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Emily Fons, Christopher Lowrey, Laurence Cummings - Handel: Susanna (2016)

Posted By: tirexiss

Date: 21 Aug 2023 17:07:09

Susanna comes late in the sequence of Handel’s oratorios but in some ways the composer looks back in it to his experience of Italian opera. It largely comprises a sequence of arias (many in the repeated, da capo form of opera seria) as it relates the story from the Biblical Apocrypha of Susanna who is falsely accused of adultery and eventually vindicated through the clever judicial manoeuvrings of the young prophet Daniel. The theme of fidelity and justice dispensed to protect the virtuous is applied by analogy as a moral lesson to Israel—and by extension to the community of Christian believers—but only through a handful of choruses in this oratorio. It is the human drama among Susanna, her husband Joacim, and her scheming accusers which is the focus of the work, rather than a larger political or national dilemma drawn on a wider dramatic canvas, as with many of Handel’s other oratorios.

Listeners familiar with the usual vigour of Laurence Cummings’s performances at the London Handel Festival or the Göttingen International Handel Festival (from a live performance at which this live recording derives) may be surprised at the sombre, mournful mood which he adopts from the beginning of the overture, and maintains for considerable stretches of at least the first Act. But he sustains tension and a sense of direction with the FestspielOrchester Göttingen through such understatement, which particularly complements the Purcellian opening chorus with its descending, chromatic ground bass. The final chorus of Act One is quite a tour de force as it alternates between the moral gravitas of its opening section and the jauntier character of the section on “Yet his bolt shall quickly fly”. But here, as elsewhere, Cummings secures a lightness of touch in this performance which avoids any censure or condemnation, fastening with sympathy upon the human weaknesses and foibles at play in the drama, to the extent that the opening chorus of Act Three, pronouncing upon Susanna’s apparent guilt, could sound more threatening than it does here. But in the interest of dramatic subtlety Colin Balzer’s First Elder, for example, is no caricatured lecher in preying upon Susanna, but sings lyrically and so elicits some pity even, at least initially, for his passion that will never be requited by Susanna.

Emily Fons displays notable versatility in her characterisation of the title role, varying between a fresh-sounding innocence and youthfulness appropriate to the part, and a more commanding tone of authority elsewhere, such as in “Bending to the throne of glory”. There could, though, have been a touch more force and defiance in “If guiltless blood be your intent” as she resigns herself to the death sentence meted out upon her for her supposed indiscretion, if only for the sake of more musical contrast both with her music elsewhere and particularly with the broad dignity of that aria’s central section.

As Susanna’s husband, Joacim, Christopher Lowrey sings with a well-rounded tone which is also incisive, and complements Fons’s performance charmingly. Raimund Nolte takes the part both of her father, Chelsias, and the Second Elder, drawing a suitable contrast between the roles. In the former he sounds mellow and kindly, though with some stilted English vowels, like a drawl, which also affects his darker account of the Elder. When Clara Hendrick first appears as Daniel, she sounds almost mischievous, as the prophet intrudes with youthful ardour and questions the authority of the Elders, exposing their contradictory evidence which leads to Susanna’s vindication.

Despite being a rarity amongst the Handelian canon, this oratorio has done well on disc. This is the third recording it has received, all of which have something to recommend them. Peter Neumann’s 1999 interpretation with the Kölner Kammerchor and the Collegium Cartusianum (review) tends to be more musically alert and consistent than Cummings’s. On the other hand, Neumann makes a number of cuts, which will disappoint dedicated Handelians, who are the most likely to want a recording of this work in the first place. To his credit, Cummings makes no cuts at all, whereas Nicholas McGegan in his recording even omits one of the choruses (curiously, perhaps, seeing as there are comparatively few to start with). But McGegan’s is otherwise the most beautifully nuanced performance, with lightly and elegantly sprung numbers making for a more consistently satisfying musical account, alongside the greater stature of the singers used, foremost among them Lorraine Hunt Lieberson, unforgettable as Susanna. McGegan’s recording is not widely available, though there is an upload currently accessible on YouTube. Cummings’s version is still worthy as more than simply the next best choice, but on its own terms for its own idiomatic merits and as the only complete recording. Accordingly it will repay the attention of Handel fans. – Curtis Rogers

discogs

Track List:

George Frideric Handel (1685-1759)

CD1
01. Susanna, HWV 66: Overture - Laurence Cummings
02. Pt. 1: How Long, O Lord - NDR Chor
03. Our Crimes Repeated - Christopher Lowrey
04. Clouds O'ertake the Brightest Day - Christopher Lowrey
05. Oh Joacim, When Thou Art By - Emily Fons
06. When Thou Art Nigh - Emily Fons
07. Lives There in Babylon - Raimund Nolte
08. Who Fears the Lord - Raimund Nolte
09. A Flame Like Mine - Christopher Lowrey
10. When First I Saw My Lovely - Christopher Lowrey
11. Let Me Confess - Emily Fons
12. Would Custom Bid the Melting Fair - Emily Fons
13. Down My Old Cheeks - Raimund Nolte
14. Peace, Crown'd with Roses - Raimund Nolte
15. O Pious Chelsias - Emily Fons
16. Without the Swain's Assiduous Care - Emily Fons
17. Source of Each Joy - Emily Fons
18. The Parent Bird in Search of Food - Christopher Lowrey
19. On Joacim May Ev'ry Joy Attend - Emily Fons
20. What Means This Weight - Emily Fons
21. Bending to the Throne of Glory - Emily Fons
22. Virtue Shall Never Long Be Oppress'd - Laurence Cummings
23. Tyrannic Love! - Colin Balzer
24. Ye Verdant Hills, Ye Balmy Vales - Colin Balzer
25. Say, Is It Fit That Age Should - Colin Balzer
26. The Oak That for a Thousand Years - Raimund Nolte
27. Ye Winged Gales, Convey - Colin Balzer
28. When the Trumpet Sounds to Arms - Colin Balzer
29. Righteous Heav'n - Laurence Cummings

