My Good Man Sam
20. I Want a Little Girl
21. Jazz Band
22. Jazz Band
Total time: 01:10:58
Exact Audio Copy V1.6 from 23. October 2020
Отчёт EAC об извлечении, выполненном 27. апреля 2021, 23:02
Buck Clayton / 1945-1947. The Chronological Classics, 968
Дисковод: SlimtypeSEDVDWH18 Adapter: 1 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 768 kBit/s
Качество : Высокий
Добавление ID3-тега : Нет
Утилита сжатия : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Дополнительные параметры : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.32 | 2:40.63 | 32 | 12094
2 | 2:41.20 | 2:47.15 | 12095 | 24634
3 | 5:28.35 | 4:04.10 | 24635 | 42944
4 | 9:32.45 | 4:01.45 | 42945 | 61064
5 | 13:34.15 | 3:51.59 | 61065 | 78448
6 | 17:25.74 | 4:30.74 | 78449 | 98772
7 | 21:56.73 | 2:37.18 | 98773 | 110565
8 | 24:34.16 | 2:59.48 | 110566 | 124038
9 | 27:33.64 | 3:18.13 | 124039 | 138901
10 | 30:52.02 | 3:15.41 | 138902 | 153567
11 | 34:07.43 | 3:12.58 | 153568 | 168025
12 | 37:20.26 | 3:14.16 | 168026 | 182591
13 | 40:34.42 | 3:28.43 | 182592 | 198234
14 | 44:03.10 | 3:07.45 | 198235 | 212304
15 | 47:10.55 | 3:21.41 | 212305 | 227420
16 | 50:32.21 | 2:38.49 | 227421 | 239319
17 | 53:10.70 | 3:23.15 | 239320 | 254559
18 | 56:34.10 | 2:40.48 | 254560 | 266607
19 | 59:14.58 | 2:39.22 | 266608 | 278554
20 | 61:54.05 | 2:52.63 | 278555 | 291517
21 | 64:46.68 | 3:12.45 | 291518 | 305962
22 | 67:59.38 | 2:58.65 | 305963 | 319377
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла C:\Users\Buck Clayton - 1945-1947. The Chronological Classics, 968 (1997)\Buck Clayton - 1945-1947. The Chronological Classics, 968.wav
Пиковый уровень 92.5 %
Скорость извлечения 2.1 X
Качество диапазона 100.0 %
CRC теста 220F6FE2
CRC копии 220F6FE2
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 : извлечено точно (достоверность 3) [3578D9C0] (AR v2)
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Трек 6 : извлечено точно (достоверность 3) [9B2ADC3A] (AR v2)
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Трек 16 : извлечено точно (достоверность 3) [1ABEA730] (AR v2)
Трек 17 : извлечено точно (достоверность 3) [36ADA4C3] (AR v2)
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Трек 19 : извлечено точно (достоверность 3) [EE48EF83] (AR v2)
Трек 20 : извлечено точно (достоверность 3) [13BFB080] (AR v2)
Трек 21 : извлечено точно (достоверность 3) [7A037672] (AR v2)
Трек 22 : извлечено точно (достоверность 3) [17E4F3E7] (AR v2)
Все треки извлечены точно
Конец отчёта
==== Контрольная сумма отчёта 8D855D153870E568E4B440BC1573A591FE106103A0D454FA8161D3FD81655D62 ====
Отчёт EAC об извлечении, выполненном 27. апреля 2021, 23:02
Buck Clayton / 1945-1947. The Chronological Classics, 968
Дисковод: SlimtypeSEDVDWH18 Adapter: 1 ID: 0
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 6
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Пользовательский кодировщик
Выбранный битрейт : 768 kBit/s
Качество : Высокий
Добавление ID3-тега : Нет
Утилита сжатия : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Дополнительные параметры : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
––––––––––––––––––––––––––––––––––-
1 | 0:00.32 | 2:40.63 | 32 | 12094
2 | 2:41.20 | 2:47.15 | 12095 | 24634
3 | 5:28.35 | 4:04.10 | 24635 | 42944
4 | 9:32.45 | 4:01.45 | 42945 | 61064
5 | 13:34.15 | 3:51.59 | 61065 | 78448
6 | 17:25.74 | 4:30.74 | 78449 | 98772
7 | 21:56.73 | 2:37.18 | 98773 | 110565
8 | 24:34.16 | 2:59.48 | 110566 | 124038
9 | 27:33.64 | 3:18.13 | 124039 | 138901
10 | 30:52.02 | 3:15.41 | 138902 | 153567
11 | 34:07.43 | 3:12.58 | 153568 | 168025
12 | 37:20.26 | 3:14.16 | 168026 | 182591
13 | 40:34.42 | 3:28.43 | 182592 | 198234
14 | 44:03.10 | 3:07.45 | 198235 | 212304
15 | 47:10.55 | 3:21.41 | 212305 | 227420
16 | 50:32.21 | 2:38.49 | 227421 | 239319
17 | 53:10.70 | 3:23.15 | 239320 | 254559
18 | 56:34.10 | 2:40.48 | 254560 | 266607
19 | 59:14.58 | 2:39.22 | 266608 | 278554
20 | 61:54.05 | 2:52.63 | 278555 | 291517
21 | 64:46.68 | 3:12.45 | 291518 | 305962
22 | 67:59.38 | 2:58.65 | 305963 | 319377
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла C:\Users\Buck Clayton - 1945-1947. The Chronological Classics, 968 (1997)\Buck Clayton - 1945-1947. The Chronological Classics, 968.wav
Пиковый уровень 92.5 %
Скорость извлечения 2.1 X
Качество диапазона 100.0 %
CRC теста 220F6FE2
CRC копии 220F6FE2
Копирование… OK
Ошибок не произошло
AccurateRip: сводка
Трек 1 : извлечено точно (достоверность 3) [3578D9C0] (AR v2)
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Трек 6 : извлечено точно (достоверность 3) [9B2ADC3A] (AR v2)
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Трек 16 : извлечено точно (достоверность 3) [1ABEA730] (AR v2)
Трек 17 : извлечено точно (достоверность 3) [36ADA4C3] (AR v2)
Трек 18 : извлечено точно (достоверность 3) [B2FE5BCD] (AR v2)
Трек 19 : извлечено точно (достоверность 3) [EE48EF83] (AR v2)
Трек 20 : извлечено точно (достоверность 3) [13BFB080] (AR v2)
Трек 21 : извлечено точно (достоверность 3) [7A037672] (AR v2)
Трек 22 : извлечено точно (достоверность 3) [17E4F3E7] (AR v2)
Все треки извлечены точно
Конец отчёта
==== Контрольная сумма отчёта 8D855D153870E568E4B440BC1573A591FE106103A0D454FA8161D3FD81655D62 ====
[CUETools log; Date: 03.05.2021 23:13:25; Version: 2.1.4]
Pregap length 00:00:32.
[CTDB TOCID: OY_5Juo.kI2ENoFUX0XSykIyzy8-] found.
Track | CTDB Status
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2 | (4/4) Accurately ripped
3 | (4/4) Accurately ripped
4 | (4/4) Accurately ripped
5 | (4/4) Accurately ripped
6 | (4/4) Accurately ripped
7 | (4/4) Accurately ripped
8 | (4/4) Accurately ripped
9 | (4/4) Accurately ripped
10 | (4/4) Accurately ripped
11 | (4/4) Accurately ripped
12 | (4/4) Accurately ripped
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15 | (4/4) Accurately ripped
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17 | (4/4) Accurately ripped
18 | (4/4) Accurately ripped
19 | (4/4) Accurately ripped
20 | (4/4) Accurately ripped
21 | (4/4) Accurately ripped
22 | (4/4) Accurately ripped
[AccurateRip ID: 0039d2ee-0397f7cf-4210a216] found.
Track [ CRC | V2 ] Status
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22 [10754091|17e4f3e7] (0+3/3) Accurately ripped
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19 81,8 [ABD0840F] [5482DB43]
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21 80,0 [676D1446] [2052569D]
22 82,2 [10536E4F] [AC1426B9]
Pregap length 00:00:32.
[CTDB TOCID: OY_5Juo.kI2ENoFUX0XSykIyzy8-] found.
Track | CTDB Status
1 | (4/4) Accurately ripped
2 | (4/4) Accurately ripped
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4 | (4/4) Accurately ripped
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6 | (4/4) Accurately ripped
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Track [ CRC | V2 ] Status
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22 [10754091|17e4f3e7] (0+3/3) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
– 92,5 [220F6FE2] [BB4747DB] CRC32
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06 91,5 [A894F010] [2486AD90]
07 88,5 [90B78394] [5321DEE4]
08 87,9 [CD9FAEA2] [B0BB6DE4]
09 82,7 [593AB2AA] [8777D9A4]
10 87,6 [B0BCBAE2] [E9FDDFE5]
11 86,1 [549A7343] [0C17E93D]
12 81,4 [EB5812CF] [DA077E0F]
13 73,1 [EFEAA38C] [E4D77228]
14 88,7 [22D0431B] [F2B9560B]
15 88,2 [AD3B773B] [380651E5]
16 89,0 [0D9F6D63] [21839BC6]
17 87,4 [DA0315FC] [32A749AB]
18 80,8 [7ED5D016] [220E0A78]
19 81,8 [ABD0840F] [5482DB43]
20 77,3 [4D9E68D4] [BBAFB50D]
21 80,0 [676D1446] [2052569D]
22 82,2 [10536E4F] [AC1426B9]
Thanks to mylruuk
See also:
A Buck Clayton Jam Session - How Hi The Fi (1954) [Reissue 2005]
Buck Clayton & Buddy Tate - Buck & Buddy (1961) [Reissue 1992]
Peanuts Holland, Buck Clayton,...on [Recorded 1953-1955] (2000)
Buck Clayton - Back to Buck: New York-Paris 1946-49 (2002)
Buck Clayton - 1949-1953 (2004)