EAC Log

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EAC extraction logfile from 7. December 2018, 22:19

Cummings;Fons;Lowrey;Gottingen / Susanna

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CD2
01. Pt. 2: Frost Nips the Flow'rs - Christopher Lowrey
02. On Fair Euphrates' Verdant Side - Christopher Lowrey
03. Lead Me, Oh Lead Me - Emily Fons
04. Crystal Streams in Murmurs Flowing - Emily Fons
05. Too Lovely Youth - Emily Fons
06. Ask If Yon Damask Rose Be Sweet - Ciara Hendrick
07. In Vain You Try to Cure - Emily Fons
08. Beneath the Cypress' Gloomy Shade - Ciara Hendrick
09. Thy Plaintive Strains - Ciara Hendrick
10. Blooming as the Face of Spring - Colin Balzer
11. We Long Have Languish'd - Emily Fons
12. The Torrent That Sweeps - Raimund Nolte
13. Deceitful Wolves! - Emily Fons
14. Away, Away! - Emily Fons
15. Alas! I Find the Fatal Toils Are Set - Emily Fons
16. If Guiltless Blood Be Your Intent - Emily Fons
17. Let Justice Reign and Flourish - Laurence Cummings
18. Is Fair Susanna False? - Christopher Lowrey
19. On the Rapid Whirlwhind's Wing - Christopher Lowrey
20. Oh Joacim, Thy Wedded Truth - Laurence Cummings

EAC Log

Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 7. December 2018, 23:18

Cummings;Fons;Lowrey;Gottingen / Susanna

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CD3
01. Pt. 3: The Cause Is Decided - Laurence Cummings
02. I Hear My Doom - Emily Fons
03. Faith Displays Her Rosy Wing - Emily Fons
04. Permit Me, Fair - Colin Balzer
05. Round Thy Urn My Tears Shall Flow - Colin Balzer
06. 'Tis Thus the Crocodile - Emily Fons
07. But You, Who See Me on the Verge of Life - Emily Fons
08. The Sentence Now Is Past - Colin Balzer
09. 'Tis Not Age's Sullen Face - Ciara Hendrick
10. Oh Wond'rous Youth - Ciara Hendrick
11. Impartial Heav'n - Laurence Cummings
12. Thou Artful Wretch! - Colin Balzer
13. Chastity, Thou Cherub Bright - Ciara Hendrick
14. But See! My Lord, My Joacim Appears - Emily Fons
15. Gold Within the Furnace Try'd - Christopher Lowrey
16. The Joyful News of Chaste Susanna's Truth - Emily Fons
17. Raise Your Voice to Sounds of Joy - Raimund Nolte
18. Bless'd Be the Day - Laurence Cummings
19. Hence Ev'ry Pang - Emily Fons
20. Guilt Trembling Spoke My Doom - Emily Fons
21. Sweet Are the Accents - Christopher Lowrey
22. To My Chaste Susanna's Praise - Emily Fons
23. A Virtuous Wife - Laurence Cummings

EAC Log

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EAC extraction logfile from 8. December 2018, 0:03

Cummings;Fons;Lowrey;Gottingen / Susanna

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–– CUETools DB Plugin V2.1.6

[CTDB TOCID: 14ISODQpfaqlDnTP8Otp0M5j_X8-] found
Submit result: 14ISODQpfaqlDnTP8Otp0M5j_X8- has been confirmed
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1 | (2/2) Accurately ripped
2 | (2/2) Accurately ripped
3 | (2/2) Accurately ripped
4 | (2/2) Accurately ripped
5 | (2/2) Accurately ripped
6 | (2/2) Accurately ripped
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12 | (2/2) Accurately ripped
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15 | (2/2) Accurately ripped
16 | (2/2) Accurately ripped
17 | (2/2) Accurately ripped
18 | (2/2) Accurately ripped
19 | (2/2) Accurately ripped
20 | (2/2) Accurately ripped
21 | (2/2) Accurately ripped
22 | (2/2) Accurately ripped
23 | (2/2) Accurately ripped

==== Log checksum 6CF93503932E503ED9CC06AEBC22DBC2B228E146EDF0BCDFD5412B15001E8606 ====

Performers:
Emily Fons (Susanna -mezzo-soprano-)
Christopher Lowrey (Joacim -countertenor-)
Colin Balzer (First Elder -tenor-)
Raimund Nolte (Second Elder/Chelsias -bass-baritone-)
Ciara Hendrick (Daniel/Attendant -mezzo-soprano-)
Andreas Pruys (Judge -bass-)

NDR Chor (chorus master: Edzard Burchards)
FestspielOrchester Göttingen
Laurence Cummings (direction)

Thanks to the Original ripper (unknown)!

Download:

Download from icerbox.com

Emily Fons Christopher Lowrey Laurence Cummings Handel Classical Opera FLAC CD-Rip Accent 2016